![EA OF EMOTION: Munster’s players and supporters celebrate a famous victory.](https://www.irishexaminer.com/remote/media.central.ie/media/images/m/MunsterVAllBlacks1978_large.jpg?width=648&s=ie-362232)
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The Munster hurling final day is one of the great occasions in Irish sport.Be it Semple Stadium, the Gaelic Grounds or in Páirc Uí Chaoimh, it is a huge date on the provincial and national stage.It is a well-documented fact that on Munster final day, carloads of supporters would travel from the Glens of Antrim to Thurles to view the protagonists in action.
It’s 30 years ago now but it was a similar situation in 1990 when the two old foes collided on a scalding July day in Thurles .Tipperary had the MacCarthy Cup in their possession back then too having beaten Antrim in the All-Ireland final the previous September.Cork, on the other hand, were down in the dumps having lost to what proved to be a very poor Waterford team in 1989, a Waterford team that were subsequently hammered by Tipp in the Munster final.Cork went into the Munster final in 1990 as raging underdogs, almost no-hopers against the reigning All-Ireland champions.But it was a different Cork team that they were facing this time. In attitude as much as anything, as Teddy McCarthy and Tomás Mulcahy were both out for the provincial decider through injury.
The Canon and Gerald brought a fresh and renewed impetus to the Cork set up, brought back a few players who had been discarded and going up to Thurles there was a calm and cautiously optimistic approach.
For Cork to be in the hunt they needed a positive start to have any chance of outright victory, they needed to unsettle Tipp early on and that is exactly what transpired.
Cork started brilliantly, inspired by Jim Cashman who was a dominant figure at centre-back, while Tony O’Sullivan, later Hurler of the Year, was hugely influential at wing-forward, as the below clip from the @corkhurlers1 twitter shows.A Tipperary laden with great players like Nicky English, Pat Fox, the Bonner brothers, Declan Ryan, John Leahy and Bobby Ryan quickly realised that this was a different Cork team than the one who had went down so meekly to Waterford a year earlier.
The Cork crowd really got behind the team and as the game progressed an unlikely hero was to emerge from a small club in West Cork.
Argedeen Rangers’ Mark Foley had one of those magical days that you could only ever dream about. Everything ‘The Dentist’ touched turned to gold, there was no holding him.
Tipp couldn’t cope and the rest is history as Cork swept to one of their greatest Munster Final triumphs.
One can recall sitting in the Ryan Stand that day with Cork Examiner sports editor Tom Aherne and both of us losing the run of ourselves surrounded by Tipp supporters who were in a state of shock. Foley’s performance that day has stood the test of time as one of the greatest individual displays ever given in a Munster Final or otherwise.
But there were heroes everywhere, from Ger Cunningham out. Teddy McCarthy, John Fitzgibbon, Tomás Mulcahy, Kevin Hennessy, Denis Walsh, Ger Fitzgerald, Tony O’Sullivan to mention just a handful.
Jim Cashman had the game of his life at number six completely stifling Declan Ryan. But it was Foley’s day.
That performance would be nearly impossible to repeat but in the All Ireland final against Galway he scored 1-1 which was a major contribution as Cork regained the McCarthy Cup.
Tipp exacted revenge a year later in a Munster final replay when Jim Cashman was controversially taken out of the game.
The Cork Tipp rivalry was as intense as it ever was back then and Cork won back the Munster final in 1992.
The Cork team that day in 1990 was: G Cunningham; J Considine, D Walsh, S O’Gorman; S McCarthy, J Cashman, K McGuckin; P Buckley, B O’Sullivan; D Quirke, M Foley, T O’Sullivan; G Fitzgerald, K Hennessy, J Fitzgibbon
Scorers: Mark Foley 2-7, John Fitzgibbon 2-0, Tony O’Sullivan 0-5, Cathal Casey, Ger Fitzgerald, Kevin Hennessy, David Quirke 0-1 each.
In the All-Ireland final a short few months later Cork defeated Galway in a seven-goal thriller in Croke Park, winning in a scoreline of 5-15 to 2-21.
The Cork scorers that day were: John Fitzgibbon 2-1, Kevin Hennessy 1-4, Tomás Mulcahy 1-2, Mark Foley 1-1, Teddy McCarthy 0-3, Tony O’Sullivan 0-2, Ger Fitzgerald, Kieran McGuckin 0-1 each.
Cork Jazz Festival | |
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Genre | Jazz |
Dates | Late October |
Location(s) | Cork, Ireland |
Years active | 1978-present (42 years) |
Website | GuinnessJazzFestival.com |
Clare | 1-17 – 0-11 | Limerick |
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J. O'Connor (0-6), P. J. Connell (0-4), D. FitzGerald (1-0), C. Clancy (0-2), S. McMahon (0-1), F. Tuohy (0-1), F. Hegarty (0-1), S. McNamara (0-1), G. O'Loughlin (0-1). | Report | G. Kirby (0-6), M. Galligan (0-3), P. Heffernan (0-1), F. Carroll (0-1). |
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Event | 1951 All-Ireland Senior Football Championship | ||||||
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Date | 23 September 1951 | ||||||
Venue | Croke Park, Dublin | ||||||
Attendance | 78,201 | ||||||
Date | Performer(s) | Opening act(s) | Tour/Event | Attendance | Notes |
---|---|---|---|---|---|
29 June 1985 | U2 | In Tua Nua, R.E.M., The Alarm, Squeeze | The Unforgettable Fire Tour | 57,000 | First Irish act to have a headline concert. Part of the concert was filmed for the group's documentary Wide Awake in Dublin. |
28 June 1986 | Simple Minds | Once Upon A Time Tour | Guest appearance by Bono | ||
27 June 1987 | U2 | Light A Big Fire, The Dubliners, The Pogues, Lou Reed | The Joshua Tree Tour | 114,000 | |
28 June 1987 | Christy Moore, The Pretenders, Lou Reed, Hothouse Flowers | ||||
28 June 1996 | Tina Turner | Brian Kennedy | Wildest Dreams Tour | 40,000/40,000 | |
16 May 1997 | Garth Brooks | World Tour II | |||
18 May 1997 | |||||
29 May 1998 | Elton John & Billy Joel | Face to Face 1998 | |||
30 May 1998 | |||||
24 June 2005 | U2 | The Radiators from Space, The Thrills, The Bravery, Snow Patrol, Paddy Casey, Ash | Vertigo Tour | 246,743 | |
25 June 2005 | |||||
27 June 2005 | |||||
20 May 2006 | Bon Jovi | Nickelback | Have a Nice Day Tour | 81,327 | |
9 June 2006 | Robbie Williams | Basement Jaxx | Close Encounters Tour | ||
6 October 2007 | The Police | Fiction Plane | The Police Reunion Tour | 81,640 | Largest attendance of the tour. |
31 May 2008 | Celine Dion | Il Divo | Taking Chances World Tour | 69,725 | Largest attendance for a solo female act |
1 June 2008 | Westlife | Shayne Ward | Back Home Tour | 85,000 | Second Irish act to have a headline concert. Largest attendance of the tour. Part of the concert was filmed for the group's documentary and concert DVD 10 Years of Westlife - Live at Croke Park Stadium. |
14 June 2008 | Neil Diamond | ||||
13 June 2009 | Take That | The Script | Take That Present: The Circus Live | ||
24 July 2009 | U2 | Glasvegas, Damien Dempsey | U2 360° Tour | 243,198 | |
25 July 2009 | Kaiser Chiefs, Republic of Loose | ||||
27 July 2009 | Bell X1, The Script | The performances of "New Year's Day" and "I'll Go Crazy If I Don't Go Crazy Tonight" were recorded for the group's live album U22 and for the band's remix album Artificial Horizon and the live EP Wide Awake in Europe, respectively. | |||
5 June 2010 | Westlife | Wonderland, WOW, JLS, Jedward | Where We Are Tour | 86,500 | Largest attendance of the tour. |
18 June 2011 | Take That | Pet Shop Boys | Progress Live | 154,828 | |
19 June 2011 | |||||
22 June 2012 | Westlife | Jedward, The Wanted, Lawson | Greatest Hits Tour | 187,808[24] | The 23 June 2012 date broke the stadium record for selling out its tickets in four minutes. Eleventh largest attendance at an outdoor stadium worldwide. Largest attendance of the tour and the band's music career history. Part of the concert was filmed for the group's documentary and concert DVD The Farewell Tour - Live in Croke Park. |
23 June 2012 | |||||
26 June 2012 | Red Hot Chili Peppers | Noel Gallagher's High Flying Birds, The Vaccines | I'm with You World Tour | ||
23 May 2014 | One Direction | 5 Seconds of Summer | Where We Are Tour | 235,008 | |
24 May 2014 | |||||
25 May 2014 | |||||
20 June 2015 | The Script & Pharrell Williams | No Sound Without Silence Tour | 74,635 | ||
24 July 2015 | Ed Sheeran | x Tour | 162,308 | ||
25 July 2015 | |||||
27 May 2016 | Bruce Springsteen | The River Tour 2016 | 160,188 | ||
29 May 2016 | |||||
9 July 2016 | Beyoncé | Chloe x Halle, Ingrid Burley | The Formation World Tour | 68,575 | |
8 July 2017 | Coldplay | AlunaGeorge, Tove Lo | A Head Full of Dreams Tour[25] | 80,398 | |
22 July 2017 | U2 | Noel Gallagher's High Flying Birds | The Joshua Tree Tour 2017 | 80,901 | |
17 May 2018 | The Rolling Stones | The Academic | No Filter Tour | 64,823 | |
15 June 2018 | Taylor Swift | Camila Cabello, Charli XCX | Taylor Swift's Reputation Stadium Tour | 136.000 | Swift became the first woman headline two concerts in a row there. |
16 June 2018 | |||||
7 July 2018 | Michael Bublé | Emeli Sandé | |||
24 May 2019 | Spice Girls | Jess Glynne | Spice World - 2019 UK Tour | ||
5 July 2019 | Westlife | James Arthur Wild Youth | The 20 Touror The Twenty Tour | The 5 July 2019 date sold out its tickets in six minutes. Second date released were also sold out in under forty-eight hours. | |
6 July 2019 |
"The An Post-GAA Team of the Millennium was unveiled at Croke Park yesterday. The selection which serves as the first 15 inductions into the GAA's new Hall of Fame has also been marked by an issue of 15 commemorative stamps by An Post. The stamps will be available in a variety of combinations from today. Next year, a similar exercise will take place to honour 15 hurlers.
There was some comment on the absence of Dublin's Brian Mullins and Jack O'Shea from Kerry but it seemed generally appreciated that there were only two centrefield slots on the team and someone had to lose out. Tommy Murphy, the Boy Wonder of the 1930s Laois team which won three Leinster titles in a row, who was included ahead of Mullins and O'Shea had the added distinction of being the only player honoured who had not won an All-Ireland medal.
Not surprisingly, Kerry - who top the All-Ireland roll of honour with 31 titles - lead the way on the team with six selections. Despite being clearly second behind Kerry with 22 All-Irelands, Dublin provide only one player, Kevin Heffernan at left corner forward. Galway and Mayo have two players each with one from Cavan, Down, Meath and Laois making up the balance.
Joe McDonagh, President of the GAA, described the project as a reflection "on the history and evolution of our association, its games and its central characters, the players who have left such giant footprints in the sands that is the chronicle of the GAA".
The Hall of Fame which is inaugurated by this team will be represented all through Croke Park, according the GAA director general Liam Mulvihill. He said that the Hall will be added to with a small number of inductions on an annual basis.
"We decided that this team would be the initial members of the Hall of Fame and we were planning to honour those selected around the main areas of the concourse of the re-developed stadium, in the bottom tier and the upper tier. We wanted those ordinary tiers where ordinary supporters gather as the most appropriate place to honour those players.
"The inductions will be in very small numbers, we're probably talking about two a year. Two footballers, two hurlers or one footballer and one hurler. It has to be made very, very special."
Paddy Downey, formerly GAA correspondent of The Irish Times, was one of the adjudicators and confirmed the widespread feeling that the task of selecting such a team wasn't an enviable one.
"It's nearly impossible because there's so many players, particularly in what you might call the big, central positions: midfield, centre-back, full back. Already people are saying to me: `why isn't Brian Mullins on, why isn't Paddy Kennedy of Kerry, Jack O'Shea - above all at the present time' and so on.
"We also had the problem of not picking a half-century team of people we had seen ourselves. You could also argue how could we pick someone we hadn't seen - Dick Fitzgerald, apparently one of the greatest players of all time, Paul Russell of Kerry, Jack Higgins of Kildare, from the earlier part of the century.
"I was conscious that we could have gone further back and taken the word of our predecessors in journalism who had praised these players and done so in print. Inevitably it came to be more a team of the second half of the century than the early years."
Martin O'Connell of Meath was the only player of what might roughly be called contemporary times - one whose career was largely after the selection of the 1984 Centenary Team - to earn a place.
"I was surprised," he said. "I didn't even know until I came up here. I arrived a bit late and Micheal O Muircheartaigh was just reading out the names. I was absolutely delighted."
Murphy’s reaches Americans shores for the first time winning back many drinkers lost to emigration and a whole new generation of stout drinkers.
Murphy’s reaches Americans shores for the first time winning back many drinkers lost to emigration and a whole new generation of stout drinkers.
Murphy’s reaches Americans shores for the first time winning back many drinkers lost to emigration and a whole new generation of stout drinkers.
The first act of the Irish Free State after independence was to paint all the post boxes throughout the country green. It was a brilliant stroke – royal red replaced by emerald green in one of the most visible and ubiquitous symbols of national administration.
Ironically, the post boxes themselves did not change, so the royal insignias were simply over-painted by the new colour. The result was a charming mixture of tradition and adaptation that serves as an ongoing reminder of the history of Ireland and its institutions.
The first post boxes were introduced to Ireland in the 1850s by the novelist Anthony Trollope, then a Surveyor for the Post Office. Trollope was happy in Ireland and wrote several novels and stories set here, although they are not the works for which he is most remembered.
One of the earliest models for a free-standing post box came to be known as the Penfold, after its designer, J W Penfold. They were manufactured and deployed from 1866 to 1879 and very few have survived in Ireland to this day – only six are known and of these only three are still in operation. Skibbereen has one of those, and very fine it is: one hundred and fifty years old and still in daily use!
The hexagonal Penfold designed was apparently inspired by the Temple of the Winds in Athens (although the Temple is octagonal), with the addition of an acanthus leaf on the cap and a smart bud-shaped finial and beading.
Our Skibbereen Penfold is in excellent condition: note the royal insignia and the entwined VR for Victoria Regina.
The Penfolds were replaced by round pillar boxes because there were too many complaints that the hexagonal design caused letters to stick. These cylindrical boxes can be seen everywhere in Ireland still, although mostly in towns and cities. The one below is on Grand Parade in Cork.
In his book The Irish Post Box, which I gratefully acknowledge as the source of much of the information in this blog post, Stephen Ferguson describes the three main types of post boxes that have been developed for use in Ireland: pillar, wall and lamp. In rural areas, such as West Cork, wall and lamp boxes are the most common forms I have encountered.
Here’s a representative wall box in Skibbereen. Interestingly, it’s part of a mini-complex of historical markers including the plaque to the Clerke sisters (see my posts From Skibbereen to the Moon Part 1 and Part 2 for more about these remarkable women and their family) and signs for the Skibbereen heritage walking trail, all mounted together on the wall of what was the main bank in Skibbereen during the Famine period.
The box was manufactured by W T Allen and Co of London and bears the ornately scrolled insignia and crown of Edward the VII, which places it between 1901 to 1910.
Here’s another nice one in Bantry, a Victorian one, although this time the VR lettering is simpler than on the Penfold. This one has been painted so often that the embossed POST OFFICE on the protective hood has almost disappeared under the layers.
Lamp boxes were designed for remote areas where a suitable wall might not be readily available. Ferguson explains:
Lamp post boxes, based on a design used by the United States Postal Service, were first introduced in 1896 in London as a response to calls for more post boxes throughout the city. Affixed to a street lamp, the boxes were used at locations where the expense of a pillar or wall box could not be justified. In Ireland, however, they were often deployed in rural areas where, attached to a telegraph or specially erected pole by metal clips, they were very useful in extending postal collections to remote and sparsely populated regions. Tucked under hedges or used sometimes as a smaller version of a wall box, these post boxes were relatively cheap to make and easy to install and they symbolise…the extraordinary influence and reach of the Post Office as an institution at the height of its powers.
Driving or walking around rural Ireland, look out for ‘lamp’ boxes. Here’s one from the road near Barley Cove.
A closer inspection reveals this one bears the P & T logo that was in use between 1939 and 1984, before it was replaced by the brand ‘An Post’. Sometimes the old royal initials were ground off the boxes, or sometimes the doors were replaced with new ones bearing the P&T lettering, but it seems that considerations of cost (always paramount with the careful Post Office) allowed many to simply remain in place as they were. In the early years of the new state, some were embossed with the Saorstát Éireann logo (even sharing the door with a VR insignia) but that practice was relatively short lived and I have found no examples to it yet in West Cork. The website Irish Postal History has this example from Washington Street in Cork.
If no lamp post or suitable pole existed, a simple stake was erected to which a box could be attached. Cape Clear Island didn’t get electricity until the 1970s, so this post box (above and below) must predate the advent of poles. The logo, however, is that of An Post, which was established as the new brand in 1984. Perhaps the poles were only erected island-wide after the submarine cable was laid in the 1990s.
Not all mail boxes have been retained for active use – so what happens to them? Many simply remain in situ, as a picturesque reminder of times when we actually wrote to each other instead of texting or emailing. The one below at Rossbrin, near Ballydehob, was once attached to the wall outside the old schoolhouse. The first photograph at the start of today’s post shows its location.
And this one, at Ahakista, has been repurposed as a wayside shrine.
But even if it’s still in use, sometimes a mail boxes can’t be used for its real purpose, but has more important work to do! I don’t know where this last photograph was taken or whose work this is – it was widely circulated on the internet – but I would be happy to credit the photographer if I knew who it was. Delighted to have this also as an example of a post box from the reign of George V, 1910 to 1936.
Gin has moved on from it’s “mother’s ruin” image to become the drink of choice for the younger set.
Gin has a very mixed history. Traditionally the G&T has been the favoured tipple of middle-class Ireland, consumed in golf and yacht clubs throughout the country. More recently it has become very fashionable with a younger age-group as the base for exotic cocktails dreamed up by mixologists in trendy bars and night clubs. But historically it has a more dubious reputation, once known as “Mother’s Ruin”.
The man credited with inventing gin is 17th-century Dutch physician Franciscus Sylvius, although flavoured spirits had been used by monks as medical treatments for centuries before. Gin became popular first with Dutch soldiers, and then English mercenaries, seeking reassurance before battle, hence the phrase Dutch courage. It was brought back to England, but only really became popular under the reign of William of Orange. At that time, the British parliament passed laws permitting anyone to distil gin, at the same time increasing duties on French brandy. Gin rapidly became the binge drink of its day, with the infamous gin palaces of London serving the spirit, often in very crude form and at very cheap prices. It is estimated that there may have been 15,000 such establishments in London alone, famously celebrated in Hogarth’s engravings.
Cork Dry Gin is an Irish gin. First produced in Cork in the Watercourse Distillery circa 1793. Since 1975, Cork Dry Gin has been manufactured by Irish Distillers, a subsidiary of Pernod Ricard, at their Midleton Distillery. Cork Dry Gin is the largest selling gin brand in Ireland. Until recently, bottles of Cork Dry Gin still featured the name of the Cork Distilleries Company, which had purchased the Watercourse Distillery in 1867 and owned it until its subsequent merger with two other Irish distilleries to form Irish Distillers in 1966.Murphy’s reaches Americans shores for the first time winning back many drinkers lost to emigration and a whole new generation of stout drinkers.