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Limited Edition no 17/200 of the Republican Bulletin as issued by the Anti Treaty Side during the Irish Civil War.These pamphlets were distributed to the general public and sold at 1p per edition. 32cm x 54cm Limerick The Irish Civil War (28 June 1922 – 24 May 1923) was a conflict that followed the Irish War of Independence and accompanied the establishment of the Irish Free State, an entity independent from the United Kingdom but within the British Empire. The civil war was waged between two opposing groups, the pro-treaty Provisional Government and the anti-treaty Irish Republican Army (IRA), over the Anglo-Irish Treaty. The forces of the Provisional Government (which became the Free State in December 1922) supported the Treaty, while the anti-treaty opposition saw it as a betrayal of the Irish Republic (which had been proclaimed during the Easter Rising). Many of those who fought on both sides in the conflict had been members of the IRA during the War of Independence. The Civil War was won by the pro-treaty Free State forces, who benefited from substantial quantities of weapons provided by the British Government. The conflict may have claimed more lives than the War of Independence that preceded it, and left Irish society divided and embittered for generations. Today, two of the main political parties in the Republic of Ireland, Fine Gael and Fianna Fáil, are direct descendants of the opposing sides of the war.
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27cm x 22cm Charles Stewart Parnell (1846-1891) will be remembered as one of the most iconic and indeed controversial politicians in Irish history.MP and Leader of the Irish Parliamentary or Home Rule Party from1882 to 1891 until revelations of his adulterous love affair with Kitty O'Shea forced his resignation.He died shortly afterwards from pneumonia in the arms of his newly divorced and remarried wife Katherine.His death was considered to be a direct result of the stresses he endured because of the Victorian era scandal and his subsequent funeral at Glasnevin Cemetery in Dublin was attended by more than 200000 people.His notability was such that his gravestone of unhewn Wicklow granite, erected in 1940,reads only Parnell. This faithful portrayal of Parnell,well over 130 years old, by the artist JG Wills dates to 1884 and is a beautiful homage to the "uncrowned king of Ireland". Daniel O'Connell (18th August 1775 – 15 May 1847), often referred to as The Liberator or The Emancipator,was an Irish political leader in the first half of the 19th century. He campaigned for Catholic emancipation—including the right for Catholics to sit in the Westminster Parliament, denied for over 100 years—and repeal of the Acts of Union which combined Great Britain and Ireland. Throughout his career in Irish politics, O'Connell was able to gain a large following among the Irish masses in support of him and his Catholic Association. O'Connell's main strategy was one of political reformism, working within the parliamentary structures of the British state in Ireland and forming an alliance of convenience with the Whigs. More radical elements broke with O'Connell to found the Young Ireland movement. O'Connell was born at Carhan near Cahersiveen, County Kerry, to the O'Connells of Derrynane, a once-wealthy Roman Catholic family that had been dispossessed of its lands. His parents were Morgan O'Connell and Catherine O'Mullane. Among his uncles was Daniel Charles, Count O'Connell, an officer in the Irish Brigades of the French Army. A famous aunt was Eibhlín Dubh Ní Chonaill, while Sir James O'Connell, 1st Baronet, was his younger brother. Under the patronage of his wealthy bachelor uncle Maurice "Hunting Cap" O'Connell. O'Connell was first sent with his brother Maurice to Reddington Academy at Long Island, near Queenstown (Cobh) They both studied at Douai in France from 1790 and O'Connell was admitted as a barrister to Lincoln's Inn in 1794, transferring to Dublin's King's Inns two years later. In his early years, he became acquainted with the pro-democracy radicals of the time and committed himself to bringing equal rights and religious tolerance to his own country.O'Connell's home at Derrynane Co KerryStatue of Daniel O'Connell outside St Patrick's Cathedral, MelbourneThe Monster Meeting at Clifden in 1843 by Joseph Patrick Haverty. O'Connell is depicted in the center addressing the gathered masses.
Daniel O'Connell is honoured on the first commemorative stamps of Ireland, issued in 1929. Mausoleum of Daniel O'Connell in Glasnevin Cemetery1834 portrait of Daniel O'Connell by George HayterO'Connell is on the left edge in this painting which is of the 1840 World Anti-Slavery Convention."Daniel O'Connell: The Champion of Liberty" poster published in Pennsylvania, 1847O'Connell's grave in Glasnevin Cemetery, Dublin. In accordance with his final words – "My body to Ireland, my heart to Rome, and my soul to heaven" – his embalmed heart was interred in a silver casket and sent to Rome, though it is now lost.- "The altar of liberty totters when it is cemented only with blood." (Written in his Journal, December 1796, and one of O'Connell's most well-known quotes. Quoted by O'Ferrall, F., Daniel O'Connell, Dublin, 1981, p. 12)
- "Gentlemen, you may soon have the alternative to live as slaves or die as free men." (speaking in Mallow, County Cork)
- "Good God, what a brute man becomes when ignorant and oppressed. Oh Liberty! What horrors are committed in thy name! May every virtuous revolutionist remember the horrors of Wexford!" (Written in his journal, 2 January 1799, referring to the recent 1798 Rebellion. Quoted from Vol I, p. 205, of O'Neill Daunt, W. J., Personal Recollections of the Late Daniel O'Connell, M.P., 2 Vols, London, 1848.)
- "My days—the blossom of my youth and the flower of my manhood—have been darkened by the dreariness of servitude. In this my native land—in the land of my sires—I am degraded without fault as an alien and an outcast." (July 1812, aged 37, reflecting on the failure to secure equal rights or Catholic Emancipation for Catholics in Ireland. Quoted from Vol I, p. 185, of O'Connell, J. (ed.) The Life and Speeches of Daniel O'Connell, 2 Vols, Dublin, 1846)
- "How cruel the Penal Laws are which exclude me from a fair trial with men whom I look upon as so much my inferiors ...'. (O'Connell's Correspondence, Letter No 700, Vol II)
- "I want to make all Europe and America know it—I want to make England feel her weakness if she refuses to give the justice we [the Irish] require—the restoration of our domestic parliament ..." (Speech given at a 'monster' meeting held at Drogheda, June 1843)
- "There is an utter ignorance of, and indifference to, our sufferings and privations ... What care they for us, provided we be submissive, pay the taxes, furnish recruits for the Army and Navy and bless the masters who either despise or oppress or combine both? The apathy that exists respecting Ireland is worse than the national antipathy they bear us." (Letter to T. M. Ray, 1839, on English attitudes to Ireland (O'Connell, Correspondence, Vol VI, Letter No. 2588))
- "No person knows better than you do that the domination of England is the sole and blighting curse of this country. It is the incubus that sits on our energies, stops the pulsation of the nation's heart and leaves to Ireland not gay vitality but horrid the convulsions of a troubled dream." (Letter to Bishop Doyle, 1831 (O'Connell Correspondence, Vol IV, Letter No. 1860))
- "The principle of my political life ... is, that all ameliorations and improvements in political institutions can be obtained by persevering in a perfectly peaceable and legal course, and cannot be obtained by forcible means, or if they could be got by forcible means, such means create more evils than they cure, and leave the country worse than they found it.' (Writing in The Nationnewspaper, 18 November 1843)
- "No man was ever a good soldier but the man who goes into the battle determined to conquer, or not to come back from the battle field (cheers). No other principle makes a good soldier." (O'Connell recalling the spirited conduct of the Irish soldiers in Wellington's army, at the Monster meeting held at Mullaghmast.)
- "The poor old Duke [of Wellington]! What shall I say of him? To be sure he was born in Ireland, but being born in a stable does not make a man a horse." (Shaw's Authenticated Report of the Irish State Trials (1844), p. 93)
- "Every religion is good—every religion is true to him who in his good caution and conscience believes it." (As defence counsel in R. v Magee (1813), pleading for religious tolerance.)
- "Ireland is too poor for a poor law." (In response to the Poor Relief Act of 1839 that set up the workhouses.
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27cm x 22cm Robert Emmet (4 March 1778 – 20 September 1803) was an Irish Republican, and Irish nationalist patriot, orator and rebel leader. After leading an abortive rebellion against British rule in 1803 he was captured then tried and executed for high treason against the British king George III of Great Britain and Ireland. Emmet came from a wealthy Anglo-Irish Protestant ascendancy Church of Ireland family who sympathized with Irish Catholics and Protestant Dissenters, particularly in Ulster, such as the Presbyterians and their lack of representation in Parliament. The Emmet family also sympathized with the rebel colonists, or "patriots", in the American Revolution. While Emmet's efforts to rebel against British rule failed, his actions and speech after his conviction inspired his compatriots.
Early life
Emmet was born at 109 St. Stephen's Green, in Dublin on 4 March 1778. He was the youngest son of Dr Robert Emmet (1729–1802), a court physician, and his wife, Elizabeth Mason (1739–1803). The Emmets were financially comfortable, members of the Protestant Ascendancywith a house at St Stephen's Green and a country residence near Milltown. One of his elder brothers was an Irish Republican and Nationalist Thomas Addis Emmet, a close friend of Theobald Wolfe Tone, who was a frequent visitor to the house when Robert was a child. Emmet attended Oswald's school, in Dopping's-court, off Golden-lane.Emmet entered Trinity College Dublin in October 1793, at the age of fifteen. In December 1797 he joined the College Historical Society, a debating society.Career as a revolutionary
While Emmet was at college, his brother Thomas and some of his friends became involved in political activism. Robert became secretary of a secret United Irish Committee in college, and was expelled in April 1798 as a result. That same year he fled to France to avoid the many British arrests of nationalists that were taking place in Ireland. While in France, Emmet supposedly garnered the support of Napoleon, who had promised to lend support when the upcoming revolution started.However this pledged support existed in Emmet's imagination, as Napoleon was fully involved from early 1798 in organising the French invasion of Egypt. Napoleon was in Toulon from 9 May 1798, before the Irish Rebellion of 1798 had begun, yet there is no record of Emmet travelling to Toulon to see him. After the 1798 rising, Emmet was involved in reorganising the defeated United Irish Society. In April 1799 a warrant was issued for his arrest. He escaped and soon after travelled to the continent in the hope of securing French military aid, but his efforts were unsuccessful. The French Consulate dictatorship was however focused on new peace treaties, that resulted in the Treaty of Lunéville in 1801 and the Treaty of Amiens (March 1802). Emmet returned to Ireland in October 1802. In March the following year, he began preparations for another uprising. In the meantime, the French Consulate was holding on to Holland, Switzerland and Piedmont, in a manner contrary to the Treaty of Amiens, and so the treaty was ended by the British government in May 1803.1803 rebellion
After his return to Ireland, Emmet began to prepare a new rebellion, with fellow revolutionaries Thomas Russell and James Hope. He began to manufacture weapons and explosives at a number of premises in Dublin and developed a folding pike fitted with a hinge that allowed it to be concealed under a cloak. Unlike in 1798, the revolutionaries concealed their preparations, but a premature explosion at one of Emmet's arms depots killed a man. Emmet was forced to advance the date of the rising before the authorities' suspicions were aroused. Emmet was unable to secure the help of Michael Dwyer's Wicklow rebels. Many rebels from Kildare turned back due to the scarcity of firearms they had been promised, but the rising went ahead in Dublin on the evening of 23 July 1803. About 10,000 copies were printed of a proclamation in the name of the "Provisional Government", which influenced the 1916 Proclamation; most were destroyed by the authorities. Emmet wore a uniform of a green coat with white facings, white breeches, top-boots, and a cocked hat with feathers.[5] Failing to seize Dublin Castle, which was lightly defended, the rising of some 200 men amounted to a large-scale disturbance in the Thomas Street area. Emmet saw a dragoon being pulled from his horse and piked to death, the sight of which prompted him to call off the rising to avoid further bloodshed. But, he had lost all control of his followers. In one incident, the Lord Chief Justice of Ireland, Lord Kilwarden, was dragged from his carriage and stabbed by pikes. Found still alive, he was taken to a watch-house where he died shortly thereafter. He had been reviled as chief prosecutor of William Orr in 1797, but he was also the judge who granted habeas corpus to Wolfe Tone in 1798. Kilwarden's nephew, the Rev. Mr. Wolfe, was also murdered. Sporadic clashes continued into the night until finally quelled by British military forces.Capture and trial
Emmet fled into hiding, moving from Rathfarnham to Harold's Cross so that he could be near his sweetheart, Sarah Curran. He likely could have escaped to France, had he not insisted upon returning with Anne Devlin in order to take leave of Sarah Curran, to whom he was engaged. She was daughter of John Philpot Curran.Emmet was captured on 25 August and taken to the Castle, then removed to Kilmainham. Vigorous but ineffectual efforts were made to procure his escape. He was tried for treason on 19 September; the Crown repaired the weaknesses in its case by secretly buying the assistance of Emmet's defense attorney, Leonard McNally, for £200 and a pension.But McNally's assistant Peter Burrowes could not be bought and he pleaded the case as best he could. On 19 September, Emmet was found guilty of high treason. Before sentencing Emmet delivered a speech, the Speech from the Dock. It is especially remembered for its closing sentences and secured his posthumous fame among executed Irish republicans. It was printed in 1835 in Manchester for the bookseller TP Carlile.Let no man write my epitaph; for as no man who knows my motives dare now vindicate them, let not prejudice or ignorance, asperse them. Let them and me rest in obscurity and peace, and my tomb remain un-inscribed, and my memory in oblivion, until other times and other men can do justice to my character. When my country takes her place among the nations of the earth, then and not till then, let my epitaph be written. I have done.
An earlier and more credible version of the speech was published in 1818, taken from the notes of his counsel Peter Burrowes, in a biography on Sarah Curran's father John, emphasising that Emmet's epitaph should be written on the future vindication of his character, and not specifically when Ireland took its place as a nation. It closed:I am here ready to die. I am not allowed to vindicate my character; no man shall dare to vindicate my character; and when I am prevented from vindicating myself, let no man dare to calumniate me. Let my character and my motives repose in obscurity and peace, till other times and other men can do them justice. Then shall my character be vindicated; then may my epitaph be written.
The modern historian Patrick Geoghehan wrote in 2003: "At last count there are over seventy different versions of the text, but most of these are later reworkings and have little claim to acceptance." Chief Justice Lord Norbury sentenced Emmet to be hanged, drawn and quartered, as was customary for conviction of treason. The following day, 20 September, Emmet was executed in Thomas Street in front of St. Catherine's. He was hanged and then beheaded once dead. As family members and friends of Robert had also been arrested, including some who had nothing to do with the rebellion, no one came forward to claim his remains out of fear of arrest. Robert Emmet is described as slight in person; his features were regular, his forehead high, his eyes bright and full of expression, his nose sharp, thin, and straight, the lower part of his face slightly pock-marked, his complexion sallow.[5]Burial
Emmet's remains were first delivered to Newgate Prison and then back to Kilmainham Gaol, where the jailer was under instructions that if no one claimed them they were to be buried in a nearby hospital's burial grounds called 'Bully's Acre' in Kilmainham. A later search there found no remains. It is claimed that Emmet's remains were secretly removed from Bully's Acre and reinterred in St Michan's, a Dublin church with strong United Irish associations, though it was never confirmed.Speculation has continued regarding the whereabouts of Emmet's remains. It was suspected that they were buried secretly in the vault of a Dublin Anglican church. When the vault was inspected in the 1950s a headless corpse was found, suspected of being Emmet's, but could not be identified. Widely accepted is the theory that Emmet's remains were transferred to St Peter's Church in Aungier St. under cover of the burial of Robert's sister, Mary Anne Holmes, in 1804. In the 1980s the church was de-consecrated and all the coffins were removed from the vaults. The church has since been demolished.Legacy
Robert Emmet was honoured on two Irish postage stamps issued in 1953, commemorating the 150th anniversary of his deathRepresentation in popular culture
Robert Emmet wrote a letter from his cell in Kilmainham Gaol, Dublin on 8 September 1803. He addressed it to "Miss Sarah Curran, the Priory, Rathfarnham" and handed it to a prison warden, George Dunn, whom he trusted to deliver it. Dunn betrayed him and gave the letter to the government authorities. Due to Emmet's attempt to hide near Curran, which cost him his life, and his parting letter to her, Emmet became known as a legendary romantic character, appealing to the Victorian Era's appetite for Romanticism. His story was the subject of stage melodramas during the 19th century, most notably Dion Boucicault's inaccurate 1884 play Robert Emmet. He mistakenly portrayed Emmet and Curran as Roman Catholics (they were both Protestants), her father John Philpot Curran being portrayed as a Unionist, and Emmet being killed onstage by firing squad. Robert's friend from Trinity College, Thomas Moore, championed his cause by writing popular ballads about him and Sarah Curran, such as- Oh breathe not his name! let it sleep in the shade,
- Where cold and unhonoured his relics are laid!
- No trump tells thy virtues—the grave where they rest
- With thy dust shall remain unpolluted by fame,
- Till thy foes, by the world and by fortune caressed,
- Shall pass like a mist from the light of thy name.
Honours
Places named after Emmet in the United States include Emmetsburg, Iowa; Emmet, Nebraska;Emmet County, Iowa; Emmett, Michigan and Emmet County, Michigan.[20] The Robert Emmet Elementary School in Chicago, Illinois was named for him. Two time All Ireland Club Camogie Champions Robert Emmet's GAC Slaughtneil is named after him. Emmet Park in Savannah, Georgia was named after Emmet after urging from the large Irish born population in the city. Statues were erected in his honour:- A life size bronze statue of Robert Emmet by Jerome Connor stands in St Stephen's Green, Dublin, the parkland beside which Emmet was born.
- A bronze statue of Emmet by Jerome Connor stands in Washington, DC on Embassy Row (Massachusetts Avenue NW and S Street NW). A public commemoration of Emmet's execution and legacy is held annually on the fourth Sunday in September by the Irish American Unity Conference.
- A copy of this statue was installed on the Music Concourse in front of the California Academy of Sciences in San Francisco's Golden Gate Park.
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Bronze statue of Robert Emmet, 1916, by Jerome Connor, from the collection of the Smithsonian American Art Museum. It is installed in Washington, DC's Embassy Row.
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Statue of Robert Emmet in St Stephens Green, Dublin
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Reproduction of Robert Emmet statue in San Francisco's Golden Gate Park
- A statue of Robert Emmet is in the courthouse square in Emmetsburg, Iowa.
Early life
Wolfe Tone was born on 20 June 1763. His family were descended from a French Protestant family who fled to England from Gascony in the 16th century to escape religious persecution. A branch of the family settled in Dublin in the 17th century. Theobald's father, Peter Tone, was a coach-maker who had a farm near Sallins, County Kildare and belonged to the Church of Ireland. His mother came from a Catholic merchant family who converted to Protestantism after Theobald was born. His maternal grandfather was captain of a vessel in the West India trade. He was baptised as Theobald Wolfe Tone in honour of his godfather, Theobald Wolfe of Blackhall, County Kildare, a first cousin of Arthur Wolfe, 1st Viscount Kilwarden. However, it was widely believed that Tone was the son of Theobald Wolfe, which, if true, made him a half-brother of the poet Charles Wolfe. After his death, he was widely referred to as Wolfe Tone. In 1783, Tone found work as a tutor to Anthony and Robert, younger half-brothers of Richard Martin MP of Galway, a prominent supporter of Catholic emancipation, at Dangan, the Martin family home.Tone fell in love with Martin's wife, but later wrote that it came to nothing. During this period he briefly considered a career in the theatre as an actor. He studied law at Trinity College Dublin, where he became an active member in the College Historical Society debating club and was elected its auditor in 1785. He graduated BA in February 1786.He qualified as a barrister in King's Inns at the age of 26 after keeping the requisite terms as a student member of the Middle Temple in London. As a student, he eloped with Martha Witherington, daughter of William and Catherine Witherington (née Fanning) of Dublin.She would go on to change her name to Matilda, at Tone's request. When they married, Tone was 22, and Matilda was about 16. In 1796, while he was in France and she in Hamburg he wrote in his journal: "She is the delight of my eyes, the joy of my heart, the only object for which I wish to live. I doat upon her to distraction." Disappointed at finding no support for a plan that he had submitted to William Pitt the Younger, to found a military colony in Hawaii, Tone initially planned to enlist as a soldier in the East India Company, but applied too late in the year, when no more ships would be sent out until the following spring.Politician
In September 1791, Tone published An Argument on behalf of the Catholics of Ireland, signed "A Northern Whig". It displayed the growing breach between Whig patriots like Henry Flood and Henry Grattan, who sought Catholic emancipation and parliamentary reform without severing the tie to England. Tone expressed contempt for the constitution Grattan obtained from the British government in 1782. Himself an Anglican, Tone urged co-operation between the religions in Ireland as the only means of obtaining redress of Irish grievances. The British government had just passed the Roman Catholic Relief Act 1791, but the Dublin parliament was in no hurry to do so. In October 1791 Tone converted these ideas into practical policy by founding, in conjunction with Thomas Russell (1767–1803), Napper Tandy and others, the Society of the United Irishmen. Until 1794, this society aimed at no more than the formation of a political union between Catholics and Protestants, with a view to obtaining a liberal measure of parliamentary reform. In 1792 he was appointed an assistant secretary of the Catholic Committee. The Catholics involved were not united regarding the steps they were to take, and in December 1791, sixty-eight members withdrew, led by Lord Kenmare, with the support of the higher clergy. When the British government questioned the legality of the Catholic Convention called in December 1792, Tone drew up for the committee a statement of the case on which a favourable opinion of counsel was obtained. A petition was made to King George III early in 1793, and that year the re-enfranchisement of Catholics was enacted – if they owned property as "forty-shilling freeholders". They could again be called as barristers and serve as army officers. They could not, however, enter parliament or be made state officials above grand jurors. The Convention voted to Tone a sum of £1,500 with a gold medal and voted to dissolve. In this new climate of goodwill the Maynooth College Act 1795 was passed. Sectarian animosity threatened to undermine the United Irishmen movement: two secret societies in Ulster fought against each other: the agrarian Protestant Peep o' Day Boys and their Catholic opponents the Defenders. Tone's aim was to unite both into a revolutionary army of Irish "men of no property". Tone himself admitted that with him hatred of England had always been "rather an instinct than a principle," though until his views should become more generally accepted in Ireland he was prepared to work for reform as distinguished from revolution. But he desired to root out the popular respect for the names of Charlemont and Grattan, and to transfer to more violent leaders the conduct of the national movement. Wolfe Tone's principles were drawn from the French Convention, and he was a disciple of Georges Danton and Thomas Paine.Revolutionary in exile
Statue of Tone, Bantry, County CorkWolf Tone was sent to France to claim the support of the Directory, under the express condition that the French should come to Ireland as allies, and should act under direction of the new government, as Rochambeau had done in America. With this view, Tone had frequently conferences at Paris with Hoche; and the Directory finally determined to send from Brest a fleet of forty-five sail, with an army of fifteen thousand men, under the charge of this able general, December 15, 1796. England was saved by a violent tempest.
Hoche's Expedition and the 1798 Rebellion
In End of the Irish Invasion ; — or – the Destruction of the French Armada(1797), James Gillray caricatured the failure of Hoche's expedition. -
27cm x 22cmSt. Patrick, (flourished 5th century, Britain and Ireland; feast day March 17), patron saint and national apostle of Ireland, credited with bringing Christianity to Ireland and probably responsible in part for the Christianization of the Picts and Anglo-Saxons. He is known only from two short works, the Confessio, a spiritual autobiography, and his Letter to Coroticus, a denunciation of British mistreatment of Irish Christians.
Patrick was born in Britain of a Romanized family. At age 16 he was torn by Irish raiders from the villa of his father, Calpurnius, a deacon and minor local official, and carried into slavery in Ireland. He spent six bleak years there as a herdsman, during which he turned with fervour to his faith. Upon dreaming that the ship in which he was to escape was ready, he fled his master and found passage to Britain. There he came near to starvation and suffered a second brief captivity before he was reunited with his family. Thereafter, he may have paid a short visit to the Continent.The best known passage in the Confessio tells of a dream, after his return to Britain, in which one Victoricus delivered him a letter headed “The Voice of the Irish.” As he read it, he seemed to hear a certain company of Irish beseeching him to walk once more among them. “Deeply moved,” he says, “I could read no more.” Nevertheless, because of the shortcomings of his education, he was reluctant for a long time to respond to the call. Even on the eve of reembarkation for Ireland he was beset by doubts of his fitness for the task. Once in the field, however, his hesitations vanished. Utterly confident in the Lord, he journeyed far and wide, baptizing and confirming with untiring zeal. In diplomatic fashion he brought gifts to a kinglet here and a lawgiver there but accepted none from any. On at least one occasion, he was cast into chains. On another, he addressed with lyrical pathos a last farewell to his converts who had been slain or kidnapped by the soldiers of Coroticus. The phenomenal success of Patrick’s mission is not, however, the full measure of his personality. Since his writings have come to be better understood, it is increasingly recognized that, despite their occasional incoherence, they mirror a truth and a simplicity of the rarest quality. Not since St. Augustine of Hippohad any religious diarist bared his inmost soul as Patrick did in his writings. As D.A. Binchy, the most austerely critical of Patrician (i.e., of Patrick) scholars, put it, “The moral and spiritual greatness of the man shines through every stumbling sentence of his ‘rustic’ Latin.” Before the end of the 7th century, Patrick had become a legendary figure, and the legends have continued to grow. One of these would have it that he drove the snakes of Ireland into the sea to their destruction. Patrick himself wrote that he raised people from the dead, and a 12th-century hagiography places this number at 33 men, some of whom are said to have been deceased for many years. He also reportedly prayed for the provision of food for hungry sailors traveling by land through a desolate area, and a herd of swine miraculously appeared.Another legend, probably the most popular, is that of the shamrock, which has him explain the concept of the Holy Trinity, three persons in one God, to an unbeliever by showing him the three-leaved plant with one stalk. Traditionally, Irishmen have worn shamrocks, the national flower of Ireland, in their lapels on St. Patrick’s Day, March 17. t Brendan was born in Annagh, Co. Kerry in 484. Very little is known about his life when he was young, but reports told how brightly lit angels hovered over the house when he was born. He was ordained a priest by Bishop Erc in 512. St. Brendan set up a lot of monasteries in Ireland. One was set up at Ardfert, at the foot of Mount Brandan in Co. Kerry. However, the most famous one was at Clonfert in Co. Galway. That monastery was set up in 560 – that’s almost 1,500 years ago! Today there is a big cathedral at Clonfert where he is buried.St Brendan the Navigator Courtesy of An PostOf all the Irish saints, St. Brendan was the most adventurous. He loved travelling on the sea and was very skilled with the coracle (small boat). On some of his earlier ventures, he visited Britain, many of the islands off the coast of Scotland and possibly even Iceland.Yet, St. Brendan’s longest adventure at sea was still to come. A manuscript was written in the 9thcentury that tells the story of his famous voyage in search of Hy Brasail, or the Island of the Blessed. This manuscript is called Navigatio Sancti Brendani Abbatis. That is Latin for ‘Voyage of St. Brendan the Abbot’. This voyage lasted for seven years. He probably travelled to Iceland, Greenland and maybe even America. The manuscript is full of the adventures of St. Brendan’s journey. One story tells how St. Brendan landed on an island that was actually a great big sea-monster. Another story tells how he narrowly escaped a sea-cat as big as a horse!In the 1970s, an explorer called Tim Severin read The Voyage of St. Brendan the Abbot. He decided to follow St. Brendan’s journey and to travel in the same type of boat St. Brendan had – a coracle. He proved that St Brendan may have been the first European to set foot in America. St Brendan died in 578 at Annaghdown. His feast day is celebrated on 16thMay, and he is known as the patron saint of seafarers and travellers. -
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27cm x 22cm Richard de Clare, 2nd Earl of Pembroke (of the first creation), Lord of Leinster, Justiciar of Ireland (1130 – 20 April 1176), also known as Richard FitzGilbert, was an Anglo-Norman nobleman notable for his leading role in the Anglo-Norman invasion of Ireland. Like his father, Richard fitz Gilbert has since become commonly known by his nickname Strongbow , which may be a mistranscription or mistranslation of "Striguil."His son Gilbert de Striguil (or de Strigoil) died unmarried before 1189 and the earldom passed via Richard's daughter Isabel to her spouse William Marshall. Edward Bruce, a Scotsman, was the last High King of Ireland and reigned between 1315 and 1318. He died on this day, October 14, in 1318. Over seven hundred years ago, the last High King of Ireland was crowned. The man chosen was a Scotsman - Edward Bruce, died on this day, October 13, in 1318. The English colonists in Ireland vehemently opposed him.Edward, the brother of the King of Scotland, Robert the Bruce, led a three-year military campaign, known as the Bruce Invasion, against the Anglo-Norman lordship of Ireland.Thomas FitzGerald
The Earl of Kildare Reign 1534–1537 Predecessor Gerald FitzGerald Successor Title forfeited Born 1513 Died 3 February 1537 (aged 24) Tyburn, London, Kingdom of England Noble family FitzGerald dynasty Father Gerald FitzGerald Mother Elizabeth Zouche Religion Roman Catholicism 16th-century woodcut of Silken Thomas's attack on Dublin CastleKildare rebellion (1534–1535)
Dress of gallowglasses c. 1521. Many fought on Fitzgerald's side. -
30cm x 30cm Patrick "Pat" O'Callaghan (28 January 1906 – 1 December 1991) was an Irish athlete and Olympic gold medallist. He was the first athlete from Ireland to win an Olympic medal under the Irish flag rather than the British. In sport he then became regarded as one of Ireland's greatest-ever athletes.
Early and private life
Pat O'Callaghan was born in the townland of Knockaneroe, near Kanturk, County Cork, on 28 January 1906, the second of three sons born to Paddy O'Callaghan, a farmer, and Jane Healy. He began his education at the age of two at Derrygalun national school. O'Callaghan progressed to secondary school in Kanturk and at the age of fifteen he won a scholarship to the Patrician Academy in Mallow. During his year in the Patrician Academy he cycled the 32-mile round trip from Derrygalun every day and he never missed a class. O'Callaghan subsequently studied medicine at the Royal College of Surgeons in Dublin. Following his graduation in 1926 he joined the Royal Air Force Medical Service. He returned to Ireland in 1928 and set up his own medical practice in Clonmel, County Tipperary where he worked until his retirement in 1984.O'Callaghan was also a renowned field sports practitioner, greyhound trainer and storyteller.Sporting career
Early sporting life
O’Callaghan was born into a family that had a huge interest in a variety of different sports. His uncle, Tim Vaughan, was a national sprint champion and played Gaelic football with Cork in 1893. O’Callaghan's eldest brother, Seán, also enjoyed football as well as winning a national 440 yards hurdles title, while his other brother, Con, was also regarded as a gifted runner, jumper and thrower. O’Callaghan's early sporting passions included hunting, poaching and Gaelic football. He was regarded as an excellent midfielder on the Banteer football team, while he also lined out with the Banteer hurling team. At university in Dublin O’Callaghan broadened his sporting experiences by joining the local senior rugby club. This was at a time when the Gaelic Athletic Association ‘ban’ forbade players of Gaelic games from playing "foreign sports". It was also in Dublin that O’Callaghan first developed an interest in hammer-throwing. In 1926, he returned to his native Duhallow where he set up a training regime in hammer-throwing. Here he fashioned his own hammer by boring a one-inch hole through a 16 lb shot and filling it with the ball-bearing core of a bicycle pedal. He also set up a throwing circle in a nearby field where he trained. In 1927, O’Callaghan returned to Dublin where he won that year's hammer championship with a throw of 142’ 3”. In 1928, he retained his national title with a throw of 162’ 6”, a win which allowed him to represent the Ireland at the forthcoming Olympic Games in Amsterdam. On the same day, O’Callaghan's brother, Con, won the shot put and the decathlon and also qualified for the Olympic Games. Between winning his national title and competing in the Olympic Games O’Callaghan improved his throwing distance by recording a distance of 166’ 11” at the Royal Ulster ConstabularySports in Belfast.1928 Olympic Games
In the summer of 1928, the three O’Callaghan brothers paid their own fares when travelling to the Olympic Games in Amsterdam. Pat O’Callaghan finished in sixth place in the preliminary round and started the final with a throw of 155’ 9”. This put him in third place behind Ossian Skiöld of Sweden, but ahead of Malcolm Nokes, the favourite from Great Britain. For his second throw, O’Callaghan used the Swede's own hammer and recorded a throw of 168’ 7”. This was 4’ more than Skoeld's throw and resulted in a first gold medal for O’Callaghan and for Ireland. The podium presentation was particularly emotional as it was the first time at an Olympic Games that the Irish tricolour was raised and Amhrán na bhFiann was played.Success in Ireland
After returning from the Olympic Games, O’Callaghan cemented his reputation as a great athlete with additional successes between 1929 and 1932. In the national championships of 1930 he won the hammer, shot-putt, 56 lbs without follow, 56 lbs over-the-bar, discus and high jump. In the summer of 1930, O’Callaghan took part in a two-day invitation event in Stockholm where Oissian Skoeld was expected to gain revenge on the Irishman for the defeat in Amsterdam. On the first day of the competition, Skoeld broke his own European record with his very first throw. O’Callaghan followed immediately and overtook him with his own first throw and breaking the new record. On the second day of the event both O’Callaghan and Skoeld were neck-and-neck, when the former, with his last throw, set a new European record of 178’ 8” to win.1932 Summer Olympics
By the time the 1932 Summer Olympics came around O’Callaghan was regularly throwing the hammer over 170 feet. The Irish team were much better organised on that occasion and the whole journey to Los Angeles was funded by a church-gate collection. Shortly before departing on the 6,000-mile boat and train journey across the Atlantic O’Callaghan collected a fifth hammer title at the national championships. On arrival in Los Angeles O’Callaghan's preparations of the defence of his title came unstuck. The surface of the hammer circle had always been of grass or clay and throwers wore field shoes with steel spikes set into the heel and sole for grip. In Los Angeles, however, a cinder surface was to be provided. The Olympic Committee of Ireland had failed to notify O’Callaghan of this change. Consequently, he came to the arena with three pairs of spiked shoes for a grass or clay surface and time did not permit a change of shoe. He wore his shortest spikes, but found that they caught in the hard gritty slab and impeded his crucial third turn. In spite of being severely impeded, he managed to qualify for the final stage of the competition with his third throw of 171’ 3”. While the final of the 400m hurdles was delayed, O’Callaghan hunted down a hacksaw and a file in the groundskeeper's shack and he cut off the spikes. O’Callaghan's second throw reached a distance of 176’ 11”, a result which allowed him to retain his Olympic title. It was Ireland's second gold medal of the day as Bob Tisdall had earlier won a gold medal in the 400m hurdles.Retirement
Due to the celebrations after the Olympic Games O’Callaghan didn't take part in the national athletic championships in Ireland in 1933. In spite of that he still worked hard on his training and he experimented with a fourth turn to set a new European record at 178’ 9”. By this stage O’Callaghan was rated as the top thrower in the world by the leading international sports journalists. In the early 1930s controversy raged between the British AAA and the National Athletic and Cycling Association of Ireland (NACAI). The British AAA claimed jurisdiction in Northern Ireland while the NACAI claimed jurisdiction over the entire island of Ireland regardless of political division. The controversy came to a head in the lead-up to the 1936 Summer Olympics when the IAAF finally disqualified the NACAI. O’Callaghan remained loyal to the NACAI, a decision which effectively brought an end to his international athletic career. No Irish team travelled to the 1936 Olympic Games, however O’Callaghan travelled to Berlin as a private spectator. After Berlin, O’Callaghan's international career was over. He declined to join the new Irish Amateur Athletics Union (IAAU) or subsequent IOC recognised Amateur Athletics Union of Eire (AAUE) and continued to compete under NACAI rules. At Fermoy in 1937 he threw 195’ 4” – more than seven feet ahead of the world record set by his old friend Paddy 'Chicken' Ryan in 1913. This record, however, was not ratified by the AAUE or the IAAF. In retirement O’Callaghan remained interested in athletics. He travelled to every Olympic Games up until 1988 and enjoyed fishing and poaching in Clonmel. He died on 1 December 1991.Legacy
O'Callaghan was the flag bearer for Ireland at the 1932 Olympics. In 1960, he became the first person to receive the Texaco Hall of Fame Award. He was made a Freeman of Clonmel in 1984, and was honorary president of Commercials Gaelic Football Club. The Dr. Pat O'Callaghan Sports Complex at Cashel Rd, Clonmel which is the home of Clonmel Town Football Club is named after him, and in January 2007 his statue was raised in Banteer, County Cork. -
Out of stockVery interesting collage type framed, unglazed print depicting the Irish Soccer Teams World Cup Odyssey in 1990,when it qualified for the Works Cup Finals in Italy for the first time in our history.Draws against England,Egypt and Holland meant the Rep of Ireland met Romania in the Last 16 game in Genoa,when Packie Bonner famously saved a penalty before David O Leary converted his to send the entire nation into raptures .The dream journey would finally end against Italy in Rome but not before an entire country had come to a standstill. Drimnagh Dublin 70cm x 56cm 70 x 56cm 3.5kg
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62cm x 42cm John Patrick Healy (9 March 1931 – 5 December 2014), known as Jackie Healy-Rae, was an Irish Independent politician who served as a Teachta Dála (TD) for the Kerry South constituency from 1997 to 2011.
Early and private life
Healy-Rae was the first of six children born to Daniel and Mary Healy, and grew up on his family's farm at the foot of Mangerton Mountain, near Kilgarvan in County Kerry. The Rae part of his surname came from the name of the Healys' farm, Reacashlagh. He was educated at the local National School in Kilgarvan. He emigrated to the United States in 1953 but soon returned to Ireland. He played for the local hurling and Gaelic football teams in Kilgarvan, where he won two senior county hurling titles with the club in 1956 and 1958. Healy-Rae was also a saxophone player with the Kilgarvan Dance Band. By the 1960s, he was well established in the plant hire business in south Kerry. In 1969, he became a publican when he purchased an old premises that had been closed for some time in Kilgarvan. The family pub is now run by his son, Danny. Healy-Rae was married to Julie Healy, but the couple separated in 1977.Two sons, Danny and Michael were members of Kerry County Council for the Killarney and Killorglin local electoral areas respectively before becoming TDs. His eldest daughter Joan (Mrs. Larkin) teaches in a Catholic Schoolin New York. His other daughter, Rosemary, is a barrister-at-law. She was appointed to a paid position on the Criminal Injuries Compensation Tribunal in 2007. She was re-appointed, for three further years, by Justice Minister Dermot Ahern on 11 November 2010.A son, Denis, runs his own business, and another son, John Healy (he does not use Rae), is a full-time official with and former President of the Garda Representative Association.Political career
Early involvement
Healy-Rae first became involved in politics in the 1960s. He headed several Fianna Fáil by-election campaigns, most notably the election of John O'Leary to the Dáil in 1966. O'Leary retained the seat for thirty-one years. Healy-Rae later lent his services to several other Fianna Fáil election campaigns in County Limerick, County Cork and County Galway. In 1973, Healy-Rae was first co-opted to Kerry County Council as a Fianna Fáil member, following the death of sitting Kerry County Councillor Michael Doherty. He was elected to the council in his own right in 1974 and re-elected in every subsequent election. Healy-Rae served on the council for 30 years, until he had to resign his seat because of the abolition of the dual mandate in 2003. During the 1970s and 1980s, Healy-Rae served three times as Fianna Fáil's director of elections in Kerry South. In this capacity he was given the task of delivering two of the three seats for the Fianna Fáil Party.Election to Dáil Éireann Healy-Rae broke from Fianna Fáil in controversial circumstances prior to the 1997 general election. When the party refused to nominate him as a candidate in Kerry South, he decided to run as an Independent candidate. This move surprised the party, with many commentators giving him little chance of getting elected. However, Healy-Rae took a seat and denied Fianna Fáil the chance of taking a second seat in the constituency.
After the election, the Fianna Fáil and Progressive Democrats prospective government was still short of an overall majority. Healy-Rae was one of four Independent TDs (the others were Harry Blaney, Tom Gildea and Mildred Fox) who supported the government throughout its five-year term and rejected the opposition Fine Gael. In return for this support he secured funding for projects in his constituency and chairmanship of the Environment committee. His policy approach could be defined as populist, primarily driven by his rural background and constituency, and he frequently demanded upgrades to public services such as schools and roads in his constituency as the price of his support for the government. Healy-Rae contested the 2002 general election and although his seat looked in doubt at some stages of the campaign and he received only the fourth-highest number of first-preference votes, he was narrowly re-elected, winning the third seat. He sat through fewer than half the meetings of an Oireachtas committee tasked with dealing with social welfare he received €20,000 a year to chair. He got up and left during 25pc of the meetings of the committee leaving the vice-chairman, Charlie O'Connor, to oversee the meetings and absented himself entirely from a further 25pc of meetings, despite a convention that chairmen appointed by the government should fully chair all meetings.External support for Fianna Fáil
He was again re-elected to the Dáil at the 2007 general election and signed a confidence and supply deal with Fianna Fáil. Promising to support the government in return for investment in the Kerry South constituency. The details of this deal were not made public. Healy-Rae has been criticised for not making the details of the deal public and for supporting the government over highly controversial cutbacks (in contrast to Finian McGrath who made the details public by entering his deal into the Dáil record and who withdrew his support from the government in 2008, over cutbacks in the health sector). He was confronted publicly by members of the Kerry Public Sector Workers Alliance about his continual support for cutbacks and for the Irish bank bailout. Healy-Rae said he was powerless as he had only one vote and that they "should talk to the Green Party that are making the big changes".Retirement
On 26 June 2008, Healy-Rae announced that he intended to retire at the next general election. His son Michael Healy-Rae was selected as a candidate by the Healy-Rae organisation on 28 October 2010,and was elected at the 2011 general election.Death
Healy-Rae died on 5 December 2014, at Kerry General Hospital in Tralee after a long illness. -
Unique hand crafted ceramic of James Connolly from 1975. 20cm x 13cm Scarriff Co Clare
James Connolly was a revolutionary socialist, a trade union leader and a political theorist. His execution by firing squad after the Easter Rising, supported by a chair because of his wounds, significantly contributed to the mood of bitterness in Ireland. James Connolly © -
Kennedy for President -Leadership for the 60s-Election Poster 40cm x 27cm Bruree Co Limerick
Ulster is becoming Britain’s Vietnam,” Senator Edward M Kennedy, the youngest of three exceptionally accomplished brothers in the United States’ most famous Irish family, told the US Senate in the autumn of 1971.
This year marks an important anniversary for the Kennedys, the Irish and the world, for it was 50 years ago when Ted Kennedy set his sights on peace in Northern Ireland. And, from that moment to the miracle of Stormont, in 1998, that secured peace, Ted spearheaded the United States’ peace-making efforts. He pushed presidents, worked with key Senate and House members of Irish descent, testified before Congress, delivered speeches, wrote articles, visited the region and met leaders on both sides of the conflict.
Jack, Bobby and Ted Kennedy were all proudly Irish. They all spoke of the anti-Irish bigotry that had plagued their ancestors in the United States. Jack visited Ireland to trace his roots and, while there as president in 1963, called it “the land for which I hold the greatest affection”. Ted came in 1964 in grief after Jack’s murder, and he spent more time trying to end the Troubles in Northern Ireland than on any other global challenge.
Joe and Rose led discussions about the world with the boys over meals, and Joe invited prominent people, such as aviator Charles Lindbergh and media mogul Henry Luce, to dine with them and enrich the conversations
Ted’s peace-making in Northern Ireland, however, reflects far more than the proud Irishness that he shared with his brothers. It also reflects perhaps the most fascinating and consequential story about the Kennedy brothers that hardly anyone knows – a story with important lessons for the United States of today.
Most people know that Joe and Rose Kennedy groomed their sons for success. They started with Joe jnr, who died at war in 1944 at the age of 29, and continued through Jack, Bobby and Ted. What most people don’t know (and what I explore in my new book, The Kennedys in the World: How Jack, Bobby, and Ted Remade America’s Empire) is that, from the time the brothers were little boys, Joe and Rose pushed them not just to succeed but to look beyond the United States’ borders – to learn about the world, care about the world and, once they attained power, shape the United States’ role in the world.
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68cm x 46cmThe biggest cliché in the collecting world is the “discovery” of a previously unknown cache of stuff that’s been hidden away for years until one day, much to everyone’s amazement, the treasure trove is unearthed and the collecting landscape is changed forever. As a corollary to this hoary trope, if you are in the right place at the right time, you can get in on the action before the word gets out.
“Some of the canvases were 80 years old, dating from 1930.”
Cliché or not, that’s roughly what happened in 2008 when hundreds of artist John Gilroy’s oil-on-canvas paintings started to appear on the market. The canvases had been painted by Gilroy as final proofs for his iconic Guinness beer posters, the most recognized alcoholic-beverage advertisements of the mid-20th century. Before most collectors of advertising art and breweriana knew what had happened, most of the best pieces had been snapped up by a handful of savvy collectors. In fact, the distribution of the canvases into the hands of private collectors was so swift and stealthy that one prominent member of the Guinness family was forced to get their favorite Gilroys on the secondary market.One of those early collectors, who wishes to remain anonymous, recalls seeing several canvases for the first time at an antiques show. At first, he thought they were posters since that’s what Guinness collectors have come to expect. But after looking at them more closely, and realizing they were all original paintings, he purchased the lot on the spot. “It was quite exciting to stumble upon what appeared to be the unknown original advertising studies for one of the world’s great brands,” he says. But the casualness of that first encounter would not last, as competition for the newly found canvases ramped up among collectors. Today, the collector describes the scramble for these heretofore-unknown pieces as “a Gilroy art scrum.”Among those who were particularly interested in the news of the Gilroy cache was David Hughes, who was a brewer at Guinness for 15 years and has written three books on Guinness advertising art and collectibles, the most recent being “Gilroy Was Good for Guinness,” which reproduces more than 150 of the recently “discovered” paintings. Despite being an expert on the cheery ephemera that was created to sell the dark, bitter stout, Hughes, like a lot of people, only learned of the newly uncovered Gilroy canvases as tantalizing examples from the cache (created for markets as diverse as Russia, Israel, France, and the United States) started to surface in 2008.“Within the Guinness archives itself,” Hughes says of the materials kept at the company’s Dublin headquarters, “they’ve got lots of advertising art, watercolors, and sketches of workups towards the final version of the posters. But they never had a single oil painting. Until the paintings started turning up in the United States, where Guinness memorabilia is quite collectible, it wasn’t fully understood that the posters were based on oils. All of the canvases will be in collections within a year,” Hughes adds. For would-be Gilroy collectors, that means the clock is ticking.As it turns out, Gilroy’s entire artistic process was a prelude to the oils. “The first thing he’d usually do was a pencil sketch,” says Hughes. “Then he’d paint a watercolor over the top of the pencil sketch to get the color balance right. Once that was settled and all the approvals were in, he’d sit down and paint the oil. The proof version that went to Guinness for approval, it seems, was always an oil painting.”Based on what we know of John Gilroy’s work as an artist, that makes sense. For almost half a century, Gilroy was regarded not only as one of England’s premier commercial illustrators, but also as one of its best portraitists. “He painted the Queen three times,” says Hughes, “Lord Mountbatten about four times. In 1942, he did a pencil-and-crayon sketch of Churchill in a London bunker.” According to Hughes, Churchill gave that portrait to Russian leader Joseph Stalin at the Yalta Conference with Franklin Delano Roosevelt, which may mean that somewhere in the bowels of the Kremlin, there’s a portrait of Winnie by the same guy who made a living drawing cartoons of flying toucans balancing pints of Guinness on their beaks.For those who collect advertising art and breweriana, Gilroy is revered for the numerous campaigns he conceived as an illustrator for S.H. Benson, the venerable British ad agency, which was founded in 1893. Though most famous for the Guinness toucan, which has been the internationally recognized mascot of Guinness since 1935, Gilroy’s first campaign with S.H. Benson was for a yeast extract called Bovril. “Do you have Bovril in the U.S.?” Hughes asks. “It’s a rather dark, pungent, savory spread that goes on toast or bread. It’s full of vitamins, quite a traditional product. He also did a lot of work on campaigns for Colman’s mustard and Macleans toothpaste.”pparently Gilroy’s work caught the eye of Guinness, which wanted something distinctive for its stout. “A black beer is a unique product,” says Hughes. “There weren’t many on the market then, and there are even fewer now. So they wanted their advertising to be well thought of and agreeable to the public.” For example, in the early 1930s, Benson already had an ad featuring a glass of Guinness with a nice foamy head on top. “Gilroy put a smiling face in the foam,” says Hughes. Collectors often refer to this charming drawing as the “anthropomorphic glass.”That made the black beer friendly. To ensure that it would be appealing to the common man, Benson launched its “Guinness for Strength” campaign, whose most famous image is the 1934 Gilroy illustration of a muscular workman effortlessly balancing an enormous steel girder on one arm and his head.Another early campaign put Guinness beer in the world of Lewis Carroll’s “Alice’s Adventures in Wonderland.” “Guinness and oysters were a big thing,” says Hughes. In one ad, “Gilroy drew all the oysters from the poem ‘The Walrus and the Carpenter’ sipping glasses of Guinness.”nd then there were the animals, of which the toucan is only the most recognized, and not even the first (that honor goes to a seal). “He had the lion and the ostrich and the bear up the pole,” Hughes says. “There was a whole menagerie of them. The animals kept going for 30 years. It’s probably the longest running campaign in advertising history.”Most of Gilroy’s animals lived in a zoo, so a central character of the animal advertisements was a zookeeper, who was a caricature of the artist himself. “That’s what Gilroy looked like,” says Hughes. “Gilroy was a chubby, little man with a little moustache. As a younger man, he drew himself into the advert, and he became the zookeeper.”Gilroy’s animals good-naturedly tormented their zookeeper by stealing his precious Guinness: An ostrich swallows his glass pint whole, whose bulging outline can be seen in its slender throat; a seal balances a pint on its nose; a kangaroo swaps her “joey” for the zookeeper’s brown bottle. Often the zookeeper is so taken aback by these circumstances his hat has popped off his head.In fact, Gilroy spent a lot of time at the London Zoo to make sure he captured the essence of his animals accurately. “In the archives at Guinness,” says Hughes, “there are a lot of sketches of tortoises, emus, ostriches, and the rest. He perfected the drawing of the animals by going to the zoo, then he adapted them for the adverts.” As a result, a Gilroy bear really looked like a bear, albeit one with a smile on its face.During World War II, Gilroy’s Guinness ads managed to keep their sense of humor (eg: two sailors painting the hull of an aircraft carrier, each wishing the other was a Guinness), and in the 1950s and early ’60s, Gilroy’s famous pint-toting toucans flew all over the world for Guinness, in front of the Kremlin as well as Mt. Rushmore, the Leaning Tower of Pisa, and the Statue of Liberty, although some of these paintings never made it to the campaign stage.Gilroy’s work on the Guinness account ended in 1962, and in 1971, Benson was gobbled up by the Madison Avenue advertising firm of Ogilvy & Mather. By then, says Hughes, Gilroy’s work for Guinness was considered the pinnacle of poster design in the U.K., and quite collectible. “The posters were made by a lithographic process. In the 1930s, the canvases were re-created on stone by a print maker, but eventually the paintings were transferred via photolithography onto metal sheets. Some of the biggest posters were made for billboards. Those used 64 different sheets that you’d give to the guy with the bucket of wheat paste and a mop to put up in the right order to create the completed picture.”In terms of single-sheet posters, Hughes says the biggest ones were probably 4 by 3 feet. Benson’s had an archive of it all, but “when Benson’s shut down in ’71, when they were taken over, they cleaned out their stockroom of hundreds of posters and gave them to the British Museum and the Victoria and Albert Museum in London. Today, both have collections of the original posters, including the 64-sheets piled into these packets, which were wrapped in brown paper and tied up with string. They’re extremely difficult to handle; you can’t display them, really.”At least the paper got a good home. As for the canvases? Well, their history can only be pieced together based on conjecture, but here’s what Hughes thinks he knows.Sometime in the 1970s, a single collector whose name remains a mystery appears to have purchased as many as 700 to 900 Gilroy paintings that had been in the archives. “The guy who bought the whole archive was an American millionaire,” Hughes says. “He’s a secretive character who doesn’t want to be identified. I don’t blame him. He doesn’t want any publicity about how he bought the collection or its subsequent sale.”air enough. What we do know for sure is that the years were not kind to Gilroy’s canvases while in storage at Benson’s. In fact, it’s believed that more than half of the cache did not survive the decades and were probably destroyed by the mystery collector who bought them because of their extremely deteriorated condition (torn canvases, images blackened by mildew, etc.). After all, when Gilroy’s canvases were put away, no one at Benson’s thought they’d be regarded in the future as masterpieces.“A lot of the rolled-up canvases were stuck together,” says Hughes. “Oil takes a long while to dry. Gilroy diluted his oils with what’s called Japan drier, which is a sort of oil thinner that allows you to put the oil on the canvas in a much thinner texture, and then roll them up afterwards. The painted canvas becomes reasonably flexible. The problem is that even with a drier, they still took a long time to dry. And if someone had packed them tightly together and put weight on them, which is what must have happened while the Gilroy paintings were in storage at Benson’s, they’d just stick together. Some of the canvases were 80 years old, dating from 1930.”For diehard Guinness-advertising fans, though, it’s not all bad news. After all, almost half of the cache was saved, “and it’s beautiful,” says Hughes. “I’ve just come back from Boston to look at a lot of these canvases out there, and they are superb. The guy who’s selling the canvases I saw had about 40 or 50 with him. They’re absolutely fabulous.”Although he has no proof, Hughes believes the person who bought the cache in the 1970s also oversaw its preservation. Importantly to many collectors, all of the Gilroy canvases are in their found condition, stabilized but essentially unchanged. Even areas in the paint that show evidence of rubbing from adjacent canvases remain as they were found. “I think the preservation has been done by the owner,” Hughes says. “I don’t think the dealers did it. It’s my understanding that they were supplied with fully stabilized canvases from the original buyer. It appears that they were shipped from the U.K., so that’s interesting in itself.” Which suggests they never left the United Kingdom after being purchased by the mysterious American millionaire.collectors of the approval process at Benson. Gilroy painted his canvases on stretchers, and in the bottom corner of each canvas was a small tag identifying the artist, account code, and action to be taken (“Re-draw,” “Revise,” “Hold,” “Print,” and, during World War II, “Submit to censor”). “They would’ve been shown to Guinness on a wooden stretcher,” Hughes says. “Before they went into storage, somebody removed the stretchers and either laid them flat or rolled them up.”“As a younger man, he drew himself into the advert, and he became the zookeeper.”
Without exception, the canvases Hughes has seen, which were photographed exclusively for his book, are in fine shape and retain their mounting holes for the stretchers and Benson agency tags. “The colors are good,” he says. “They haven’t been in sunlight. They’ll keep for years and years and years.” One collector notes that you can even see the ruby highlights in Gilroy’s paintings of glasses of the stout. “When a pint of Guinness is backlit by a very strong light, the liquid has a deep ruby color,” this collector says. “Gilroy was very careful to include this effect when he painted beer in clear pint glasses.”Finally, for Guinness, breweriana, and advertising-art collectors, the Gilroy canvases also offer a peek of what might have been. “I would say about half the images were never commercially used, so they are absolutely brand new, never been seen before,” says Hughes. “They’re going to blow people away.” Of particular interest to collectors in the United States are the Gilroy paintings of classic cars that were created for an aborted, early 1950s campaign to coincide with the brewing of Guinness on Long Island.Still, it’s the medium that continues to amaze Hughes. “The idea of the canvases, none of us expected that,” he says. “As a Guinness collector, I’ve always collected their adverts, but they’re prints. They never touched Gilroy, he was never anywhere near the printing process. I had acquired a pencil drawing, which I was delighted with. Then these oils started turning up,” he Naturally, Hughes the Guinness scholar has seen a few oils that Hughes the Guinness collector would very much like to own. “If I had a magic wand? Well, I saw one this weekend that I really liked. It’s one of the animal ones. But it’s an animal that was not used commercially. It’s of a rhinoceros sitting on the ground with the zookeeper’s Guinness between his legs. The rhinoceros is looking at the zookeeper, and the zookeeper’s looking around the corner holding his broom. It’s just a great image, and it’s probably the only one of that advert that exists. So if I could wave my magic wand, I think that’s what I’d get. But I’d need $10,000With those kinds of prices and that kind of buzz, you might think that whoever is handling the Guinness advertising account today might be tempted to just re-run the campaign. But Hughes is realistic about the likelihood of that. “Advertising moves on,” he says. “Gilroy’s jokey, humorous, cartoon-like poster design is quintessentially 1930s, ’40s, and ’50s. It is a bit quaint, maybe even a little juvenile for today’s audiences. But it’s still amusing. The other day I showed the draft of my book to my mother, who’s 84. She sat in the kitchen, just giggling at the pictures.”That sums up Gilroy to Hughes; not that it’s only appealing to people in their 80s, but that his work is ultimately about making people happy, which is why his advertising images connected so honestly with viewers. “Gilroy had a tremendous sense of humor,” Hughes says. “He always saw the funny side of things. He was apparently a chap who, if you were feeling a little down and out, you’d spend a couple of hours with him and he’d just lift your spirits.” You know, in much the same way as a lot of us feel after a nice pint of Guinness.