Ireland has been associated with the coursing of greyhounds for generations, although the Irish Coursing Club was not formally established until 1916. Before then, the sport of coursing and its rules were already highly developed in England for several hundred years, and it was the Duke of Norfolk who fully described them as the Laws of the Leash in the late 1500s. Many standards we still see in coursing today can be found in Laws of the Leash, and this includes only two greyhounds released at a time, and allowing the hare a significant head start before the greyhounds are slipped.
These practices and others were already well in use and we know this from the work of a Greek historian writing extensively about the proper raising and training of the swift Celtic sighthounds. In his work, Cynegeticus, also simply called,On Coursing, Arrian’s comment about the purpose of coursing still holds true today, almost two thousand years later:
“true sportsmen do not take their dogs out for the sake of catching a hare but for the contest and sport of coursing and are glad if the hare meets with an escape”
Coursing is managed and regulated by the Irish Coursing Club (ICC), and consists of 89 affiliated clubs from Ireland and Northern Ireland, all of whom must abide by the ICC’s rules and regulations. Club Representatives are nominated and voted on to the Executive Committee to manage the affairs of the club, together with the President, Treasurer and Secretary. With many thousands of active members, people from all walks of life and of all ages participate in the sport – men, women, boys and girls, and in many cases it has been enjoyed within the same family for generations. The two main highlights of the year are the National Meeting in Clonmel, held in February, and followed a few weeks later by the Irish Cup, hosted by the County Limerick Coursing Club.
Coursing is all about the hare, a remarkable work of nature which has thrived for thousands of years on our island, and will continue to flourish only with the assistance of coursing clubs. It is this concern for hare conservation that makes the sport so indispensable and unique. Without the efforts of our sport, the hare population would be without the significant layer of protection it presently enjoys from the hare husbandry initiatives afforded by coursing clubs on a 12 month basis. The Irish hare is legally protected since 1930 in the Republic of Ireland, initially under the Game Preservation Act (1930), more recently by the Wildlife Act (1976) and Wildlife (Amendment) Act (2000). The hare is listed as an internationally important species in the Irish Red Data Book (Whilde, 1993).
Coursing operates in a highly regulated environment coupled with comprehensive rules directly applied by the ICC. It operates under a licence from the Minister of Arts, Heritage & the Gaeltacht, issued annually with a total of 22 conditions attached. Although our sport may take place only over the winter months and is sensitive to the hare breeding season, the protection and policing of preserves is a continuous activity and conducted on a voluntary basis. Quercus, the Belfast University research body reports that “Irish hares are 18 times more abundant in areas managed by the Irish Coursing Club than at similar sites in the wider countryside”.
Without regulated coursing there would be an increase of unregulated illegal hunting taking place throughout the year, with no organisation taking responsibility or interest in the overall well-being of the hare. If coursing clubs ceased to perform their functions, the hare population here would decline at a rapid rate as the proliferation of illegal hunting could easily rise to epidemic proportions as seen in the UK, where poaching and hare population decline are the order of the day.
Finally, I offer a quote I recently found that seems appropriate: “The future of coursing is so dependent on hare preservation that no effort should be spared by us to put it on an assured basis.”That was from an October 1924 edition of the Irish Coursing Calendar, now known as the Sporting Press newspaper.
The Irish Coursing Club has been, and will continue to be, deeply immersed in the conservation of the Irish Hare population, always seeking new ways to improve conservation in the face of loss of habitat due to the “advances” of our modern world and in spite of grossly uninformed efforts to ban it when no proven alternative conservation programmes are in place.
-
This very clever,limited edition print chronicles the various categories of members of the fairer sex who have been known to populate the facing world from time to time although of course we would never generalise here at the irishpubemporium! Some hilarious paddock notes on some various fictitious female characters, this print would make a superb present for the racing man in you life with an obvious mischievous sense of humour. Naas Co Kildare 55cm x 65cm
-
Beautiful bronze statuette of an unmuzzled coursing greyhound.The sometimes controversial pursuit of coursing is still a hugely popular one in Ireland along with greyhound racing. 30cm x 15cm x 10cm Patrickswell Co Limerick
- Clonmel (Private)
- Cork (IGB)
- Derry (N Ireland)
- Drumbo Park (N Ireland)
- Dundalk (Private)
- Enniscorthy (Private)
- Galway (IGB)
- Kilkenny (Private)
- Lifford (Private)
- Limerick (IGB)
- Longford (Private)
- Mullingar (IGB)
- Newbridge (IGB)
- Shelbourne Park (IGB)
- Thurles (Private)
- Tralee (IGB)
- Waterford (IGB)
- Youghal (IGB)
- Trap 1 = Red with White numeral
- Trap 2 = Blue with White numeral
- Trap 3 = White with Black numeral
- Trap 4 = Black with White numeral
- Trap 5 = Orange with Black numeral
- Trap 6 = Black & White Stripes with Red numeral
-
Fire damaged but still robustly intact cast iron Capel St street sign .This pieced of Dublin history was acquired in the UK where the story goes a former British soldier brought it home as a souvenir after extracting it from the post 1916 Easter rising burning rubble.Whether this anecdote is true or not, we feel this is a unique and once off item not to be missed ! For further information on pricing and shipping costs please contact us directly at irishpubemporium@gmail.com 60cm x 14cm 5kg It is sometimes claimed that the street takes its name from the chapel of St Mary's Abbey; other Capel Streets may be named after chapels, but this one is named after Arthur Capell, 1st Earl of Essex, Lord Lieutenant of Ireland 1672–1677. Built by Sir Humphrey Jervis in the late 17th century, he also built Essex Bridge (today Grattan Bridge), and the street was known for its mansions and a royal mint. In the 18th century, it became a commercial hub, with two-bay buildings replacing the "Dutch Billy" houses.The Capel Street Theatre also stood there in the 18th century. The Torch Theatre operated on Capel Street in 1935–41. The street declined in the 20th century, before a revival around the 1980s. Today it is known for its variety of restaurants, shops, cafés and pubs; as Panti, the owner of Pantibar put it, "You can buy a lightbulb, sexual lubricant, Brazilian rice, get a pint and go to a trad session." Louis Copeland's tailor is another notable business.
-
Nice Carling Black Label Mirror 50cm x 42cm Sneem Co Kerry Even though Carling originated in Canada,it’s popularity spread widely throughout the Commonwealth including Ireland .A famous advertising campaign “I bet he drinks Carling” contributed hugely to the brands market share . Carling Black Label is a Canadian brand of lagerdistributed by Carling Brewing Company. In several countries, it is also known as Carling Black Label, and in Sweden, it is known as Carling Premier. In the United Kingdom it is now known as just Carling.
History
Although its original focus was on ale, Carling has been brewing lager-style beers since the 1870s. In 1927, as part of an overall corporate re-branding effort under new president J. Innes Carling, the company renamed its already popular Black & White Lager to Black Label. Three years later, Carling was purchased by Toronto business tycoon E. P. Taylor, who merged the company into his Canadian Breweries Limited (CBL), which grew to be the world's largest brewing company, at least for a time. Under Taylor, Black Label was promoted as CBL's flagship brand and went on to become the world's first beer to be brewed on a mass international scale,becoming particularly popular in Commonwealth countries such as the United Kingdom, Australia, New Zealand and South Africa.Canada
In response to a shift in popular taste away from ale, Carling added a three-storey lager plant to their main London, Ontario, brewery in 1877. Carling's Lager (later renamed Carling's Bavarian Stock Lager, and then Carling's Imperial Club Lager) was the company's first lager brand. Carling's Black & White Lager was introduced in the 1920s and later renamed Black Label Lager, in contrast to their recently launched Red Cap Ale. Due to its strength and price, the brand quickly became popular with the country's working class, perhaps most famously among the loggers and miners of Northern Ontario, where the brand gained a tough, blue-collar image. Around 1990, Black Label had an advertising campaign in Canada, which used the phrase "The Legend is Black."United States
After the repeal of prohibition in 1933, the Peerless Motor Car Company, looking for a way to diversify in the poor car market of the depression, purchased the American rights to Carling's formulas, identifying labels, and trademarks. Technicians and brewmasters were sent from Canada to convert a Peerless plant in Cleveland, Ohio, into the Brewing Corporation of America. They first tried just brewing Carling's Red Cap Ale, but sales were too slow to maintain the brewery, and sales didn't climb until the introduction of Black Label lager. The philosophy behind Black Label was to have a high quality lager that was available nationwide but with a locally brewed budget price. The strategy worked, and the next several decades led to rapid growth and expansion for the brewery and the Carling Black Label brand. When Carling stopped producing Black Label to focus on a more profitable lager, they found their sales plummeting. Carling re-introduced Black Label with a beautiful blonde named Mabel, portrayed by Jeanne Goodspeed, with the slogan "Hey Mabel, Black Label!". The twenty-year marketing campaign cemented the name in the popular culture of America. In 1979, after several years of intense pressure from the larger American Brewers Miller and Anheuser-Busch, Carling-National was bought out by the Heileman Brewing Co. of La Crosse, Wisconsin. Carling and the Black Label brand are currently owned by the Molson Coors Brewing Company. Though no longer widely distributed in the U.S., Black Label remains the official beer of Beer Frisbee.United Kingdom
Black Label was introduced to the United Kingdom in 1952. Originally, it was only available in bottles, but in 1965, The Hill Top in Sheffield became the first pub to pour Carling Black Label draughts. In the 1970s and 80s, Carling Black Label sales were driven to great heights, due partly to increased advertising support, in particular the classic "I bet he drinks" series of advertisements, and partly with the launch of Carling Black Label in cans. Cans were important to Carling's success as they helped open up the "take home" market.[3] The "I bet he drinks" series of ads showed someone doing something cool, clever or difficult, and having a bystander say "I bet he drinks Carling Black Label". With the help of this advertising campaign, it became Britain's best-selling brand of beer in 1971. In the 1980s, many of the adverts featured comedians Mark Arden and Stephen Frost, also known as The Oblivion Boys, delivering the classic punchline. One of the advertisements in the series, Dambusters from 1989, was a parody of the 1955 film of the same name, and was ranked at number 12 on ITV's list of the "Best Ever Ads" in 2005, and at number 17 on Channel 4's list of the "100 Greatest TV Ads" in 2000.Campaign Live also ranked it at number 5 in their list of the "Top 10 Funniest TV Ads of All Time" in 2008. Carling has remained Britain's best selling beer since 1985. 'Black Label' has been dropped from the brand name and logo in Britain since 1997.South Africa
In South Africa, Black Label began to take on a different tone with the anti-apartheid movement. This was partly due to the fact that, at 5.5%, it had more alcohol than the other brands of beer that generally had 5.0%, as noted in the popular advertising catch phrase "only hard working students deserve an extra 0.5 percent." Furthermore, the connotation of black to the racial issue became a point of pride to the native Africans. It used to be sold with the motto, "America's Lusty, Lively Beer", perhaps in reference to Canada, though it is seldom seen in the United States. The motto came from an older advertising campaign in the United States. Another famous Afrikaans slogan for Black Label in South Africa is, "Black Label sê die bybel", which means "The Bible says (one should drink) Black Label." -
A beautiful and superbly made cast iron reproduction of an Irish Mist Decanter bottle ,the iconic Irish soldier dressed in the traditional Irish Brigade of the Austrian Army uniform of 1750. 39cm x 14cm x 12cm. 3kg Irish Mist is a brown Whiskey Liqueur produced in Dublin, Ireland, by the Irish Mist Liqueur Company Ltd. In September 2010 it was announced that the brand was being bought by Gruppo Campari from William Grant, only a few months after Grants had bought it from the C&C Group. It is made from aged Irish whiskey, heather and clover honey, aromatic herbs, and other spirits, blended to an ancient recipe claimed to be 1,000 years old.Though it was once 80 US proof (40% alcohol per volume), Irish Mist is now 35% or 70 US proof. The bottle shape has also been changed from a "decanter" style to a more traditional whiskey bottle shape. It is currently available in more than 40 countries. Irish Mist was the first liqueur to be produced in Ireland when commercial production began in 1947 at Tullamore, County Offaly. Tullamore is the hometown of the Williams family who were the original owners of Irish Mist. The company history goes back to 1829 when the Tullamore Distillery was founded to produce Irish whiskey. In the mid-1940s Desmond E. Williams began the search for an alternative yet related product, eventually deciding to produce a liqueur based on the ancient beverage known as heather wine.In 1985 the Cantrell & Cochrane Group purchased the Irish Mist Liqueur Company from the Williams family. In the summer of 2010 Irish Mist and the entire spirit division of C&C was bought by William Grant of Scotland. In September 2010 they in turn sold Irish Mist to Gruppo Campari.Irish Mist is typically served straight up or on ice, but also goes with coffee, vodka, or cranberry juice. Per the makers, Irish Mist's most popular recipe is Irish Mist with Cola and Lime. A Rusty Mist is an ounce of Irish Mist with an ounce of Drambuie Scotch whisky liqueur.A Black Nail is made from equal parts Irish Mist and Irish whiskey.
-
65cm x 50cm PHOTOGRAPHER TARQUIN BLAKE has a penchant for visiting parts of Ireland people don’t always get to see. He’s written about and photographed Ireland’s abandoned ‘big houses’ and haunted houses, but for his latest book he turns his sights on Irish castles. Like his previous books, Exploring Irish Castles is a coffee table book filled with gorgeous photos and the background stories to some fascinating locations. While his previous book ideas came from his own travels throughout Ireland, this topic was suggested by his publisher – showing how popular Irish castles are to the Irish and those abroad. “I was given an objective – the book had to cover all the main Irish castles and it should cover a variety of ruins, family homes and heritage sites that are open to the public,” explains Blake. “I went off and started investigating all the Irish castles, drawing up a list of the best ones. I started going out visiting them – I visited about 100 castles and 40 of those ended up in the book.” He wanted to cover all the main periods of Irish castles, from the big Anglo Norman castles like Trim Castle to the tower houses and fortified houses, which are the commonest small castle in Ireland. The book also has a selection of the neo gothic castles – the Victorian country houses made to look like castles. Blake did a lot of in-depth research into the castles for the book. “What I found was a lot of the tower houses would have very little history so they weren’t very suitable for including in the book,” he says. There are around 6,000 towers in Ireland, but Blake says that there are very few records related to them around. He gave some insight into the history of castles here: “The concept of using building methods to protect territory was introduced from overseas in the 12th century, when the Irish term caisleán began to appear in manuscripts. By the 16th century, Ireland had become the most castellated country in Europe.” “The tower houses were built up until the early 1600s and it’s generally recognised that Cromwell’s invasion put an end to true castle building,” says Blake. This is because after the invention of artillery, the castle didn’t provide enough protection from invaders. “Before that they were pretty much invincible and everybody was building them and everyone was living in them,” he says. “After Cromwell, they went back to the renaissance houses, and the big country houses in the Georgian period.” The book features very well-known castles, such as Trim Castle and Blarney Castle, but also some lesser-known locations, such as Co Galway’s Fiddaun Castle. It’s all about trying to encourage people to visit the spots, says Blake. One of the most interesting locations was Tullynally Castle in Co Westmeath. Thomas Packenham, the historian, and his family still live there. “It was a fascinating place to visit,” says Blake. “It’s pretty impressive – it is the largest family home in Ireland.”For me the most interesting part was visiting the places and meeting the people. It was great seeing Tullynally, that’s an example there of seeing how people still live in these places. They have massive kitchen and the huge halls, and you can’t really imagine the rooms – big enough to fit 200-300 people.
Castle facts
Kilwaughter Castle, County Antrim- There are quite a number of Patrick Agnews in the family, resulting in a bit of a genealogical headache.
- It was used to billet Americans from the 644th Tank Destroyer Battalion in preparation for D-Day.
- It occupies a wild position perched on top of the cliff. In 1639 a section of the kitchen collapsed when the cliff face underneath gave way. The dinner, kitchen tables, and all the silverware fell into the sea below.
- Nine of the kitchen staff fell to their deaths and the kitchen boy only survived by clinging to a corner of the crumbling wall.
- After his father’s death in 1581, David Barry, fifth Viscount Buttevant, set fire to the castle, rendering it unliveable so that Sir Walter Raleigh couldn’t have it.
- In 1751, Richard Barry became the sixth earl when he was six years old. A reckless gambler and drinker, he served briefly in the 9th Regiment of Dragoons before dying of a fever at the age of 28.
- In 1599, four-year-old Elizabeth, Queen Elizabeth’s namesake and godchild, inherited the Mallow property. The story goes that the Queen sent her godchild two white deer as a christening gift, and the herd of white deer at Mallow today is descended from this original pair.
- In the eighteenth century, Mallow Castle became fantastically famous for its social goings-on, becoming known as ‘The Bath of Ireland’.
- Sir John Jephson upheld a bizarre ritual of having a white rat on a small chair at his right-hand side during all meals, believing this would keep him free from debt. Apparently, the white rat then often appeared before the head of the Jephson family, predicting their imminent demise.
- The hill upon which it is built is a long extinct volcano.
- ‘Fighting Charlie’ was a mean landlord – he gave just £30 for famine relief but spent £15,000 renovating his home.
- You can see the Isle of Man and Scotland from the tower on a clear day.
- The third Earl of Rosse built the 16-ton telescope called Leviathan, which remained the world’s largest telescope until 1917.
- His wife, Lady Mary, was an accomplished early pioneer of photography and installed a darkroom. It is the oldest surviving example of its kind in the world.
- Their son Charles invented the steam turbine. His company eventually became part of Rolls-Royce and still survives as a division of Siemens.
- Jonathan Charles Darby found three upright skeletons sealed into a wall and bricked them up again because he decided there must have been a good reason to put them there.
- It has a reputation as the most haunted castle in Europe.
-
Original Fianna Fail Charles J Haughey Election Poster from the 1980s.Anyone who remembers the period of Irish Life when Charlie held sway over the country will either look at this poster with fond admiration or in horror -there is no middle ground !The most polarising and controversial figure of modern Irish history. Dublin 83cm x 63cmWhen, after protracted negotiations, numerous disappointments and postponements, you finally get to interview Charles J. Haughey, it emerges that the procedure is slightly differenet than with other interviews. First of all Charles J. Haughey interviews you. This, presumably, is so that he can reassure himself that you're not the kind of person who's going to come out with what is eloquently summed up by his colourful press secretary P.J. Mara as "any of that Arms Trial shite." P.J. is very good on the subject of what happens when people do. Or when they confront The Boss with Sean Doherty, telephone tapping and tape-recorders. "The shutters come down," says P.J., illustrating graphically with both hands the downward motion of imaginary shutters descending to obscure Charles J. Haughey's face. "The fuse starts to burn. And then you've had it." ***** "You like very MI5-ish," says C.J. Haughey as he rises to greet the Hot Pressreporter. His right hand is pressed against the left side of his midriff; either he's trying to look Napoleonic or the stomach is at him. "What in the name of Jazus do you want to talk to me about?" Haughey's tone is one of wearied resignation, leavened with a sizable dollop of friendliness. P.J. Mara points out that all the details were in the letter he gave him a few weeks ago. "What letter?" Haughey demand blankly. "You gave me no letter. You never give me anything!" His gaze, mischievous but unflinching, meets P.J.'s head on. He knows that P.J. knows that he knows that in all probability P.J. did give him the letter. P.J. keeps his counsel. It's explained to Haughey that rather than dealing with the nitty gritty of issues and policies - his views on which are already well documented - the interview will be personal in emphasis. We would like to talk to him about issues affecting young people in modern Ireland but with particular reference to his own experiences as an, ahem, young person. A flicker of a smile breaks through Haughey's blank, quizzical expression. "Sure I'd never be able to remember that far back! That's a long time ago." What kind of "issues"? Crime, vandalism... "Well what could I say about that?" he thinks out loud. "I don't think I could say that I approve of youngsters knocking off BMW's and so on," he muses. "Although, I must admit, I always had a hidden desire to do something like that! I don't suppose I could say anything like that, now could I?" Hardly. "What kind of other issues?" The drug problem... "Sex?" he asks and smiles sardonically. The reporter takes the opportunity to stress that the whole point of the interview is to portray the lighter, more personal side of Charles Haughey, which doesn't normally come across in the media. Most people see him as an austere individual. "Oh but I am austere" he responds, deadpan. "Deep down I'm very austere." There isn't the merest flicker of a smile. The reporter meets his stare, wondering if he's supposed to laugh. He does. So does Charles J. Haughey. The reporter, it appears, has passed the audition, and the interview is duly arranged for the following Monday, which as it happens is the day that Garret Fitzgerald and Margaret Thatcher are due to have their now infamous summit meeting. "What other people have you interviewed?" Haughey enquires. The reporter does a quick mental check, in search of some respectable names to drop. For some odd reason he mentions Christy Moore. "Ah, he's a bit of a rebel, isn't he?" remarks Charles J. Haughey. "Christy wants to change the world!" He pauses. "I gave up trying to change the world a long time ago." You were born in Castlebar. How much do you remember about it? "Well, I was only born in Castlebar. I left at a stage I don't even remember. As a child I lived in Dublin, to all intents and purposes. I also spent a lot of summer holidays in the north, in my grandmother's house. It was a small farm and I got a very good insight there of life on a small farm and of the social life and economics of small farming. And I also got a very clear impression of the community situation in Northern Ireland - how the Catholic small farmers viewed their Protestant neighbours and how they lived with them. But all my life, really, was spent in Dublin. I mean, I'm a Dublin person. Were you very bright at school? "I'm afraid I was, yes. In those days there used to be a Dublin Corporation scholarship at primary school level, and I got first in Dublin. You went to the Christian Brothers. They had quite a reputation in those days for violence towards pupils... "I would reject that. I liked school. By and large, the games at school made up for the less attractive side of it. If you did something particularly awful or outrageous, you got the leather, but it certainly left no lasting scars on me. It was just something of momentary importance. Tomorrow was a new day and the school would be playing Brunner - which was Brunswick Street - in the Phoenix Park, and you'd be off to that. What other kind of pastimes did you have? "Well the main preoccupation in life was football and hurling - playing for the school and later for Vincent's and Parnell's. At a younger stage in my life I used to take up things like birdnesting - collecting bird's eggs maybe. What else did we do? We went to the pictures once a week - if we had the money. KIds those days didn't have any money." What kind of films did you like? "Well now...(pause)They're all jumbled up in my mind. Cowboy films were the big deal. People like Gene Autrey and things like that. Then, later on, I suppose, Humphrey Bogart and things like that. War films. Do you go to the cinema nowadays? "No. (Shakes head) very rarely." Can you remember the last film you went to? "No (laughs) I don't know." What was it like to be a teenager in your day? "When I was a teenager, the war was on, so the whole environment was totally different. Of course there were no motor cars. Everybody went on bikes. The whole country was down to subsistence level. You couldn't leave the country - there was no foreign travel. Young people today know absolutely nothing about it. (Pause) But it wasn't all that terrible. Looking back on it now you'd think it must've been awful, but it wasn't really." There wouldn't have been a lot of teenage crime in those days... "No. Almost certainly not. Literally, we only saw a policeman when he came to stop us playing football on the road! Of course we robbed orchards and things like that, but there was no great tension about it." Do you think the advantages outweighed the disadvantages, that it was a better time to be growing up than today? "Ah, no. (Pauses) I wouldn't say it had any advantages, to be honest with you. I think teenagers today have a great time. I don't mean just now, in the middle of this terrible economic recession, but for a long period post-war, most of them had a great time - great opportunities, all sorts of new things: television, the exploration of space and all these things. And they had a thing that we never could have as teenagers, foreign travel. We just couldn't leave the country - unless you wanted to go off and join the British army, and fight in the war!" What are your recollections of the war? "The big thing was the number of one's friends that went off to join the British army. Because there was no work. You either joined the Irish army or the British army. And kids, if they were in a rebellious mood, and were, y'know rowing with their teachers or parents, they'd go "Fuck you! I'll go off and join the British army if you don't appreciate me or treat me properly!" Did you ever try that one? "No, I never said that. I was in the L.D.F. and the F.C.A. subsequently." As a young man, did you have any inkling that one day you might end up as Taoiseach? "No. Not in the slightest." You weren't aware of being different or special in any way? "Oh Jesus Christ, no!! (Laughs)" What difference do you notice between young people nowadays and back then? "Well, the big difference is that young people today have far more confidence. Admittedly they're probably very depressed immediately now, about job prospects and so on. But apart from that, they have far more self-reliance and confidence than we ever had. They're a more sure generation. Our outlook, our scope, our dimensions were very limited. When I was young, you were very restricted in terms of careers. You dedicated yourself to the Civil Service or teaching, or whatever. It was all very regimented. It was very important to have what was known as a "good job". But young people today have none of those inhibitions. They couldn't give a damn about anything like that. And also, the way they dress: in our day it was very important to wear the right kind of clothes - you had to have a suit and tie and so on; nowadays kids are quite happy to go around in a pair of jeans and a jumper. "I think young people today are fabulous. I love to be with young people. They make me feel good. I love their attitude to life. " What advice would you give to young people who feel depressed by the current economic climate? "Well the first thing I'd say to them is "stay here". I don't think it's any better anywhere else. I know a lot of my son Ciaran's friends are now in New York. There's a lot of young Irish people now opting for that sort of sub-stratum in New York or maybe London - they're working as barmen and waiters and waitresses and that sort of thing. But what I would say to young people is: "Stay, if you possibly can." I think that this present situation is a temporary aberration, a loss of direction, a loss of will and a loss of political leadership, and that there is, and that there is, there must be, a future here. I know that a lot of them are fed up doing courses training for jobs that aren't there. (Pause) On the other hand, we're moving into a technological world - computers and electronics and so on. It's a world that's very foreign to me. I don't understand it. Like my kids now - they treat me like a semi-imbecile, because I don't know how to work tape-recorders and videos, and record things! And, y'know, when I'm going out and there's a programme on television that I want to record on the video, I have to get one of them to do it. They say: "Ah, go away! Leave it to me. I'll do it for you!" "So that, it's their world. And I think we're very, very fortunately placed in Ireland in that whole area. We've a small population and it's an intelligent population. It's well-educated. And, as I said, I think they're terribly confident and self-assured in a way that we weren't in our day. And they have a far better grasp on the world and don't mind getting in an aeroplane and going to Germany or the United States. When you think about it, our total workforce is a million - which is nothing, if you take it that the normal running of the country takes the vast bulk of them. So you're really only dealing with a couple of hundred thousand people, and that's not a lot to train and educate for these new technological industries." Have you studied the report of the National Youth Policy Committee? "Ah, no. I know exactly what I want for young people and I don't need any committee to tell me. I know, from my own constituency, what's needed: they need plenty of facilities - sporting facilities, particularly. I'm a bit old fashioned: I really believe that kids who are into sport - football, hurling, racing, any good sporting activity - never get into drugs or anything else. It's a simple thing I've always found. Didn't have time! So I believe in giving them everything possible for sports and recreational activities. That's the first thing. And then jobs: give them the training for the very best scientific and technical jobs. It's been proved that, far from being intimidated by this technical stuff, it's a cake-walk for them. Kids have taken to playing with computers now. I'd be afraid of them! I just couldn't do it. And that's a tremendous thing: what should be a great, big intimidating, fearsome new world, is in fact child's play to them. So I'd get them a hundred million pre cent into all that technological and science-related area." "After that, I'd love to see every single young person having some creative side to their life. I think a whole new dimension has to be grafted onto our educational system, to try and get every youngster into doing something in a creative sense." Do you subscribe to the current viewpoint which sees our large young population as some kind of "problem"? "I don't know. I don't think so, basically. It's hard to say. There are a lot of young people around now. Y'know? You go through towns and streets - like where I live in Malahide - and it's crawling with young people. Drive through the country - there's young people everywhere. And therefore, to that extent, our society is presumably more volatile than an older, more conservative, settled type of society. Ant that's bringing changes, there's no doubt about that. But I don't think that there's any...I wouldn't be all that worried about an explosion. Y'see, if you go back, all the campuses in America were exploding and you had the French situation - well that's all suddenly changed. There's a big reversal, I think now, among young people. They've become much more cautious - not conservative. But much more committed to trying to find their own way in life, rather than trying to change society. Somebody told me they were in U.C.D. recently, and they were astonished at how conservative the place had become - not conservative really, but how settled down it has become, how serious everybody is." Yes. The '80s seems to be a complete revesal of the '60s? "Oh, a total reversal. I think that's true, isn't it?" You'd have been in your mid-thirties at the beginning of the '60s. Were you aware of the Beatles and all that stuff? "Oh very much. Well. Y'see, I experienced all through my children. I saw what they were doing and what they were interested in. So I was very aware of it. Not part of it, but very conscious of what was happening and what was affecting young people and what their interests were. And I could see the amazing changes in them, between them and me as a young fellow." Did you go to dances as a teenager? "Oh yes. The local dances in the local halls. Much the same as they are now. There wasn't such a thing as a disco as far as I know. Just a band, y'know? Dance bands." What kinds of music? "American music, largely. American jazz and American music. One of the big things that came in my lifetime was the swingback to traditional music and folk songs, the Dubliners and all that. When I was young, that sort of thing wasn't happening. The Clancy Brothers started all of that, I think." What do you think of the current adulation of pop stars? "I think it's perfectly understandable. Kids always related to someone. We idolised somebody - I don't even remember who it was - some female filmstar. I can't even remember their names now! (Laughs) But we sort of related to them and idolised them and worshipped them. A big deal! And it's not any different now. No. I understand that completely." It is, perhaps, slightly different insofar as the modern day stars like Boy George and so on wear make up and dresses and are openly bisexual. "Yeah, but there's also a tremendous following for people like the Dubliners. Ronnie Drew. And my friends The Fureys - they have their own following, and...Ah no, there's a sort of a healthy disparateness about the whole thing. I mean what was the last fellow in Croke Park there now? Or Slane Castle? Y'know? I totally appreciate and understand that. My kids go to that." What do you think of Boy George? "I don't know anything about him. He seems a bit weird. But most of them, I think are top class musicians and professional artists." You like the Fureys a lot? "I love the Fureys. I think they're great. My favourite piece of music is "The Lonesome Boatman" as you know. But I also think the Chieftains are fabulous. I'd go anywhere to hear the Chieftains and the Dubliners, and most of those." What about the Wolfe Tones? "Yeah. I like them. They're a bit of the ould rabble-rousin', but sure they're alright! (Laughs) They've a very sort of limited medium, haven't they? What about country and western? Do you like that at all? "No (Shakes head) I don't. I never hear it. (Laughs) I don't know if I should say that, because Paschal Mooney is on the National Executive of Fianna Fail!" Do you think that there should be some mechanism to allow young people a quicker access to politics? "Politics is not the Boy Scouts! It's a bit of a haul. And I think, per se it has to be; you've to sort of win your spurs and fight your way through. It's like anything: it's like what we were talking about - music and the entertainment world. It's a long, hard haul: most of the guys who are at the top have served out a pretty tough, demanding apprenticeship. And politics is the same. Experience counts a lot in politics. I don't mean that we all have to be like the Chinese: eighty years of age and very wise. But you have to find your way and get to know and handle people." Young people are very cynical about politics and politicians. "But sure, everybody hates politicians! (Laughs) Old people are not any different. The ordinary guy in the pub thinks politicians are all useless and crooked and so on. That's not confined to young people. That's a healthy cynicism and distrust which most modern democracies - and certainly the Irish people - have always had, at all ages." Do you think that the Irish are a particularly political race? "They're tremendous politicians, the Irish people. They're fascinated with politics. The ordinary guy in the pub can talk more intelligently and more wisely and with more depth about politics than anybody in any country in the world. Certainly he's about fifty times ahead of his bovine English counterpart, who knows about Margaret Thatcher and maybe one or two others - but that's all he knows." "You see, the Irish invented American politics. The whole American system is Irish founded and based. They made the Democratic Party. Brian Lenihan is very good on this - he's made a study of it. The Irish were trained here in local politics back in the 19th Century, and when they went to the States they knew how to handle things, which most of their European counterparts didn't. The German and the French, for instance, knew nothing about democratic politics - they came from empire states. " One of the tendencies we've imported from America is the increasing emphasis on the personalities. "Yes. It's become increasingly so now, with the media. The individual politician or political leader becomes the focus, because the media haven't the interest or don't care about the issues. They're too tedious and take too much time to explain. They're much more interested in trying to hone in on A, B or C - on one person and what they're thinking and doing." You see that as a negative development? "It's a bad thing, yeah." But we Irish do seem to go for a strong personality. "Well, it's very tribal you see. In rural Ireland, particularly, you have rural Chieftains, like Blaney in Donegal and so on. I suppose it's a throwback to, a descendent from the Irish Clan/Chieftain system." Yet politicians generally come across as fairly straight-laced, humourless, one-dimensional people. "I think politicians are hard-done-by, but then everybody thinks that about their own profession, I suppose. I don't think that the criticisms of politicians are very well balanced. Nobody ever sets out to try and describe a politician in the round, and say okay, maybe he's very wrong about this, but at least he's trying to do that. But then there's no point in complaining about that. That's part of the apparatus of political life - to be attacked and criticised. Very often, in one's own view, almost continually wrongly." "And there's another thing about this, which is that the ordinary...I hate using that word but it's hard to find another. There's no such thing as 'ordinary people': there's just people but, people are not fooled by all of this. I know that I have a perfectly good relationship with my people, my constituency. They know me, I know they trust me and I think they like me. They don't think I'm a bad person or am out to do anything detrimental to them or to their interests. And that's what matters. That is the compensation for when you read something in the paper that you know is unfair - grossly unfair - and wrong. And when that happens you're inclined to get outraged and angry about it, and upset about it. But that's only passing." "But, if the day ever comes when I'm driving through the city and the busman doesn't say "Howya Charlie?" or the taxi fellow doesn't say "Hello there, how's the goin'?" - if that day comes, then I'll be upset. All this stuff in the newspapers - it does upset, I can't deny that. You'd be a particularly insensitive and inhuman sort of individual if it didn't bother you, from time to time. But it's passing. The other thing is the reality. That's the sustaining reality." What aspect of Ireland or Irish society angers you the most? "Ah, there's nothing really. I couldn't live anywhere but in Ireland. I'm not perpetually angry about anything. I might suffer minor irritations, exasperations or anger about particular things, but...no, I like living in Ireland and in the Irish community. (Here, he pauses at length and reflects, he looks me straight in the eye before continuing). I could instance a load of fuckers whose throats I'd cut and push over the nearest cliffs, but there's no percentage in that! (Laughs) "Smug people. I hate smug people. People who think they know it all. I know from my own experiences that nobody knows it all. Some of these commentators who purport to a smug knowallness, who pontificate...They'll say something today and they're totally wrong about it - completely wrong - and they're shown to be wrong about it. Then the next day they're back, pontificating the same as ever. That sort of smug, knowall commentator - I suppose if anything annoys me, that annoys me. But I don't have sleepless nights about it." Were drugs a big concern for you when you're kids were growing up? "I have to say it was more of a worry for me as a politician than as a parent. I was lucky in that I've never, never....well, I don't know what temptations my kids had to confront or to deal with, but they did whatever they were. And indeed none of their pals, that I know of, ever dropped out or became addicted or anything like that. It was just, I suppose, one of those chances of life, that they happened to be in a milieu of their own crowd, who didn't get involved in all that." On the subject of the current contraception debate: isn't it true that the actual behaviour and practice of young people has long since made the question irrelevant? "(Pause) Ah yeah, I think that's probably true enough." It's all very academic at this stage... "Yeah. (Laughs) I think so, yeah." What about in your own day? Was it like that then? "Ah now! (Laughs) To my dying day, I'll regret that I was too late for the free society! We missed out on that! It came too late for my generation!" "But yes, there was a very definite change. See, when I was young, too, authority was much more of a thing. Authority in society, in the community, in school, and of course the guards. You were afraid of the guards. Nowadays, kid's aren't: they just call them "pigs", y'know? But in my day, if a guard said to you "fuck off", you fucked off as quick as you could! There was far more authority, and that was a big change. Kids nowadays have developed their own ethos and mores. And I think we've changed as parents too. I think we were much more understanding and sympathetic to our children than our parents were to us. My mother knew what was best for me, and told me what to do, and what not to do, and insisted that I did or didn't do it. I wasn't like that with my children. We certainly trusted them far more. We felt that what you had to was just give them a home where they knew they were important, where they were loved and where they were trusted and where they could always come back to. If they made a fuck-up of things, they could always come back home and they would be welcomed and looked after and protected and helped. But our parents were different. So, not alone are young people different today, but we as parents were different to them." So is there a dichotomy there between how you would find yourself responding to issues, like contraception, as a parent, and the way you would feel obliged to respond to them as a politician? "Well.....no.(Long pause) You could exaggerate that. Y'see politics is concerned with more than just sexual morality and contraceptives and things like that. Now, mind you, these are the things that have a moreorless fatal preoccupation for journalists. It's extraordinary that for one journalist who comes to me and asks me my views on economics, or the health services, or social welfare, or the North of Ireland, there's ten that want to know what I think about contraceptives. We, in the political world are dealing with practical things. The social welfare system, for instance, looms very large in modern society - all the anomalies and the problems and the snarl-ups - that's an enormous area, and it affects far more people than the contraceptives thing." What about the Nuclear issue - how do feel about that - on a personal level? "I'm increasingly angry about it, I think it's just lunacy itself - the stockpiling of atomic weapons. Like, what's going to happen? What are they there for? Ah, I don't, I suppose, basically believe that we're all going to be wiped out tomorrow morning by a nuclear war. I suppose if any of us really believed that we'd just go and stick our heads in a gas oven. It's too awful to contemplate. Even the most grotesque film can only give you the vaguest impression of what the devastation is likely to be. So I don't suppose, basically that I really think that we're going to go up in a nuclear holocaust. But I do think that it's a very real danger." Is there anything that can be done about it? "Sometimes I like to think that you could get all the nuclear arms into one, great big rocket - remember that rocket that went away into outer space once? It was going to go around Mars once and then go away into the infinite, never to be seen again. Well, if you could put all the nuclear weapons into some sort of rocket like that. (Pauses, laughing) But, sure, when the rocket would blast off, you'd probably go up anyway! But it'd be a marvelous solution." Maybe it'd be safer if we all took off in the rocket and left the bombs here... "(Laughs) Yeah! You take your pick and I'll take mine! But what's going to happen? I don't know. (Pause) The question of nuclear waste too, and the pollution of the seas and the atmosphere is something that worries me. Not paranoiac, or dramatically, or emotionally disturbed about it, but I can understand people who are. I get increasingly angry at the failure of mankind to get to grips with it." What do you do in your spare time? "Anything that comes up of interest, I'll have a go at it. Most recently, I like to go down to my island, Inishvickillane. The main attraction of the island, apart from its natural beauty, and the wildness of it, is that we're more of a family down there. Fortunately, the kids and the wife like it as much as I do. It's as much their place as mine. I really got to know my kids better down there: in Dublin we're always coming and going. We meet tangently, coming and going out in the hall. But down there we're together, and we share experiences together. But I try and do as many things as possible. Like, for instance, my son Conor is an expert on scuba-diving, and I've got him to give me a little bit of instruction on that." Do you read much? "I do and I don't. I certainly don't read anything like as much as I should. When I was younger, and at school and that, I read and read and read and read. I just read everything. But it's so difficult: you read a review of a book and you say "I must read that". And then there's another one. There's so much going on in the world of literature that even if you had the time, it's very difficult to decide what to read. There's so much you want to read." What would you read, if you had the time? "Well, let me see now...I like history type of books - historical novels, that sort of thing. And then I'm increasingly interested in wildlife, in nature, in the sea, and all that type of thing." Do you watch much television? "No. Not very much. I think most television is tripe. Boring rubbish. To me, television is the News, or occasionally some very good documentary-type programmes. Very few. The News, some documentaries and sport." Do you ever see Dallas or any of those things? "(Laughs) I see them because I have to confess that in my home there are those who look at Dallas. And well, I might go and do a bit of work, but sometimes I might sit through it. I really think it's shit. I think it's terrible shit. But then I know that's a minority view. (Laughs) I think most people think it's shit, like, but they look at it all the same." Did you have any heroes growing up? "Well, I suppose Sean Lemass. He was the greatest human being that I ever met. Or could ever hope to meet." What is the most important quality in a friend? "Wel, there was a great word, d'ya see, that Sean Lemass in his whole life instanced but could never pronounce. Like most Dublin people, he could never pronounce "loyalty" - he always pronounced it "loylaty". And I think that's the most important thing: loyalty. A Dublin man's loylaty. Not loyalty, because that's something different. But loylaty. I think that's the most important characteristic in friends." Christmas is only a few weeks away now. Do you like Christmas? "Oh yeah! And I have to be at home for Christmas. To me, Christmas is a Dublin thing. I couldn't be anywhere else except home in Dublin for Christmas, meeting all my friends, having a drink with them, giving out presents, getting presents. I'm a sucker for Christmas!" Is there a day in your life that you remember as the happiest? "Oh, FUCK OFF!! (Laughs) No!!! You're turning into a fuckin' woman's diary columnist now!' Have you ever read George Orwell's Nineteen Eighty-Four? "Yes." What would find in Room 101? What, for Charles J. Haughey, is The Worst Thing in the World? "Ah, I'm not too introverted like that. (Pause) Deep down, I'm a very shallow person. (Laughs)
-
Excellent framed print of the world famous Australian aviator Sir Charles Kingsford Smith standing in front of his plane, the Southern Cross-have a read below of the links between the Jameson Whiskey Brand and the seminal trans Atlantic flight which took place from Portmarnock Beach,the home of the Jameson Family. 60cm x 50cm
Jameson's Iconic Barrellman
The Story Behind the Barrellman
On every bottle of Jameson whiskey you fill find embossed on the glass the figure of a barrelman, there to symbolise the generations of workers who contributed to the success of the whiskey. In 1930 the Barrelman reached new heights (literally!) when a statuette was carried, as a mascot, on board the Southern Cross aircraft by Australian aviator Sir Charles Kingsford Smith when he took off from Portmarnock Strand in Dublin on his ground-breaking East – West crossing of the Atlantic. The original statuette is now on display in the Jameson Brand Home at Bow Street, and was most likely given to the aviators by one of the Jameson family of Portmarnock. Captain Saul, navigator on the flight, was the brother of one of Jameson’s sales reps in London and probably facilitated the Barrelman being welcomed aboard.
-
32cm x 25cm Charles Stewart Parnell (1846-1891) will be remembered as one of the most iconic and indeed controversial politicians in Irish history.MP and Leader of the Irish Parliamentary or Home Rule Party from1882 to 1891 until revelations of his adulterous love affair with Kitty O'Shea forced his resignation.He died shortly afterwards from pneumonia in the arms of his newly divorced and remarried wife Katherine.His death was considered to be a direct result of the stresses he endured because of the Victorian era scandal and his subsequent funeral at Glasnevin Cemetery in Dublin was attended by more than 200000 people.His notability was such that his gravestone of unhewn Wicklow granite, erected in 1940,reads only Parnell. This faithful portrayal of Parnell,well over 130 years old, by the artist JG Wills dates to 1884 and is a beautiful homage to the "uncrowned king of Ireland".
-
28cm x 33cm Christy Moore is one of Ireland's best known folk singer's, songwriter's and guitarist. He is one of the founding members of Planxty and Moving Hearts. His first album, Paddy on the Road was recorded with Dominic Behan in 1969. In 2007, he was named as Ireland's greatest living musician in RTÉ's People of the Year Awards.
Early life
Moore was born in Newbridge, County Kildare, Ireland and attended Dominican College Secondary School. He was originally a bank employee who wanted to express himself using traditional music. During a bank strike in 1966, which lasted twelve weeks, he went to England, as many striking officials did, but didn't return when the strike was settled. "I had a wild and wonderful time in England, with no bank manager looking over my shoulder," he said. Doing general labouring work, he frequented the folk clubs and the Irish music pubs where he met Seamus Ennis, Margaret Barry, Luke Kelly, Martin Byrnes and many other traditional musicians.When Irish singing trio The Grehan Sisters, with whom Moore was previously acquainted, moved to the north of England from Dublin in 1967, they assisted Moore to get a higher profile by giving him contacts and support slots on their concerts.Musical career
1973 brought his first major release, Prosperous, which brought together the four musicians who shortly thereafter formed Planxty: Liam O'Flynn, Andy Irvine and Dónal Lunny. For a time they called themselves "CLAD", an acronym of their names, but soon decided on Planxty. After leaving Planxty in 1975, Moore continued on his solo career, reforming his old band on occasion (which he has been doing ever since). He also formed the band Moving Hearts with Lunny and five other musicians in 1980. In 1987 he appeared on Gay Byrne's The Late Late Show performing with The Dubliners for their 25th anniversary. In 2000, he published his autobiography, One Voice. Moore's earlier lifestyle resulted in a decline in health and several operations. Moore's battle with alcohol, and subsequent heart operations, have taken their toll. At the end of the 1990s, Moore reduced his workload for medical reasons. Some of Moore's songs are heavily influenced by drink and the effects of drink, his song "Delirium Tremens" being a good example. Listening to Johnny Mulhern's song "Hard Cases" caused Moore to recall the Galway drinking scene with local musicians Mickey Finn, Pete Galligan, Corky and Terry Smith. On 17 April 2009, Moore released his first new studio album in four years, entitled Listen, and promoted it through a series of live gigs. In December 2011, Moore released the album Folk Tale. His next album Where I Come From was released in November 2013 and features a new protest song called "Arthur's Day". The album peaked at number three in the Irish album charts. On the road was released in November 2017, while his most recent album Magic Nightswas released in November 2019.Moore is best known for his political and social commentary which reflects a left-wing, Irish republican perspective, despite the fact that his mother was a Fine Gael county councillor and parliamentary candidate in Kildare. He supported the republican H-Block protestors with the albums H-Block in 1978, the launch of which was raided by the police, and The Spirit of Freedom.He has also recorded songs by the hunger striker Bobby Sands, including "Back Home in Derry" which is based on Gordon Lightfoot's song "The Wreck of the Edmund Fitzgerald". He ceased supporting the military activities of the IRA in 1987 as a result of the Enniskillen bombing. Political songs he has performed throughout his career include Mick Hanly's "On the Blanket" about the protests of republican prisoners, "Viva la Quinta Brigada", about the Irishmen who fought in the Spanish Civil War against Franco, and "Minds Locked Shut" about Bloody Sunday in Derry. Moore has endorsed a long list of leftist support causes, ranging from El Salvador to Mary Robinson in the 1990 presidential election. At the Glastonbury Festival in 2005, he sang about the Palestinian solidarity activist Rachel Corrie. He supported the anti-nuclear movement in Ireland playing in many concerts and at festivals in Carnsore Point for the cause.
Banned songs
"They Never Came Home" is a song about the Stardust fire of 1981 where 48 people died. The song was recorded on the Ordinary Man album and was released on the B-side of a single in 1985. The song achieved notoriety when Moore was taken to court over claims in the song prejudical to an ongoing court case determining compensation. For instance, the song claimed, "hundreds of children are injured and maimed, and all just because the fire exits were chained". Mr Justice Murphy ordered the Ordinary Man album to be withdrawn from the shops, and costs were awarded against Moore. "Another Song is Born" was recorded for the album's re-release. "They Never Came Home" later appeared on his box set and on the album Where I come from.Musical style
His solo style includes driving rhythms on guitar and bodhrán as well as slower ballads.Family
Moore's brother Barry, whose stage name is Luka Bloom, is also a singer-songwriter. His nephew, Conor Byrne, is also a traditional flautist and tin whistle player, with Christy appearing on his Wind Dancer album. Memorable eventsDetention incident, 2004
In October 2004, Moore was stopped and detained by Special Branch officers at the Welsh port of Holyhead, taken into an office and questioned about the lyrics of his songs. The following day, he released a statement saying: "My driver and I were stopped and held for two hours at Holyhead last Monday, under the Prevention of Terrorism Act 2002. My driver and I were held separately in two interrogation rooms. I found the whole experience threatening. I was questioned about the contents of my briefcase." Despite initial reports to the contrary, the singer's van, which was full of musical equipment, was not searched. "I was questioned about lyrics of songs and I was asked a lot of personal questions about members of my family and my children and about my home. At no time was I given any explanation as to why I was being held and interrogated in this manner", he added. He said the fact that Irish people are still being treated this way on their way to Britain is very "saddening". "I had hoped to deal with this matter out of the public domain. But seeing as it has become a news item, I feel the need to offer my side of the story. I found the whole affair quite frightening."Desert Island Discs
In June 2007, Moore was a guest on the BBC radio programme Desert Island Discs.He selected mainly Irish folk music that had inspired him and spoke of personal and political issues that had shaped his life, choosing a set of Uilleann pipes as his luxury item and The English and Scottish Popular Ballads as his choice book.Penguin book of Irish poetry
In 2010 Christy Moore's song "Lisdoonvarna" which he wrote gained entry in The Penguin Book of Irish Poetry.Oxegen
On Sunday 10 July 2011 Moore joined Coldplay on stage at the 2011 Oxegen Festival performing the song "Ride On". -
Fascinating vintage photograph of a Dublin City Centre Wall totally given over to yesteryear advertising posters.A horse and cart can be seen adjacent .Some of the products and companies being advertised include institutions long closed including-Manders Dublin Ale,Phoenix Brewery,Cooneys Blackening,Pooles, Also posters advertising a sports day in Ballsbridge and rosaries for mixed marriages ! Robert Manders & Co, New Brewery, 113 James Street, Dublin, Ireland. Established 1800 and registered in 1882. Association with the Phoenix Brewery (Dublin) Ltd. was terminated in 1897 and carried on though restricted to ale brewing until c.1907. From:-The Breweries and Distilleries in Dublin In 1862 Robert Manders & Co brewery occupied 111-113 at the north side of James Street. The concern was also the business address of the Manders family. Alfred of Flesk Priory, Killarney, Frederick of Belfield, Roebuck, Richard of Brackenstown, Swords, Robert of Landscape, Dundrum, Herbert of Obelisk Park, Blackrock, Richard of Shanganagh, Bray, and Robert Geoghegan of Carysfort, Stillorgan. Apart from the brewery they had flour mills at Islandbridge and bakeries at Fownes Street, Moore Street, Church Street, Camden Street, and Baggot Street. The brewery continued until 1909. Phoenix Brewery (Dublin) Ltd, 89 James's Street, Dublin, Ireland. Founded 1778 and was later known as the Phoenix Porter Brewery Co. Registered January 1897. Acquired by John D'Arcy & Son Ltd 1906 and closed 1909. From the Brewery History society Journal Number 91 This brewery publicly advertised itself as "the largest brewery in Ireland but one". Founded in 1788 by Charles Madder who by all accounts was a brilliant technical and innovative brewer. He had come from London to brew porter in Dublin. His business and trading activities were poor and the brewery was rescued by one John Brennan and later his son Charles. Essentially a porter brewery with a capacity to produce 350,000 bulk barrels per annum, it launched its own O'Connell's Dublin Ale. This was probably due to the fact that when they took over Robert Manders & Co's Brewery, their next door neighbours in 1897 it replaced Mander's Dublin Ale. It enjoyed a local and export trade however for whatever the reasons it became bankrupt and closed in 1909. The franchise of brewing O'Connell's Dublin Ale was given to D'Arcys. From:- Breweries and Distilleries in Dublin Francis Coleman moved from 103 to 105 James Street on 15-8-1807. At that time Francis Coleman & Hamilton dissolved their brewing partnership. The Guinness Power station site (now Roe & Co distillery) near the corner of Watling Street occupied part of the site of the Phoenix brewery founded in 1778 by an English brewer called Mather. In 1828 John Brennan bought the brewery and was succeeded by Charles Brenan. Daniel O’Connell junior son of the Liberator acquired the Phoenix Brewery in 1831 which occupies a three acre site at the corner of Watling Street and James’s Street. It operated under the name O’Connell’s brewery for a time. There was a campaign to support their porter as “Catholic” against Guinnness’s “protestant porter“. Daniel O’Connell, the Liberator, refused to support that activity while he was an MP. Guinness was a political rival but was quite liberal on the Catholic Emancipation and Repeal questions. Phoenix acquired the adjoining the six acre Manders brewery site at 111-117 James’s Street and in 1897 the concern became a public company. The brewery extended from James Street to the Quays and had the second largest output in Ireland. John D'Arcy & Son Ltd’s Anchor Brewery bought the Phoenix brewery, then operating for 160 years on 13-6-1905 and it was hoped to continue both breweries as well as the Phoenix brand O’Connell’s ale. However by 13-10-1905 the Phoenix site was for auction. Cooneys Blacking in Penny Boxes: Blacking (polish), a nineteenth-century shoe polish Younger's Brewery (William Younger & Company) was a brewery in Edinburgh which grew from humble beginnings in 1749 to become one of the city’s main commercial enterprises, supplying domestic and foreign markets. It should not be confused with another, less renowned Edinburgh brewery, that of Robert Younger, who also brewed in Holyrood at the St. Ann's Brewery or that of George Younger, who brewed in Alloa. In 1931 Younger's merged with McEwan’s to form Scottish Brewers, which in turn merged with Newcastle Breweries in 1960 to form Scottish & Newcastle. By the late 1960s the combine employed the largest single workforce in the city