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John Jameson JJ Dublin Whiskey ‘Redbreast’ W & A Gilbeys-Double Guarantee

€130.00

Vintage Jameson 'Redbreast" Irish Whiskey advert - denoting the additional guarantee of quality provided by W & A Gilbey's.

W & A Gilbey was founded in 1857 and began in small basement cellars at the corner of Oxford Street and Berwick Street in London. Gilbeys benefitted greatly from the introduction of the off-licence system introduced in 1860 and a commercial agreement between Britain and France in 1861, following which, the British Prime Minister Gladstone reduced duty on French wines from 12 shillings to 2 shillings. Gilbeys were successful from the start and, within a couple of years, had branches in Dublin, Belfast and Edinburgh.

1861 Wine importers and distillers
By 1861 Gilbeys had premises at 31 Upper Sackville Street in Dublin (now called O’Connell Street), and were described as wine importers and distillers. They carried stocks of over 140 different wines and held between 700 and 1,000 wine casks under bond.

1866 A distinctive brand
In 1866, the company moved to new offices and stores at 46 & 47 Upper Sackville Street in the centre of Dublin (now O’Connell Street), which contained their own vaults. The buildings were previously the premises of Sneyd, French and Barton. The premises had its own tasting room and a small still for determining the alcoholic strength of wines and spirits. Gilbeys had their own patented bottle cases which could be easily stacked, a state of the art bottle washing machine and by this time, wax seals were replaced with their patented capsule seal. Gilbeys sold all their wines and spirits directly to consumers under their own distinctive brand.

1874 300,000 Gallons in bond
Initially famous for their wines, spirits were becoming a greater part of Gilbey’s business. By 1874, Gilbeys held a stock in bond of over 300,000 gallons of whiskey sourced from “the most celebrated Dublin Distilleries”. The proprietary brand at this time was Gilbey’s Castle Whiskey. They sold three main brands Castle U P Irish Whiskey 33% under proof (u.p.), Castle U V Irish Whiskey 17% u.p. and Castle D O Irish Whiskey at full proof strength.

1875 996,000 Bottles a year
At this point Gilbey’s held the largest stocks of Irish whiskey, outside of the distilleries themselves, of any company in the world. In 1875 they were selling 83,000 cases of Irish whiskey compared with only 38,000 of Scotch, a reflection of the pre-eminence of Irish Whiskey at the time.

887 An alliance with Jameson
By 1887 W & A Gilbey were marketing John Jameson & Son’s ‘sole make’ pure and unblended Irish whiskey. Every bottle of Castle Grand Whiskey had a label certifying that it was Jameson’s and upwards of 6 years old. At the turn of the century, the company held a stock of over 700,000 gallons of John Jameson & Son’s whiskey which was “especially reserved for their celebrated brands”. The casks filled by Jameson were supplied directly by Gilbey’s who, as importers of sherry, had access to an ample supply of casks. Once filled, the casks were stored in Gilbey’s cavernous vaults in their Harcourt Street bonded warehouse.

1903 The precursor to Redbreast
In 1903, Gilbey’s whiskey brands included Castle Grand JJ Six Years Old and Castle Liqueur JJ Ten Years Old (JJ standing for John Jameson), both bearing the signature of John Jameson & Son. The following year, John Jameson & Son’s Castle “JJ Liqueur” Whiskey 12 Years Old, was being marketed at 4 shillings and 6 pence in a bottle, similar in shape, and bearing the red and white label seen on Redbreast bottlings up until the 1960s. Gilbey’s sold whiskey under the ‘Castle’ brand until at least the late 1930s.

1912 Redbreast
The first official reference to the brand name 'Redbreast' appears in August 1912, when Gilbeys were selling "Redbreast" J.J. Liqueur Whiskey 12 Years Old, described as one of their "famous" brands. The fact that Redbreast was already a famous brand suggests that this may have been the nickname for Gilbey's Castle "JJ Liqueur" Whiskey 12 Years Old. The name 'Redbreast' itself refers to the bird, Robin Redbreast, and is attributed to the then Chairman of Gilbey's, who was an avid bird-fancier.

1925 "The Priest's Bottle"
1920's Ireland was a time of political turmoil and economic uncertainty. Money was tight and money for fine whiskeys would have been a luxury beyond the means of most. Yet the country’s clergy enjoyed a life of considerable status and comfort so much so that Redbreast became affectionately known as '"The Priest's Bottle" after finding its way into many a church presbytery in Ireland. Clearly, individuals of both spiritual and gastronomic enlightenment.

1933 A staunch friend
An advertisement in 1933 reads: “Redbreast Liqueur Whiskey at your service. You could not wish for a stauncher truer friend. Always ready to help. Refreshing you through the sultry, thirst making, days of summer, shielding you from the piercing winds and driving rains of winter, and in every season proving itself a most welcome and peace-bringing nightcap.” They don't make advertising like they used to.

1964 Moving and changing
In the mid 1960s, Redbreast was being bottled annually in batches of approximately 4,000 gallons (18,000 litres) to satisfy a steady demand for the brand. Minor changes to the bottle occurred throughout the 1960s including, from 1964, an age statement appeared on the foil cap seal. The familiar Redbreast white label with red writing remained largely unchanged until at least 1972.

1970 "A Special Partnership"
In 1970, Irish Distillers Ltd. (IDL) decided to phase out the sales of bulk whiskey ‘by the cask’ to the wholesalers and retailers (bonders) who bottled it themselves. Increasing export demand, and plans to increase its portfolio of brands, necessitated the retention of as much mature whiskey as possible. Gilbeys however, managed to persuade IDL to continue supplying them pure pot still whiskey for Redbreast until the closure of Bow Street Distillery in the summer of 1971.

1978 Running low
Over the life of the brand, the label has gone through various iterations. By 1978, the label had changed to a pale matt brown colour with a large stylised No.12 in white overprinted on which was the Redbreast name. In late 1980 the glossy label was ochre in colour with a smaller 12 in the background. Throughout the years however, other than the brand’s ill-fated dalliance with a blended version, the distinctive dumpy, rum bottle shape has been a constant.

2011 Redbreast 12 Cask Strength Launched
While Redbreast has a devout following, the Cask Strength represents the purest form of Redbreast, straight from the cask with no water added. As such each bottling differs slightly from its predecessor in terms of alcohol strength. Expect the usual Redbreast flavours but dialled up.

2013 Redbreast 21 Launched
The oldest whiskey in the Redbreast range, Redbreast 21 actually contains whiskeys up to 25 years old hand selected by our Master Blender Billy Leighton with new levels of depth, flavour and taste. Today Redbreast 21 is one of the most awarded whiskeys in the world and is the finest representation of the signature Redbreast sherry style.

2015 Redbreast Mano A Lamh Launched
Redbreast Mano a Lamh was a limited exclusive release of only 2,000 bottles for the members of the Stillhouse club. It was the first (and currently only) Redbreast to be matured solely in Sherry butts. The bottling was a complete sell out and is now a collectors item.

2016 Redbreast Lustau Launched
Built upon the success of Redbreast Mano a Lamh, Redbreast Lustau Sherry Finish edition is a permanent member of the Redbreast family. The bottling is distinctive from Redbreast in that it is initially matured in traditional bourbon and sherry casks for a period of 9-12 years. It is then finished for one additional year in first fill hand selected sherry butts that have been seasoned with the finest Oloroso sherry from the prestigious Bodega Lustau in Jerez, Spain. The sherry influence is dialled up in this unique expression.

2018 Redbreast Dream Cask Is Realised
After a live tasting of this whiskey on World Whiskey Day in 2017 reams of requests were received to bottle this one of a kind Redbreast. This call was answered with an exclusive launch of all 816 bottles to birdhouse members on World Whiskey Day in 2018. The whiskey was originally of bonded back in October 1985, with Single Pot Still Irish Whiskey filled into refill American Oak ex-Bourbon barrels. Then, on March 8th, 2011, the whiskey was re-casked into a 1st fill Oloroso Sherry-seasoned butt. After 32 years this Dream whiskey was selected by Billy Leighton as his Dream Cask as he deemed it be close to the perfect infusion of pot still, Spanish oak and sherry flavours that Redbreast is noted for.

2019 The Dream Continues…. Redbreast Dream Cask Pedro Ximénez Is Launched
The Redbreast Dream Cask series continued with the release of Redbreast Dream Cask Pedro Ximénez Edition; Master Blender Billy Leighton was inspired to create a Redbreast like never before. Matured for over 20 years in four different varieties of cask, then married and re-casked in a Pedro Ximénez sherry butt for a dream ending. Launched on World Whisky Day 2019, all 924 bottles sold out in just 14 minutes.

2020 Redbreast 27-Year-Old elevates the storied reputation of this iconic whiskey even further.
Building on the celebrated foundation of bourbon and sherry influence is the inclusion of ruby port casks for even more complexity and depth. Nearly three decades in the shaping, this cask strength Redbreast is a joy to behold in each and every bottle.

2020 The Adventure Continues.. Redbreast Dream Cask Ruby Port Cask Edition Launches.
World Whiskey Day 2020 sees the world introduced to the 3rd member of the Dream Cask Flock. Through trials and experimentation, Billy discovered that a mix of Bourbon, Sherry and Port casks, recasked into Port has produced something quite well…dreamy!

John Jameson was originally a lawyer from Alloa in Scotland before he founded his eponymous distillery in Dublin in 1780.Prevoius to this he had made the wise move of marrying Margaret Haig (1753–1815) in 1768,one of the simple reasons being Margaret was the eldest daughter of John Haig, the famous whisky distiller in Scotland. John and Margaret had eight sons and eight daughters, a family of 16 children. Portraits of the couple by Sir Henry Raeburn are on display in the National Gallery of Ireland. John Jameson joined the Convivial Lodge No. 202, of the Dublin Freemasons on the 24^th June 1774 and in 1780, Irish whiskey distillation began at Bow Street. In 1805, he was joined by his son John Jameson II who took over the family business that year and for the next 41 years, John Jameson II built up the business before handing over to his son John Jameson the 3^rd in 1851. In 1901, the Company was formally incorporated as John Jameson and Son Ltd. Four of John Jameson’s sons followed his footsteps in distilling in Ireland, John Jameson II (1773 – 1851) at Bow Street, William and James Jameson at Marrowbone Lane in Dublin (where they partnered their Stein relations, calling their business Jameson and Stein, before settling on William Jameson & Co.). The fourth of Jameson's sons, Andrew, who had a small distillery at Enniscorthy, Co. Wexford, was the grandfather of Guglielmo Marconi, inventor of wireless telegraphy. Marconi’s mother was Annie Jameson, Andrew’s daughter. John Jameson’s eldest son, Robert took over his father’s legal business in Alloa. The Jamesons became the most important distilling family in Ireland, despite rivalry between the Bow Street and Marrowbone Lane distilleries. By the turn of the 19th century, it was the second largest producer in Ireland and one of the largest in the world, producing 1,000,000 gallons annually. Dublin at the time was the centre of world whiskey production. It was the second most popular spirit in the world after rum and internationally Jameson had by 1805 become the world's number one whiskey. Today, Jameson is the world's third largest single-distillery whiskey. Historical events, for a time, set the company back. The temperance movement in Ireland had an enormous impact domestically but the two key events that affected Jameson were the Irish War of Independence and subsequent trade war with the British which denied Jameson the export markets of the Commonwealth, and shortly thereafter, the introduction of prohibition in the United States. While Scottish brands could easily slip across the Canada–US border, Jameson was excluded from its biggest market for many years.

Historical pot still at the Jameson distillery in Cork

The introduction of column stills by the Scottish blenders in the mid-19th-century enabled increased production that the Irish, still making labour-intensive single pot still whiskey, could not compete with. There was a legal enquiry somewhere in 1908 to deal with the trade definition of whiskey. The Scottish producers won within some jurisdictions, and blends became recognised in the law of that jurisdiction as whiskey. The Irish in general, and Jameson in particular, continued with the traditional pot still production process for many years.In 1966 John Jameson merged with Cork Distillers and John Powers to form the Irish Distillers Group. In 1976, the Dublin whiskey distilleries of Jameson in Bow Street and in John's Lane were closed following the opening of a New Midleton Distillery by Irish Distillers outside Cork. The Midleton Distillery now produces much of the Irish whiskey sold in Ireland under the Jameson, Midleton, Powers, Redbreast, Spot and Paddy labels. The new facility adjoins the Old Midleton Distillery, the original home of the Paddy label, which is now home to the Jameson Experience Visitor Centre and the Irish Whiskey Academy. The Jameson brand was acquired by the French drinks conglomerate Pernod Ricard in 1988, when it bought Irish Distillers. The old Jameson Distillery in Bow Street near Smithfield in Dublin now serves as a museum which offers tours and tastings. The distillery, which is historical in nature and no longer produces whiskey on site, went through a $12.6 million renovation that was concluded in March 2016, and is now a focal part of Ireland's strategy to raise the number of whiskey tourists, which stood at 600,000 in 2017.Bow Street also now has a fully functioning Maturation Warehouse within its walls since the 2016 renovation. It is here that Jameson 18 Bow Street is finished before being bottled at Cask Strength. In 2008, The Local, an Irish pub in Minneapolis, sold 671 cases of Jameson (22 bottles a day),making it the largest server of Jameson's in the world – a title it maintained for four consecutive years.

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The Chieftains Live In Concert Framed Poster

€160.00

Wonderful memento of the legendary Irish Traditional music ,the Chieftains . 54cm x 42cm Dublin The Chieftains are a traditional Irish band formed in Dublin in 1962, by Paddy Moloney, Sean Potts and Michael Tubridy. Their sound, which is almost entirely instrumental and largely built around uilleann pipes, has become synonymous with traditional Irish music and they are regarded as having helped popularise Irish music across the world.They have won six Grammys during their career and they were given a Lifetime Achievement Award at the prestigious BBC Radio 2 Folk Awards in 2002. Some music experts have credited The Chieftains with bringing traditional Irish music to a worldwide audience, so much so that the Irish government awarded them the honorary title of 'Ireland's Musical Ambassadors' in 1989.

Name

The band's name came from the book Death of a Chieftain by Irish author John Montague.Assisted early on by Garech Browne, they signed with his company Claddagh Records. They needed financial success abroad, and succeeded in this, as within a few years their third album's sleeve note section was printed in three languages.

Career

Origins

Paddy Moloney came out of Ceoltóirí Chualann, a group of musicians who specialised in instrumentals, and sought to form a new band. They had their first rehearsals at Moloney's house, with David Fallon and Martin Fay joining the original three. The group remained only semi-professional up until the 1970s and by then had achieved great success in Ireland and the United Kingdom.

Rise to international fame

In 1973, their popularity began to spread to the United States when their previous albums were released there by Island Records. They received further acclaim when they worked on the Academy Award–winning soundtrack to Stanley Kubrick's 1975 film Barry Lyndon, which triggered their transition to the mainstream in the US.

Successful career

The group continued to release successful records throughout the 1970s and 1980s, and their work with Van Morrison in 1988 resulted in the critically acclaimed album Irish Heartbeat. They went on to collaborate with many other well-known musicians and singers; among them Luciano Pavarotti, the Rolling Stones, Madonna, Sinéad O'Connor and Roger Daltrey.

50th anniversary

In 2012, they celebrated their 50th anniversary with an ambitious album and tour. The album, Voice of Ages, was produced by T-Bone Burnett and featured the Chieftains collaborating with many musicians including Bon Iver, Paolo Nutini and The Decemberists. It also included a collaboration with NASA astronaut Catherine Coleman playing the flute aboard the International Space Station as it orbited the earth. The Chieftains performed at Carnegie Hall on March 17, 2012.

The Irish Goodbye Tour

In February 2019, The Chieftains embarked on an extensive farewell tour entitled the "Irish Goodbye Tour", including a 2019 European leg, a 2020 Canadian leg and two 2019 and 2020 US legs. On 13 March 2020, the band announced that a few tour dates of their "Irish Goodbye Tour" had been postponed (until further notice) following the coronavirussituation.

Collaborations

Paddy Moloney pictured with Bob Dylan, who is a fan of the band's work.

The band have become known for their vast work of collaborations with popular musicians of many genres, including country music, Galician traditional music, Newfoundland music, and rock and roll. Their widespread work as collaborators resulted in the Irish Government awarding the group the honorary title of Ireland's Musical Ambassadors in 1989. They have performed with (in alphabetical order):

In May 1986, they performed at Self Aid, a benefit concert held in Dublin that focused on the problem of chronic unemployment which was widespread in Ireland at that time. In 1994, they appeared in Roger Daltrey's production, album and video of A Celebration: The Music of Pete Townshend and The Who. They also performed with Canadian astronaut Cmdr. Chris Hadfield in Houston, TX on 15 February 2013. Cmdr. Hadfield sang and played guitar on "Moondance" from aboard the International Space Station.

Success and legacy

The band has won six Grammy Awards and been nominated eighteen times. They have won an Emmy and a Genie and contributed tracks, including their highly praised version of the song Women of Ireland, to Leonard Rosenman's Oscar-winning score for Stanley Kubrick's 1975 film Barry Lyndon.In 2002 they were given a Lifetime Achievement Award by the UK's BBC Radio 2. Two of their singles have been minor hits in the UK Singles Chart. "Have I Told You Lately" (credited to The Chieftains with Van Morrison) reached No. 71 in 1995. "I Know My Love" (credited to The Chieftains featuring The Corrs) reached No. 37 in 1999. Dr. Gearóid Ó hAllmhuráin said the success of The Chieftains helped place Irish traditional music on a par with other musical genres in the world of popular entertainment. By collaborating with pop and rock musicians, they have taken Irish music to a much wider audience. They have become, in effect, musical ambassadors for Ireland. This de facto role was officially recognised by the Irish Government in 1989 when it awarded the group the honorary title of Ireland's Musical Ambassadors.

Notable performances

They played in a concert for Pope John Paul II, before an audience of more than one million people in 1979 in Phoenix Park in Dublin, to mark the Papal visit to Ireland. In 1983, they were invited by the Chinese Government to perform with the Chinese Broadcasting Art Group in a concert on the Great Wall of China, becoming the first western musical group to do so.They were the first group to perform in the Capitol Building in Washington, D.C., invited by Senator Edward Kennedy and the former Speaker of the House, Tip O'Neill. In 2011, they performed at a concert in Dublin attended by President Mary McAleese and Queen Elizabeth II of Britain during her first ever official trip to the Republic of Ireland.

Personnel

Current members

Paddy Moloney – uilleann pipes, tin whistle, button accordion, bodhrán (1962–present)
Kevin Conneff – bodhrán, vocals (1976–present)
Matt Molloy – flute, tin whistle (1979–present)

Former members

Seán Potts – tin whistle, bones, bodhrán (1962–1979; died 2014)
Michael Tubridy – flute, concertina, tin whistle (1962–1979)
David Fallon – bodhrán (1962–1966)
Martin Fay – fiddle, bones (1962–2002; died 2012)
Peadar Mercier – bodhrán, bones (1966–1976; died 1991)
Seán Keane – fiddle, tin whistle (1968–2002; occasional performances thereafter)
Derek Bell – Irish harp, keyboard instruments, oboe (1975–2002; died 2002)
Ronnie McShane – bones, bodhrán (1975–1976; died 2017)

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Patrick Egan & Co. No 8 Irish Whiskey Framed Display

€100.00

Framed Thomas Egan Tullamore Display 39cm x 34cm Birr Co Offaly Patrick Egan, a solicitor from Moate, is descended from very old Westmeath stock. His forbearers fought at the famous Battle of the Boyne in 1690, and again at Aughrim in 1691. Two of three Egan sons were killed in battle and the third was withdrawn from his priestly studies to preserve the family name.

The surviving Egan did indeed marry, ensuring the survival of his bloodline and carrying the Egan name into the 18th century. This is the backdrop to a fascinating legacy that lives on to this day.

In 1835, in the House of Commons, Daniel O'Connell nominated Patrick Egan as Crown Solicitor of Westmeath, a position he held for 40 years. He set his sons up as merchants, expanding from Moate in County Westmeath to Tullamore, County Offaly in 1852.

Patrick's sons, Patrick James and Henry James Egan, established P. & H. Egan Limited and grew the business into a well-recognised and prosperous enterprise, one of the most important in the region at the time

Patrick J. was a benevolent and devout Catholic who held the welfare of his employees and fellow townsfolk close to his heart. A renowned workaholic and popular introvert, Patrick was the commercial brains behind P. & H. Egan Limited.

Not only was he the driving force for expanding the business into its many interests but also instilled some the highest of standards regarding work practices at the time.

At its height, P. & H. Egan Limited had a hugely diverse array of business interests. They were general grocers, hoteliers, ironmongers, maltsters, brewers, and bonders to name just a few.

The Egan brothers were formidable businessmen, whose passion and drive left an indelible mark on the commercial, political and social history of Tullamore, in the heart of Ireland.

Henry J. Egan was a passionate Irishman and the company’s public speaker. In 1881, Henry and others were charged under the Coercion Act and jailed in Naas, Co. Kildare, for organising a 'monster meeting' at Clara, for Charles Stuart Parnell, an Irish nationalist and freedom fighter.

Upon his release, Henry was to become a town commissioner and was elected the first Chairman of Kings County Council.

In I883, Egan's Tullamore Brewery employed 50 people, producing 30 to 40 barrels of ale per day. Growth led to the addition of new warehousing in 1886 and two years later an impressive 5,000 ton maltings was built. Further expansions occurred in 1890 and 1896 - the year P. & H. Egan Limited was formally registered as a Public Limited Company (PLC) In 1889, Capt. Thomas Armstrong Drought, the High Sherriff of King's County, wrote of Egan's saying "their beer is very good and their 'eau de vie' (whiskey) is excellent".

Egan’s Tullamore Ale was recognised as the finest dinner ale available in Ireland at the time. Indeed, such was the reputation of our whiskeys and ales, expansion into the much larger UK market quickly took hold.

An apprentice carpenter employed by P. & H. Egan Limited, John Spain, was one of a number involved in the 'Tullamore Incident', where the first shots of the famous Easter Rising were fired, on the 25th March 1916. This was the beginning of a long, bloody journey to Irish independence.

Spain was arrested at the Egan's workshop and taken to Tullamore R.I.C Barracks, before being released one month later. He fought right through the War of Independence and moved steadily up the ranks of the Irish army, becoming a Company Captain soon after.

The Egan family set about resurrecting their family brand in 2013. Family members from across the globe, across generations, came together and reformed P. & H. Egan Ltd. Family-owned and operated, the Egan’s portfolio embodies the true spirit of Irish whiskey, six generations in whiskey.

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RFK-Bobby Kennedy Election Poster

€80.00

RFK Election Poster from 1968. 60cm x 50cm Bruree Co Limerick
Ulster is becoming Britain’s Vietnam,” Senator Edward M Kennedy, the youngest of three exceptionally accomplished brothers in the United States’ most famous Irish family, told the US Senate in the autumn of 1971.

This year marks an important anniversary for the Kennedys, the Irish and the world, for it was 50 years ago when Ted Kennedy set his sights on peace in Northern Ireland. And, from that moment to the miracle of Stormont, in 1998, that secured peace, Ted spearheaded the United States’ peace-making efforts. He pushed presidents, worked with key Senate and House members of Irish descent, testified before Congress, delivered speeches, wrote articles, visited the region and met leaders on both sides of the conflict.

Jack, Bobby and Ted Kennedy were all proudly Irish. They all spoke of the anti-Irish bigotry that had plagued their ancestors in the United States. Jack visited Ireland to trace his roots and, while there as president in 1963, called it “the land for which I hold the greatest affection”. Ted came in 1964 in grief after Jack’s murder, and he spent more time trying to end the Troubles in Northern Ireland than on any other global challenge.

Joe and Rose led discussions about the world with the boys over meals, and Joe invited prominent people, such as aviator Charles Lindbergh and media mogul Henry Luce, to dine with them and enrich the conversations

Ted’s peace-making in Northern Ireland, however, reflects far more than the proud Irishness that he shared with his brothers. It also reflects perhaps the most fascinating and consequential story about the Kennedy brothers that hardly anyone knows – a story with important lessons for the United States of today.

Most people know that Joe and Rose Kennedy groomed their sons for success. They started with Joe jnr, who died at war in 1944 at the age of 29, and continued through Jack, Bobby and Ted. What most people don’t know (and what I explore in my new book, The Kennedys in the World: How Jack, Bobby, and Ted Remade America’s Empire) is that, from the time the brothers were little boys, Joe and Rose pushed them not just to succeed but to look beyond the United States’ borders – to learn about the world, care about the world and, once they attained power, shape the United States’ role in the world.

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1963 Kennedy Brothers Framed Photo-JFK,RFK & Teddy Kennedy

€80.00

Framed portrait of the three Kennedy Brothers from 1963 ,taken in the White House. 45cm x 35cm Bruree Co Limerick
Ulster is becoming Britain’s Vietnam,” Senator Edward M Kennedy, the youngest of three exceptionally accomplished brothers in the United States’ most famous Irish family, told the US Senate in the autumn of 1971.

This year marks an important anniversary for the Kennedys, the Irish and the world, for it was 50 years ago when Ted Kennedy set his sights on peace in Northern Ireland. And, from that moment to the miracle of Stormont, in 1998, that secured peace, Ted spearheaded the United States’ peace-making efforts. He pushed presidents, worked with key Senate and House members of Irish descent, testified before Congress, delivered speeches, wrote articles, visited the region and met leaders on both sides of the conflict.

Jack, Bobby and Ted Kennedy were all proudly Irish. They all spoke of the anti-Irish bigotry that had plagued their ancestors in the United States. Jack visited Ireland to trace his roots and, while there as president in 1963, called it “the land for which I hold the greatest affection”. Ted came in 1964 in grief after Jack’s murder, and he spent more time trying to end the Troubles in Northern Ireland than on any other global challenge.

Joe and Rose led discussions about the world with the boys over meals, and Joe invited prominent people, such as aviator Charles Lindbergh and media mogul Henry Luce, to dine with them and enrich the conversations

Ted’s peace-making in Northern Ireland, however, reflects far more than the proud Irishness that he shared with his brothers. It also reflects perhaps the most fascinating and consequential story about the Kennedy brothers that hardly anyone knows – a story with important lessons for the United States of today.

Most people know that Joe and Rose Kennedy groomed their sons for success. They started with Joe jnr, who died at war in 1944 at the age of 29, and continued through Jack, Bobby and Ted. What most people don’t know (and what I explore in my new book, The Kennedys in the World: How Jack, Bobby, and Ted Remade America’s Empire) is that, from the time the brothers were little boys, Joe and Rose pushed them not just to succeed but to look beyond the United States’ borders – to learn about the world, care about the world and, once they attained power, shape the United States’ role in the world.

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Large,framed Sunday Press Advert-Ireland’s Greatest Newspaper !

€150.00

67cm x 54cm Dublin The Sunday Press was a weekly newspaper published in Ireland from 1949 until 1995. It was launched by Éamon de Valera's Irish Press group following the defeat of his Fianna Fáil party in the 1948 Irish general election. Like its sister newspaper, the daily The Irish Press, politically the paper loyally supported Fianna Fáil. The future Taoiseach Seán Lemass was the managing editor of the Irish Press who spearheaded the launch of the Sunday paper, with the first editor Colonel Matt Feehan. Many of the Irish Press journalists contributed to the paper. 'When I open the pages, I duck' was Brendan Behan's description of reading The Sunday Press, for the habit of published memoirs of veterans (usually those aligned to Fianna Fáil) of the Irish War of Independence. It soon built up a large readership, and overtook its main competitor the Sunday Independent, which tended to support Fine Gael. At its peak The Sunday Press sold up to 475,000 copies every week, and had a readership of over one million, around one third of the Irish population. Like the Evening Press, the paper's readership held up better over the years than that of the flagship title in the group, The Irish Press, and it might have survived as a stand-alone title had it been sold. However, with the collapse of the Irish Press Newspapers group in May 1995, all three titles ceased publication immediately. The launch of Ireland on Sunday in 1997 was initially interpreted by many observers as an attempt to appeal to the former readership of The Sunday Press, seen as generally rural, fairly conservative Catholic, and with a traditional Irish nationalist political outlook. When Christmas Day fell on Sunday in 1949, 1955, 1960, 1966, 1977, 1983, 1988 and 1994 the paper came out on the Saturday. Vincent Jennings at the age of 31 became editor of The Sunday Press in 1968, serving until December 1986, when he became manager of the Irish Press Group. Journalists who worked at the press include Stephen Collins served as political editor his father Willie Collins was deputy editorand Michael Carwood became sports editor of The Sunday Press in 1988^[5] until its closure in 1995.

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John Power & Son Ltd Pot Still Whiskey Display & Ephemera

€120.00

Power's Pure Pot Still Whiskey display including photograph of delivery lorry ,original labels & other ephemera. 40cm x 34cm Thomas St Dublin In 1791 James Power, an innkeeper from Dublin, established a small distillery at his public house at 109 Thomas St., Dublin. The distillery, which had an output of about 6,000 gallons in its first year of operation, initially traded as James Power and Son, but by 1822 had become John Power & Son, and had moved to a new premises at John's Lane, a side street off Thomas Street. At the time the distillery had three pot stills, though only one, a 500-gallon still is thought to have been in use. Following reform of the distilling laws in 1823, the distillery expanded rapidly. In 1827, production was reported at 160,270 gallons,and by 1833 had grown to 300,000 gallons per annum. As the distillery grew, so too did the stature of the family. In 1841, John Power, grandson of the founder was awarded a baronet, a hereditary title. In 1855, his son Sir James Power, laid the foundation stone for the O'Connell Monument, and in 1859 became High Sheriff of Dublin. In 1871, the distillery was expanded and rebuilt in the Victorian style, becoming one of the most impressive sights in Dublin.After expansion, output at the distillery rose to 700,000 gallons per annum, and by the 1880s, had reached about 900,000 gallons per annum, at which point the distillery covered over six acres of central Dublin, and had a staff of about 300 people.

The Still House at John's Lane Distillery, as it looked when Alfred Barnard visited in the 1800s.

During this period, when the Dublin whiskey distilleries were amongst the largest in the world, the family run firms of John Powers, along with John Jameson, William Jameson, and George Roe, (collectively known as the "Big Four") came to dominate the Irish distilling landscape, introducing several innovations. In 1886, John Power & Son began bottling their own whiskey, rather than following the practice customary at the time, of selling whiskey directly to merchants and bonders who would bottle it themselves. They were the first Dublin distillery to do so, and one of the first in the world.A gold label adorned each bottle and it was from these that the whiskey got the name Powers Gold Label. When Alfred Barnard, the British historian visited John's Lane in the late 1880s, he noted the elegance and cleanliness of the buildings, and the modernity of the distillery, describing it as "about as complete a work as it is possible to find anywhere". At the time of his visit, the distillery was home to five pot stills, two of which with capacities of 25,000 gallons, were amongst the largest ever built.In addition, Barnard was high in his praise for Powers whiskey, noting:"The old make, which we drank with our luncheon was delicious and finer than anything we had hitherto tasted.It was as perfect in flavour, and as pronounced in the ancient aroma of Irish Whiskey so dear to to the hearts of connoisseurs,as one could possibly desire and we found a small flask of it very useful afterwards on our travels." The last member of the family to sit on the board was Sir Thomas Talbot Power,who died in 1930,and with him the Power's Baronetcy. However, ownership remained in the family until 1966, and several descendants of his sisters remained at work with the company until recent times. In 1961, a Coffey still was installed in John's Lane Distillery, allowing the production of vodka and gin, in addition to the testing of grain whiskey for use in blended whiskey. This was a notable departure for the firm, as for many years the big Dublin distilling dynasties had shunned the use of Coffey stills, questioning if their output, grain whiskey could even be termed whiskey. However, with many of the Irish distilleries having closed in the early 20th century in part due to their failure to embrace a change in consumer preference towards blended whiskey, Powers were instrumental in convincing the remaining Irish distilleries to reconsider their stance on blended whiskey. In 1966, with the Irish whiskey industry still struggling following Prohibition in the United States, the Anglo-Irish Trade War and the rise of competition from Scotch whiskey, John Powers & Son joined forces with the only other remaining distillers in the Irish Republic, the Cork Distilleries Company and their Dublin rivals John Jameson & Son, to form Irish Distillers. Soon after, in a bold move, Irish Distillers decided to close all of their existing distilleries, and to consolidate production at a new purpose-built facility in Midleton (the New Midleton Distillery) alongside their existing Old Midleton Distillery. The new distillery opened in 1975, and a year later, production ceased at John's Lane Distillery and began anew in Cork, with Powers Gold Label and many other Irish whiskeys reformulated from single pot stills whiskeys to blends. In 1989, Irish Distillers itself became a subsidiary of Pernod-Ricard following a friendly takeover.Since the closure of the John's Lane distillery, many of the distillery buildings were demolished. However, some of the buildings have been incorporated into the National College of Art and Design, and are now protected structures. In addition, three of the distillery's pot stills were saved and now located in the college's Red Square. Origins : Dublin City Dimensions : 100cm x 70cm 20kg (specially constructed damage proof shipping container)

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1994 Limerick Hurling Team Framed Photograph

€90.00

Boher Co Limerick 35cm x 48cm The 1994 All-Ireland Senior Hurling Championship Final was the 107th All-Ireland Final and the culmination of the 1994 All-Ireland Senior Hurling Championship. The match was held at Croke Park, Dublin, on 4 September 1994, between Offaly and Limerick. The Munster champions lost to their Leinster opponents on a score line of 3-16 to 2-13. The match is known as 'the five-minute final' due to the sensational comeback by Offaly who scored 2-5 to win the game in the last five minutes. With five minutes of normal time remaining, Limerick were leading by 2-13 to 1-11 and looked to be heading to their first title in 21 years when Offaly were awarded a free 20 metres from the goal. Limerick goalkeeper Joe Quaid later admitted that he was to blame for the resultant goal in that he didn't organise his defence well enough to stop a low-struck free from Johnny Dooley.[3] Quaid was erroneously blamed for Offaly's second goal after what was described as a quick and errant puck-out leading to Pat O'Connor putting Offaly a point ahead with a low shot to the net. Quaid later described the puck-out: "I didn’t rush back to the goals. I went back and picked up the ball, walked behind the goals like I normally would. Hegarty was out in the middle of the field on his own. I dropped the ball into his hand 70 yards out from goal. He caught the ball and in contact the ball squirted out of his hands." Because the television coverage was still showing a replay of the first goal, very few people got to see the build up to the second and when live transmission was resumed, the sliotar was still dropping towards Pat O'Connor leading people to assume that Quaid rushed his puck-out.Limerick went on to lose the game by 3-16 to 2-13.

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John Jameson JJ & S Whiskey Mirror

€150.00

Classic.John Jameson's JJ & S Whiskey Mirror.Excellent quality reproduction. 26cm x 26cm. John Jameson was originally a lawyer from Alloa in Scotland before he founded his eponymous distillery in Dublin in 1780.Prevoius to this he had made the wise move of marrying Margaret Haig (1753–1815) in 1768,one of the simple reasons being Margaret was the eldest daughter of John Haig, the famous whisky distiller in Scotland. John and Margaret had eight sons and eight daughters, a family of 16 children. Portraits of the couple by Sir Henry Raeburn are on display in the National Gallery of Ireland. John Jameson joined the Convivial Lodge No. 202, of the Dublin Freemasons on the 24^th June 1774 and in 1780, Irish whiskey distillation began at Bow Street. In 1805, he was joined by his son John Jameson II who took over the family business that year and for the next 41 years, John Jameson II built up the business before handing over to his son John Jameson the 3^rd in 1851. In 1901, the Company was formally incorporated as John Jameson and Son Ltd. Four of John Jameson’s sons followed his footsteps in distilling in Ireland, John Jameson II (1773 – 1851) at Bow Street, William and James Jameson at Marrowbone Lane in Dublin (where they partnered their Stein relations, calling their business Jameson and Stein, before settling on William Jameson & Co.). The fourth of Jameson's sons, Andrew, who had a small distillery at Enniscorthy, Co. Wexford, was the grandfather of Guglielmo Marconi, inventor of wireless telegraphy. Marconi’s mother was Annie Jameson, Andrew’s daughter. John Jameson’s eldest son, Robert took over his father’s legal business in Alloa. The Jamesons became the most important distilling family in Ireland, despite rivalry between the Bow Street and Marrowbone Lane distilleries. By the turn of the 19th century, it was the second largest producer in Ireland and one of the largest in the world, producing 1,000,000 gallons annually. Dublin at the time was the centre of world whiskey production. It was the second most popular spirit in the world after rum and internationally Jameson had by 1805 become the world's number one whiskey. Today, Jameson is the world's third largest single-distillery whiskey. Historical events, for a time, set the company back. The temperance movement in Ireland had an enormous impact domestically but the two key events that affected Jameson were the Irish War of Independence and subsequent trade war with the British which denied Jameson the export markets of the Commonwealth, and shortly thereafter, the introduction of prohibition in the United States. While Scottish brands could easily slip across the Canada–US border, Jameson was excluded from its biggest market for many years.

Historical pot still at the Jameson distillery in Cork

The introduction of column stills by the Scottish blenders in the mid-19th-century enabled increased production that the Irish, still making labour-intensive single pot still whiskey, could not compete with. There was a legal enquiry somewhere in 1908 to deal with the trade definition of whiskey. The Scottish producers won within some jurisdictions, and blends became recognised in the law of that jurisdiction as whiskey. The Irish in general, and Jameson in particular, continued with the traditional pot still production process for many years.In 1966 John Jameson merged with Cork Distillers and John Powers to form the Irish Distillers Group. In 1976, the Dublin whiskey distilleries of Jameson in Bow Street and in John's Lane were closed following the opening of a New Midleton Distillery by Irish Distillers outside Cork. The Midleton Distillery now produces much of the Irish whiskey sold in Ireland under the Jameson, Midleton, Powers, Redbreast, Spot and Paddy labels. The new facility adjoins the Old Midleton Distillery, the original home of the Paddy label, which is now home to the Jameson Experience Visitor Centre and the Irish Whiskey Academy. The Jameson brand was acquired by the French drinks conglomerate Pernod Ricard in 1988, when it bought Irish Distillers. The old Jameson Distillery in Bow Street near Smithfield in Dublin now serves as a museum which offers tours and tastings. The distillery, which is historical in nature and no longer produces whiskey on site, went through a $12.6 million renovation that was concluded in March 2016, and is now a focal part of Ireland's strategy to raise the number of whiskey tourists, which stood at 600,000 in 2017.Bow Street also now has a fully functioning Maturation Warehouse within its walls since the 2016 renovation. It is here that Jameson 18 Bow Street is finished before being bottled at Cask Strength. In 2008, The Local, an Irish pub in Minneapolis, sold 671 cases of Jameson (22 bottles a day),making it the largest server of Jameson's in the world – a title it maintained for four consecutive years.

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Steve Collins v Chris Eubank 1995 World Middle Weight Championship Fight Poster

€180.00

Framed Fight poster of Collins v Eubank at Millstreet 1995. 90cm x 68cm Co Cork Stephen Collins (born 21 July 1964) is an Irish former professional boxer who competed from 1986 to 1997. Known as the Celtic Warrior, Collins is the most successful Irish boxer in recent professional boxing history, having held the WBO middleweight and super-middleweight titles simultaneously and never losing a fight as champion. Collins' first nineteen professional fights all took place in the United States. In 1988 he won the Irish middleweight title, and the regional American USBA middleweight title the following year, defending the latter successfully in Atlantic City and Las Vegas. In his first two world championship challenges, both for the WBA middleweight title, Collins lost a unanimous decision to Mike McCallum in 1990 and a majority decision to Reggie Johnson in 1992. He also challenged unsuccessfully for the European middleweight title later in 1992, losing a split decision to Sumbu Kalambay in Italy. It was not until Collins reached his early 30s that he fulfilled his potential, becoming WBO middleweight champion in his third world title attempt with a fifth-round TKO victory over Chris Pyatt in 1994, before then moving up in weight to defeat the undefeated Chris Eubank and claim the WBO super-middleweight title in 1995. More success followed, as Collins successfully defended his title by winning the rematch against Eubank later in the year. Collins successfully defended his title another six times before pulling out of a proposed fight in October 1997 against rising Welsh star, Joe Calzaghe, and retiring from the sport, with Collins frustrated by his inability to get a fight against the pound for pound number one boxer of the time, Roy Jones Jr., who was then fighting in the light-heavyweight division. Having competed against some of the best boxers on both sides of the Atlantic during his career, Collins tends to be linked more to an era in the UK during which there was a notable rivalry between British boxers Chris Eubank and Nigel Benn, both of whom Collins fought and defeated twice.
Early years in Boston
Steve Collins won 26 Irish titles as an amateur before turning professional in Massachusetts, US in October 1986. Collins worked out of the Petronelli Brothers gym in Brockton, Massachusetts alongside Marvin Hagler. His debut fight was against Julio Mercado on the undercard of a bill that featured Irish Americans; his future trainer Freddie Roach and the future Fight of the Year winner Micky Ward. Collins beat Mercado by way of knockout in the third round. In Boston, Massachusetts in 1988, he defeated former Olympian and British Super Middleweight champion Sam Storey to win the Irish middleweight title, then defeated world No. 5, Kevin Watts to win the USBA middleweight title. After reaching 16–0, Collins stepped in as a substitute in a WBA middleweight title fight after Michael Watson was injured in training, and fought 12 rounds against Mike McCallum in Boston in 1990. Collins was supported by a large crowd of Irish Americans as he battled the champion McCallum, with the fight being close early on before McCallum started to tire as Collins gained momentum in the later stages to bring a close finish at the end of 12 exciting rounds. McCallum got the win by unanimous decision. In 1992, Collins lost a majority decision to Reggie Johnson in a closely contested slugfest for the vacant WBA middleweight title (which had been stripped from McCallum because he signed to fight IBF champion James Toney). Collins then lost by split decision to Sumbu Kalambay for the European title in Italy, before beating Gerhard Botes of South Africa to win the WBA Penta-Continental middleweight title in 1993.
WBO middleweight champion
Collins then moved to Belfast under the management of Barney Eastwood before basing himself in England where he joined Barry Hearn's Matchroom Boxing. Alongside him was Paul "Silky" Jones, his sparring partner and good friend who later went on to become WBO light-middleweight title holder. Collins was trained by Freddie King in the Romford training camp. In May 1994, Collins finally won a world title by defeating Chris Pyatt by stoppage in five rounds to become the WBO middleweight champion. Early in 1995, Collins relinquished this title without a defence as he was having difficulty making the 160lbs middleweight limit. In March 1995, Chris Eubank (41-0-2) had been scheduled to have a third WBO super-middleweight title fight against Ray Close. Eubank and Close had two fights over the previous two years (their first fight a draw, and their second fight a narrow split decision win for Eubank), but Close was forced to withdraw from their scheduled third fight after failing an MRI brain scan. Collins then stepped into Close's place, moving up to super-middleweight to take on Eubank.
WBO super-middleweight champion
Collins defeated the then unbeaten long-reigning champion Chris Eubank in Millstreet, County Cork, Ireland, in March 1995, by unanimous decision (115–111, 116–114, 114–113), to win the WBO super-middleweight title. Collins had enlisted the help of a guru, and they led the press to believe that Collins would be hypnotised for the fight, which noticeably unsettled Eubank. True to form, Collins sat in his corner and did not move, listening to headphones during Eubank's ring entrance. Collins knocked Eubank down in the eighth round, and was well ahead on the scorecards at the end of Round 9, but Eubank finished the fight strongly as he tried to save his unbeaten record and knocked Collins down in the tenth round, coming close to a stoppage. Eubank was unable to finish the job, and Collins held on for victory. In their September 1995 rematch in Cork, Collins performed brilliantly, changing his usual fighting style by adopting wild, brawling tactics throughout which Eubank really struggled to deal with. Despite most TV pundits and commentators giving Collins a wide points victory with scorecards in the region of 117–111 and 118–110, the three judges saw the fight very differently with Collins only winning by a close split decision, 115–113, 115–113 and 114–115. Collins successfully defended his WBO super-middleweight title seven times, including two fights against Nigel Benn in 1996. In the summer of 1997, Collins reportedly stated in the press that he had no motivation left, as he had spent the best part of his career chasing Roy Jones Jr. for a fight that had been promised to him many times. Collins is reported to have stated in Boxing World that he had spent so long chasing Roy Jones Jr. that money was no longer important; that he would "fight him in a phone box in front of two men and a dog". but the bout never materialised. A WBO super-middleweight title fight against Joe Calzaghe was agreed for October 1997, but Collins got injured 10 days before the scheduled fight, got stripped of his title by the WBO, with Collins then making a statement saying that fighting Calzaghe would do nothing to satisfy the desire he had for fighting Jones. Collins then added he wanted to retire on a high note with a good pay day, "Joe is a good up-and-coming kid, but he wouldn't fill a parish church". As Collins couldn't get the fight with Jones, Collins decided to retire. In 1999, Collins announced his decision to come out of retirement to fight Roy Jones Jr. Controversy surrounded the proposed fight, as WBC and WBA light heavyweight champion Jones decided to fight the IBF light heavyweight champion and old Collins foe Reggie Johnson (which Jones won by a shutout 120–106 on all three judges' scorecards), and it was revealed that Collins would have to fight Calzaghe before a showdown with Jones. Collins had accepted this and started to prepare to fight Calzaghe. In training, Collins collapsed during a sparring session with Howard Eastman. Although tests and a brain scan could not find any problems, Collins decided that it was a warning to make him stop boxing, and he retired for a second time. Collins retired in 1997, with a record of 39 fights, 36 wins (21 knockouts) and 3 losses. Collins has not entirely faded from the spotlight since his retirement. In 1998 he appeared in the film Lock, Stock and Two Smoking Barrels as a boxing gym bouncer. In 1999 he made a cameo appearance in "Sweetest Thing", a music video by U2. On 15 January 2013, at the age of 48, Collins announced plans to fight Roy Jones Jr.He went on to appear in a number of exhibition bouts in preparation for the proposed Jones fight. In 2017 Collins joined the Army Reserve's 253 Provost Company of the 4th Regiment Royal Military Police in London where he had been living for the previous 20 years. He gained promotion to Lance Corporal and qualified as an army boxing coach. His brother Roddy Collins is a former professional footballer and manager. His brother Paschal was a professional boxer and now a leading professional boxing coach plus manager. His eldest son Stevie Jnr is a retired rugby player and a retired professional boxer who now coaches and manages boxers His youngest son Luke is an active amateur boxer and qualified amateur boxing coach

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Capel St Dublin Original Cast Iron Street Sign
Fire damaged but still robustly intact cast iron Capel St street sign .This pieced of Dublin history was acquired in the UK where the story goes a former British soldier brought it home as a souvenir after extracting it from the post 1916 Easter rising burning rubble.Whether this anecdote is true or not, we feel this is a unique and once off item not to be missed ! For further information on pricing and shipping costs please contact us directly at irishpubemporium@gmail.com 60cm x 14cm 5kg It is sometimes claimed that the street takes its name from the chapel of St Mary's Abbey; other Capel Streets may be named after chapels, but this one is named after Arthur Capell, 1st Earl of Essex, Lord Lieutenant of Ireland 1672–1677. Built by Sir Humphrey Jervis in the late 17th century, he also built Essex Bridge (today Grattan Bridge), and the street was known for its mansions and a royal mint. In the 18th century, it became a commercial hub, with two-bay buildings replacing the "Dutch Billy" houses.The Capel Street Theatre also stood there in the 18th century. The Torch Theatre operated on Capel Street in 1935–41. The street declined in the 20th century, before a revival around the 1980s. Today it is known for its variety of restaurants, shops, cafés and pubs; as Panti, the owner of Pantibar put it, "You can buy a lightbulb, sexual lubricant, Brazilian rice, get a pint and go to a trad session." Louis Copeland's tailor is another notable business.

Berlin Optician, 157 Capel Street

Site of the Torch Theatre, 114–116 Capel Street

Slattery's Bar, 129 Capel Street

Jack Nealon's pub, 165 Capel Street
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Celtic Legend Jimmy McGrory

€70.00

Framed moment of Glasgow Celtic Great-Jimmy McGrory. Dunfanaghy Co Donegal 40cm x 33cm James Edward McGrory (26 April 1904 – 20 October 1982) was a Scottish International football player, who played for Celtic and Clydebank as a forward, and then went on to manage Kilmarnock, before returning to Celtic as manager after the end of the Second World War. He is the all-time leading goalscorer in top-flight British football with a total of 550 goals in competitive first-team games at club and international level. McGrory is a legendary figure within Celtic's history; he is their top scorer of all time with 522 goals, and holds their record for the most goals in a season, with 57 League and Scottish Cup goals from 39 games in season 1926–27. He has also notched up a British top-flight record of 55 hat-tricks, 48 coming in League games and 7 from Scottish Cup ties. It could be argued he in fact scored 56, as he hit 8 goals in a Scottish League game against Dunfermline in 1928, also a British top-flight record. He was at Celtic for 15 years between 1922 and 1937, although he did spend the majority of the 1923–24 season on loan at fellow 1st Division side Clydebank. After a spell managing Kilmarnock from December 1937 to July 1945, he became Celtic manager, where he remained for just under 20 years, until March 1965 when he was succeeded by Jock Stein. Even although he was only 5 ft 6ins, he was renowned for his prowess and ability from headers. His trademark was an almost horizontal, bullet header, which he performed and scored regularly from and which earned him his nicknames, of the "Human Torpedo" and the "Mermaid".

Early life
McGrory was born at Millburn Street, Glasgow. He was the son of Henry McGrory and Catherine Coll, both of whom were Irish Catholic immigrants from Ulster. Henry and Catherine had been married at St. Baithin's Church (known locally as 'the Chapel') in St. Johnston, a village in The Laggan district in the east of County Donegal, before emigrating to Scotland. While Catherine was from The Laggan, Henry may have been from elsewhere within County Donegal. Jimmy's elder brother was born in St. Johnston before the family left for Glasgow. They lived in Glasgow's East End on his father's wages as a gasworks labourer.
Playing career

St Roch's
McGrory began playing for St Roch's Juniors aged 16, earning £2 a week.In his first season of 1921–22, he helped the side win a Double. St Roch's won the Scottish Junior Football League and the Scottish Junior Cup, where he scored the equalizer in a 2–1 win over Kilwinning Rangers.In 2013 St. Roch's renamed their ground in honour of McGrory, changing it from Provanmill Park to The James McGrory Park.
Celtic

1920s
With many clubs now scouting him, such as Third Lanark and Fulham, Celtic jumped in first and approached to sign him. He signed his first full professional contract for Celtic on 10 June 1922, for £5 a week, in the pavilion at Third Lanark's Cathkin Park. He made his debut on 20 January 1923, in a 1–0 away defeat, also at Cathkin Park.His first goal came two weeks later on 3 February 1923, in a 4–3 League defeat against Kilmarnock at Rugby Park. In total, he made three League and one Scottish Cup appearances, scoring that one goal at Rugby Park. He was loaned out to Clydebank on 7 August 1923 and later that month scored on his debut against Aberdeen at Pittodrie in a 3-1 defeat. On 1 March 1924, he lined up in the Clydebank side to face Celtic at Parkhead. It ended up being quite a bizarre day for him, as he ended up scoring the winner in a shock 2–1 victory for Clydebank. Not long after this, and before the season was out, he was recalled to Celtic. In his time at Clydebank he played 33 League and Scottish Cup games, scoring 16 goals. Having returned to Celtic, he featured in the Glasgow Charity Cup semi-final against Queens Park on 6 May 1924, scoring in a 2–0 win. The final was two days later on 8 May 1924, where he played at outside-left in a 2–1 win over Rangers. The 1924–25 season started poorly, with McGrory not scoring in his first three games, but worse was to come when his father was killed after accidentally being struck by a stone in a local park. McGrory played against Falkirk the following Saturday, just hours after having just attended his father's funeral, and yet managed to get off the mark for the season with his first goal in a 2–1 win.With his goal scoring touch returned, he continued to add to his tally until a knee injury in November 1924 ruled him out until into the following year. McGrory returned in stunning form in the Scottish Cup, scoring a hat trick against Third Lanark and a double against Rangers in a 5–0 semi-final victory. He then headed a last minute winning goal in the 2–1 Scottish Cup Final victory over Dundee on 11 April 1925, the first major honour of his career.He finished his first full season at Celtic with 30 goals. The 1925–26 season was a successful one both personally and collectively, with Celtic winning the First Division and him finishing the season with 49 goals in all competitions, which included a streak that saw him scoring in seven consecutive league games. Celtic reached their second successive Scottish Cup Final, but McGrory this time was on the losing side as they lost 2–0 to St Mirren. While Celtic relinquished the Scottish league title in 1926–27 title, finishing in 3rd place, McGrory had his best goalscoring season. He started the season well, twice scoring four goals and twice scoring five, and by New Year had only one less goal League goal (34) than the previous season's final tally of 35.He was just as prolific in the 1926–27 Scottish Cup, where he scored nine goals in only six outings, although in a cruel twist of fate he missed out on playing in the final, which Celtic won against East Fife 3–1, due to breaking two ribs in an April league defeat to Falkirk.Despite missing the final, he still received a winner's medal on manager Willie Maley's recommendation due to the goals he had scored during their cup run.His 48 league goals throughout the season, including seven hat-tricks, saw him finish the top scorer in the Scottish top flight for the first time. He also scored a further hat trick in the Scottish Cup, in a 6–3 win away at Brechin City,to make a total of 8 hat-tricks for the season. A further two goals in the Glasgow Cup brought McGrory's total for the season to 59 goals. By the late 1920s McGrory was a wanted man; in five seasons he had scored 143 League and Scottish Cup goals in just 152 games and Celtic had already received and turned down countless offers for him.However, in August 1927 they decided to accept an offer from Arsenal for £10,000, which would have set a new world football transfer record.McGrory had accepted a paid holiday invitation from Celtic to make a pilgrimage to the shrine at Lourdes, as a guest of Celtic manager Willie Maley. What McGrory didn't know was that Celtic had arranged a meeting with Arsenal manager Herbert Chapman and chairman Sir Samuel Hill-Wood MP in London. Upon arriving in London at Euston railway station, McGrory was surprised to be met on the station platform by Chapman and Hill-Wood. (Maley knew, but had said nothing to McGrory about the ulterior motive.) Chapman tried his hardest to charm and persuade McGrory to sign for Arsenal, but he turned him down flatly. Upon their return from Lourdes, McGrory and Maley were again met in London by Chapman and Hill-Wood in a surprise (even to Maley this time) visit. Arsenal made one last attempt at getting McGrory's signature, but again failed to persuade him. In the aftermath of his refusal to leave Celtic, McGrory's weekly wage was reduced from £9 to £8 from the beginning of the season, with no warning or reason given. It is generally assumed that this was done out of spite for his refusal to sign for Arsenal and the club's loss of a £10,000 windfall. McGrory would later quip about the episode that "McGrory of Arsenal just never sounded as good as McGrory of Celtic". It was ultimately an unsuccessful season though, with Celtic finishing second in the First Division and losing the Scottish Cup Final.Despite all his disappointment, he kept up his exceptional goal scoring feats, completing back to back finishes as top League scorer in Scotland with 47 goals in 36 games.He scored a total of 53 League and Scottish Cup goals in 42 games that season, and a further nine goals in the Glasgow Cup brought his tally up to a total of 62 goals for the season.Amongst these goals, which again included eight hat-tricks, he created what is still a Celtic, Scottish and British record for the most goals in a top-flight League match by one player, with 8 goals in a 9–0 win over Dunfermline on 14 January 1928. Celtic finished second in the 1928–29 league season, but were 16 points behind winners Rangers. They were knocked out of the Scottish Cup at the semi-final stage, losing 0–1 to Kilmarnock at Rugby Park. McGrory spent a lengthy spell on the sidelines after picking up a very bad injury in an appearance for the Scottish League XI at Villa Park in November 1928.Due to this prolonged period on the treatment table, McGrory missed a lot of games that season and in turn his goal scoring tally was down on the previous three seasons. Nevertheless, he still a managed a very commendable tally of 31 League and Scottish Cup goals in 27 games.
1930s

Jimmy McGrory (right) in action for Celtic during the 1930s. He is the record goal-scorer in British football, with a career total of 550 goals

No honours were achieved either in 1929–30, although McGrory continued to score regularly, netting 36 goals in 29 League and Scottish Cup games. Injuries were by now starting to take their toll on McGrory, who was always a regular target for some brutal 'defending'. He missed the first six games of season 1930–31 due to such an injury.While the Leaguecampaign was to ultimately prove disappointing, the team had shown promise and improved on the previous seasons finish of fourth place, running eventual winners Rangers close and finishing in second place only two points behind them. Celtic scored 101 goals in the process,with McGrory helping himself to a very credible 36 of them in only 29 games. The 1930–31 Scottish Cup was to prove more fruitful all round, where he ended up with a winners medal and 8 goals from 6 games. In the Cup Final on 11 April 1931, he scored the opening goal in a 2–2 draw against Motherwell in front of crowd of 104,863 at Hampden Park, Glasgow. The replay took place on 15 April 1931, which Celtic won 4–2 thanks to two goals each from McGrory and Bertie Thomson. Celtic found themselves way off the pace again in the 1931–32 Scottish Division One, finishing in third place, 18 points behind champions Motherwell.A huge factor in Celtic's indifferent season was the death of their goalkeeper John Thomson on 5 September 1931 at Ibrox Park. Rangers forward Sam English collided with Thomson and his knee struck the Celtic goalkeepers temple, fracturing his skull. Thomson was rushed to the Victoria Infirmary in Glasgow, but died later that evening. The effect on the team was evident in their general performance from that point onwards. McGrory, on top of losing a teammate and friend, was succumbing to more serious injuries and missed large chunks of the season, only playing in 22 of the 38 League games. He and Celtic fared little better in the Scottish Cup, again losing out to Motherwell at the first round of entry, in round three. The injuries put paid to his usual high goal tally, and he suffered his lowest seasonal total since his first full season in 1924–25 season, with 28 goals in 23 League and Scottish Cup games. On 14 March 1936, McGrory achieved the fastest hat-trick in Scottish League history, scoring three goals in less than 3 minutes, during a 5–0 win over Motherwell.McGrory was allowed to leave Celtic in December 1937 to become the manager of Kilmarnock, on the condition that he retired from playing.
International career
McGrory gained seven caps for the Scottish national team, scoring six goals. In the mid and late 1920s he was generally overlooked, as were Dave Halliday and Hughie Ferguson, in favour of Hughie Gallacher who played 18 times in that period, scoring 24 goals in 17 victories and one draw. McGrory's full international debut was at Firhill in 1928 against Ireland when Gallacher was on a two-month suspension; Scotland lost 1–0 to an opponent Gallacher usually scored freely against. McGrory became something of a scapegoat, waiting over three years for his full international recall. Six of McGrory's caps were in the 1930s when Gallacher was unavailable due to a ban affecting non-English players playing for English clubs (Gallacher had been at the centre of this club-versus-country dispute when, under pressure from Newcastle United directors, he played for them against Arsenal rather than for Scotland against England – Arsenal felt especially aggrieved since they had released Alex James and David Jack to play in the international at Wembley). In these six games, McGrory scored six goals, but despite this strike rate he was never given an extended run in the team;his final appearance, the only one in which he did not score aside from his debut, was also against Ireland and resulted in defeat, this time at his home club ground Celtic Park. The press were critical of the Scottish players individually and collectively,and McGrory was one of five in the Scotland team who were not selected for international duty again. McGrory received his first calling to play for the Scottish Football League XI on 27 October 1926 to play against the Irish League XI at Tynecastle Park, scoring once in a 5–2 win. He then featured in the match with the English League XI at Filbert Street on 19 March 1927, and scored one goal in a 2–2 draw.He scored twice in a 6–2 defeat against the same opposition at Ibrox Park on 10 March 1928. McGrory played in six Inter-League matches in all, scoring 6 times.
Management career

Kilmarnock
McGrory became the first full-time manager of Kilmarnock in December 1937.Kilmarnock were struggling in the league, and lost their first two games under McGrory; a humiliating 9–1 rout at the hands of Celtic in his debut as manager and a 4–0 loss to Hibernian.However, the team's form improved and they went on a run of losing only once in a dozen games,and eventually managed to stay up.He also led Kilmarnock to the Scottish Cup Final, knocking both Celtic and Rangers out en route.The final took place on 23 April 1938 between Kilmarnock and East Fife, finishing in a 1–1 draw.^[50] The replay was held four days later, Kilmarnock losing 2–4. Kilmarnock improved further in McGrory's first full season as manager, finishing in a comfortable mid-table position in the league at the end of 1938–39.They weren't able to replicate the previous season's cup form however, going out of the Scottish Cup in the second round to Hibernian.Hopes that McGrory's side of efficient journeyman and enthusiastic youngsters could progress further were quashed by Britain's declaration of war against Germany in September 1939. The Scottish League was abandoned and regional competitions organised in their place to minimise travelling across the country during wartime.Kilmarnock's ground, Rugby Park, was then requisitioned by the army in the summer of 1940 as a fuel depot.The combination of losing their ground and players being conscripted resulted in Kilmarnock stopping playing football altogether. McGrory was kept on officially as manager, but had virtually nothing to do. During this time he found work as chief storeman at a munitions factory in Ayrshire and he also joined the Home Guard. Kilmarnock finally returned to playing football again in the summer of 1944, although they had to play their home games at a nearby junior team's ground as Rugby Park was still being used by the army. Eventually their ground was returned to them in April 1945 and the club joined the Southern League for the forthcoming season. However, in July 1945 a Glasgow newspaper reported that McGrory would "make a sensational move soon."He himself later confirmed that Tom White, the Celtic chairman, had telephoned to arrange a meeting. McGrory duly travelled to Glasgow to speak with him, and was offered the job as manager of Celtic.
Celtic manager
On 24 July 1945, McGrory returned to Parkhead to manage Celtic.His first season proved to be difficult, with the side comprising an uneasy blend of veterans and youngsters.Winger Jimmy Delaney's sale to Manchester United in February 1946, after asking Celtic for a £2 rise in his weekly wage, and the transfer of Malky MacDonald to Kilmarnock further weakened the side. The season then ended in controversy when Celtic lost to Rangers in the semi-final of the Victory Cup, despite numerous dubious decisions made for Celtic by a referee who appeared to be affected by alcohol. Celtic made a poor start to the following season, winning only one of their first five games. A further defeat against Third Lanark in September 1946 saw a large number of fans protest outside the ground, although it was the chairman Tom White who was subject of their criticism and not McGrory. In March 1947, Tom White died and director Robert Kelly was elected as his successor as chairman.For the next 18 years, Kelly would be the dominant personality at Celtic Park; imposing his will in the running of the club at all levels including having direct involvement in team selection. In 1948, the club endured an even worse season, and went into their last league game of the season with the possibility of being relegated. Celtic went on to win 3–2 against Dundee, to the relief of all associated with the club.McGrory later described Celtic's flirtation with relegation as "the worst experience I've ever had in football." In June 1948, McGrory signed Charlie Tullyfrom Belfast Celtic for £8,000. Tully was a charismatic performer who combined audacious dribbling with outright showboating and razor sharp wit. He became hugely popular with the Celtic support, and 'Tullymania' resulted in Glasgow cafes selling 'Tully ice cream', bars serving 'Tully cocktails' and drapers producing 'Tully ties'. Celtic also appointed Jimmy Hogan during the summer of 1948 as a coach. He had previously worked throughout Europe, notably Hungary, and spent six years as the English FA's coach. Hogan only spent two years at Parkhead but is credited with the improvement in Celtic's football in the early 1950s. Matters improved in the 1950s, with Bobby Evans, Bertie Peacock, Bobby Collins, along with Tully, making a positive impact on the team. In April 1951, a John McPhail goal saw Celtic defeat Motherwell 1–0 in the Scottish Cup Final for the club's first major trophy since the war.Two years later, Celtic defeated Arsenal, Manchester United and Hibernian to win the Coronation Cup, a one-off tournament held in May 1953 to commemorate the coronation of Elizabeth II. In 1954 Celtic won their first league and cup double for forty years, and their first league title since 1938. Celtic finished five points ahead of Hearts in the league and had the best defensive record in the division (only 29 goals conceded). The Scottish Cup Final was contested between Celtic and Aberdeen. A keenly contested match was won by a Sean Fallon goal after excellent play from Willie Fernie. He also led Celtic to their famous 7-1 Scottish League Cup Final win over Rangers in 1957, which to this day remains a record score-line in a major British cup final. The game and McGrory are remembered in the supporters' song "Hampden in the Sun".McGrory is also remembered in another popular song amongst the supporters named after his manager, the "Willie Maley Song". His time as manager, however, is considered largely a period of underachievement, and with chairman Robert Kelly's domineering influence in the running of the club, many questioned how much say McGrory had in team selection.The years that followed the League Cup Final win over Rangers saw Celtic struggle and, despite the emergence of hugely promising players such as Billy McNeill, Paddy Crerand, Bertie Auld and Jimmy Johnstone,^[83]^[84] Celtic won no more trophies under McGrory. McGrory was manager for nearly 20 years, before Jock Stein succeeded him in March 1965. At this time, the Celtic board appointed McGrory to the new role of Public Relations Officer, a post he would retain until his retirement in 1979.

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