55cm x 45cm
(17 November 1940 – 30 January 1984) was an Irish singer, folk musician
and actor from Dublin
, Ireland. Born into a working-class household in Dublin city, Kelly moved to England in his late teens and by his early 20s had become involved in a folk music revival. Returning to Dublin in the 1960s, he is noted as a founding member of the band The Dubliners
in 1962. Becoming known for his distinctive singing style, and sometimes political messages, the Irish Post
and other commentators have regarded Kelly as one of Ireland's greatest folk singers.
Luke Kelly was born into a working-class family in Lattimore Cottages at 1 Sheriff Street
His maternal grandmother, who was a MacDonald from Scotland
, lived with the family until her death in 1953. His father who was Irish- also named Luke
- was shot and severely wounded as a child by British soldiers from the King's Own Scottish Borderers
during the 1914 Bachelor's Walk massacre
His father worked all his life in Jacob's
biscuit factory and enjoyed playing football. The elder Luke was a keen singer: Luke junior's brother Paddy later recalled that "he had this talent... to sing negro spirituals
by people like Paul Robeson
, we used to sit around and join in — that was our entertainment". After Dublin Corporation
demolished Lattimore Cottages in 1942, the Kellys became the first family to move into the St. Laurence O’Toole flats, where Luke spent the bulk of his childhood, although the family were forced to move by a fire in 1953 and settled in the Whitehall
Both Luke and Paddy played club Gaelic football
Kelly left school at thirteen and after a number of years of odd-jobbing, he went to England in 1958.
Working at steel fixing with his brother Paddy on a building site in Wolverhampton
, he was apparently sacked after asking for higher pay.
He worked a number of odd jobs, including a period as a vacuum cleaner salesman.
Describing himself as a beatnik
, he travelled Northern England
in search of work, summarising his life in this period as "cleaning lavatories, cleaning windows, cleaning railways, but very rarely cleaning my face".
Kelly had been interested in music during his teenage years: he regularly attended céilithe
with his sister Mona and listened to American vocalists including: Fats Domino
, Al Jolson
, Frank Sinatra
and Perry Como
. He also had an interest in theatre and musicals, being involved with the staging of plays by Dublin's Marian Arts Society.
The first folk club he came across was in the Bridge Hotel, Newcastle upon Tyne
in early 1960.
Having already acquired the use of a banjo
, he started memorising songs. In Leeds
he brought his banjo to sessions in McReady's pub. The folk revival was under way in England: at the centre of it was Ewan MacColl
who scripted a radio programme called Ballads and Blues
. A revival in the skiffle
genre also injected a certain energy into folk singing at the time.
Kelly started busking
. On a trip home he went to a fleadh cheoil
in Milltown Malbay
on the advice of Johnny Moynihan
. He listened to recordings of Woody Guthrie
and Pete Seeger
. He also developed his political convictions which, as Ronnie Drew
pointed out after his death, he stuck to throughout his life. As Drew also pointed out, he "learned to sing with perfect diction".
Kelly befriended Sean Mulready in Birmingham
and lived in his home for a period.
Mulready was a teacher who was forced from his job in Dublin because of his communist beliefs.
Mulready had strong music links; a sister, Kathleen Moynihan was a founder member of Comhaltas Ceoltóirí Éireann
, and he was related by marriage to Festy Conlon, the County Galway
whistle player. Mulready's brother-in-law, Ned Stapleton, taught Kelly "The Rocky Road to Dublin
During this period he studied literature and politics under the tutelage of Mulready, his wife Mollie, and Marxist classicist George Derwent Thomson
: Kelly later stated that his interest in music grew parallel to his interest in politics.
Kelly bought his first banjo, which had five strings and a long neck, and played it in the style of Pete Seeger
and Tommy Makem
. At the same time, Kelly began a habit of reading, and also began playing golf on one of Birmingham's municipal courses.
He got involved in the Jug O'Punch folk club run by Ian Campbell
. He befriended Dominic Behan
and they performed in folk clubs and Irish pubs from London to Glasgow
. In London pubs, like "The Favourite", he would hear street singer Margaret Barry and musicians in exile like Roger Sherlock, Seamus Ennis
, Bobby Casey and Mairtín Byrnes.
Luke Kelly was by now active in the Connolly Association
, a left-wing grouping strongest among the emigres in England, and he also joined the Young Communist League
: he toured Irish pubs playing his set and selling the Connolly Association's newspaper The Irish Democrat
. By 1962 George Derwent Thomson
had offered him the opportunity to further his educational and political development by attending university in Prague
. However, Kelly turned down the offer in favour of pursuing his career in folk music.
He was also to start frequenting Ewan MacColl and Peggy Seeger
's Singer Club in London.
In 1961 there was a folk music
revival or "ballad boom", as it was later termed, in waiting in Ireland.
The Abbey Tavern sessions in Howth
were the forerunner to sessions in the Hollybrook, Clontarf
, the International Bar and the Grafton Cinema
. Luke Kelly returned to Dublin in 1962. O'Donoghue's Pub
was already established as a session house and soon Kelly was singing with, among others, Ronnie Drew
and Barney McKenna
. Other early people playing at O'Donoghues included The Fureys
, father and sons, John Keenan and Sean Og McKenna, Johnny Moynihan, Andy Irvine, Seamus Ennis, Willy Clancy and Mairtin Byrnes.
A concert John Molloy organised in the Hibernian Hotel led to his "Ballad Tour of Ireland" with the Ronnie Drew Ballad Group (billed in one town as the Ronnie Drew Ballet
This tour led to the Abbey Tavern and the Royal Marine Hotel and then to jam-packed sessions in the Embankment, Tallaght
. Ciarán Bourke
joined the group, followed later by John Sheahan
. They renamed themselves The Dubliners
at Kelly's suggestion, as he was reading James Joyce
's book of short stories, entitled Dubliners
, at the time.
Kelly was the leading vocalist for the group's eponymous debut album
in 1964, which included his rendition of "The Rocky Road to Dublin". Barney McKenna later noted that Kelly was the only singer he'd heard sing it to the rhythm it was played on the fiddle.
In 1964 Luke Kelly left the group for nearly two years and was replaced by Bobby Lynch
and John Sheahan
Kelly went with Deirdre O'Connell
, founder of the Focus Theatre
, whom he was to marry the following year, back to London and became involved in Ewan MacColl
's "gathering". The Critics, as it was called, was formed to explore folk traditions and help young singers. During this period he retained his political commitments, becoming increasingly active in the Campaign for Nuclear Disarmament
. Kelly also met and befriended Michael O'Riordan
, the General Secretary of the Irish Workers' Party
, and the two developed a "personal-political friendship".
Kelly endorsed O'Riordan for election, and held a rally in his name during campaigning in 1965.
In 1965, he sang 'The Rocky Road to Dublin
' with Liam Clancy
on his first, self-titled solo album.
Bobby Lynch left The Dubliners, John Sheahan and Kelly rejoined. They recorded an album in the Gate Theatre, Dublin, played the Cambridge Folk Festival
and recorded Irish Night Out
, a live album with, among others, exiles Margaret Barry, Michael Gorman and Jimmy Powers. They also played a concert in the National Stadium
in Dublin with Pete Seeger as special guest.
They were on the road to success: Top Twenty hits with "Seven Drunken Nights
" and "The Black Velvet Band
", The Ed Sullivan Show
in 1968 and a tour of New Zealand
and Australia. The ballad boom in Ireland was becoming increasingly commercialised with bar and pub owners building ever larger venues for pay-in performances. Ewan MacColl and Peggy Seeger on a visit to Dublin expressed concern to Kelly about his drinking.
and Kelly became acquainted in the 1960s.
During his Planxty
days, Moore got to know Kelly well. In 1972 The Dubliners themselves performed in Richard's Cork Leg
, based on the "incomplete works" of Brendan Behan
. In 1973, Kelly took to the stage performing as King Herod
in Jesus Christ Superstar
The arrival of a new manager for The Dubliners, Derry
composer Phil Coulter
, resulted in a collaboration that produced three of Kelly's most notable performances: “The Town I Loved So Well
”, "Hand me Down my Bible", and “Scorn Not His Simplicity
”, a song about Phil's son who had Down Syndrome
Kelly had such respect for the latter song that he only performed it once for a television recording and rarely, if ever, sang it at the Dubliners' often boisterous events.
His interpretations of “On Raglan Road
” and "Scorn Not His Simplicity" became significant points of reference in Irish folk music.His version of "Raglan Road" came about when the poem's author, Patrick Kavanagh
, heard him singing in a Dublin pub, and approached Kelly to say that he should sing the poem (which is set to the tune of “The Dawning of the Day
Kelly remained a politically engaged musician,
becoming a supporter of the movement against South African apartheid
and performing at benefit concerts for the Irish Traveller
and many of the songs he recorded dealt with social issues, the arms race
and the Cold War
, trade unionism
and Irish republicanism
, ("The Springhill Disaster", "Joe Hill", "The Button Pusher", "Alabama 1958" and "God Save Ireland
" all being examples of his concerns).
Luke Kelly on stage in 1980
Luke Kelly married Deirdre O'Connell
in 1965, but they separated in the early 1970s.
Kelly spent the last eight years of his life living with his partner Madeleine Seiler, who is from Germany.
Kelly's health deteriorated in the 1970s. Kelly himself spoke about his problems with alcohol.
On 30 June 1980 during a concert in the Cork Opera House
he collapsed on the stage.
He had already suffered for some time from migraines and forgetfulness - including forgetting what country he was in whilst visiting Iceland
- which had been ascribed to his intense schedule, alcohol consumption, and "party lifestyle".
A brain tumour
Although Kelly toured with the Dubliners after enduring an operation, his health deteriorated further. He forgot lyrics and had to take longer breaks in concerts as he felt weak. In addition following his emergency surgery after his collapse in Cork, he became more withdrawn, preferring the company of Madeleine at home to performing.
On his European tour he managed to perform with the band for most of the show in Carre for their Live in Carre
album. However, in autumn 1983 he had to leave the stage in Traun
and again in Mannheim
, Germany. Shortly after this, he had to cancel the tour of southern Germany, and after a short stay in hospital in Heidelberg
he was flown back to Dublin.
After another operation he spent Christmas with his family but was taken into hospital again in the New Year, where he died on 30 January 1984.
Kelly's funeral in Whitehall
attracted thousands of mourners from across Ireland.
His gravestone in Glasnevin Cemetery
, Dublin, bears the inscription: Luke Kelly – Dubliner
took Kelly's place in The Dubliners. He had been performing with the Dubliners since 1982,
due to the deterioration of Kelly's health.
Statue on South King Street
Luke Kelly's legacy and contributions to Irish music and culture have been described as "iconic" and have been captured in a number of documentaries and anthologies.
The influence of his Scottish grandmother was influential in Kelly's help in preserving important traditional Scottish songs such as "Mormond Braes", the Canadian folk song "Peggy Gordon
", "Robert Burns", "Parcel of Rogues
", "Tibbie Dunbar", Hamish Henderson
's "Freedom Come-All-Ye
", and Thurso Berwick's "Scottish Breakaway".
Bridge in the north inner city of Dublin was renamed the Luke Kelly Bridge,
and in November 2004 Dublin City Council voted unanimously to erect a bronze statue
of Luke Kelly.
However, the Dublin Docklands Authority subsequently stated that it could no longer afford to fund the statue. In 2010, councillor Christy Burke of Dublin City Council appealed to members of the music community including Bono
, Phil Coulter
to help build it.
recorded a tribute to Kelly
entitled "The Dublin Minstrel". It featured on his Gold And Silver Years
, Celtic Collections
and the Essential Paddy Reilly
CD's. The Dubliners recorded the song on their Live at Vicar Street
DVD/CD. The song was composed by Declan O'Donoghue, the Racing Correspondent of The Irish Sun
At Christmas 2005 writer-director Michael Feeney Callan
's documentary, Luke Kelly: The Performer
, was released and outsold U2
's latest DVD during the festive season and into 2006, acquiring platinum sales status. The documentary told Kelly's story through the words of the Dubliners, Donovan
, Ralph McTell
and others and featured full versions of rarely seen performances such as the early sixties' Ed Sullivan Show
. A later documentary, Luke Kelly: Prince of the City
, was also well received.
Two statues of Kelly were unveiled in Dublin in January 2019, to mark the 35th anniversary of his death.
One, a life-size seated bronze by John Coll, is on South King Street. The second sculpture, a marble portrait head
by Vera Klute
, is on Sheriff Street
. The Klute sculpture was vandalised on several occasions in 2019 and 2020, in each case being restored by graffiti-removal specialists.