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    Thomas Power Dungarvan- St Brigids Well Brewery-Staff Photo

    €80.00
    Staff photo of the Thomas Power's St Brigids Well distillery, brewery,cider,lemonade & bottling factory in Dungarvan Co Waterford. 23cm x 27cm Thomas Power (1856-1930) was the first chairman of Waterford County Council and was chairman of Dungarvan Town Commissioners on a number of occasions.  In the 1880s he was in partnership with his brother producing mineral waters.  In 1904 he began producing his award winning Blackwater Cider.
    In 1917 Thomas purchased the old St Brigid's Well Brewery in Fair Lane, Dungarvan from the Marquis of Waterford.  The business was a great success and its produce was in demand all over County Waterford and beyond.  After his death the brewery was taken over by his son Paul I. Power who managed it until 1976 when his son Ion took over. Brewing took place in Dungarvan throughout history but we only have detailed information from the late 18th century onwards. The St Brigid’s Well Brewery was owned by the Marquis of Waterford and was run in the 19th century by the Dower family, it was later managed directly by the Marquis of Waterford. In 1917 the Marquis sold the property and it was acquired by Thomas Power. He developed a thriving business known as Power's Brewery. This brewing tradition continues into the modern era with the Dungarvan Brewing Company.
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  • Thomas Power Dungarvan- St Brigids Well Brewery -Guinness Bottle

    €80.00
    Brilliant photo of an old & unique 1/2 pint Bottles Guinness as supplied by Thomas Power's of Dungarvan. 35cm x 30cm   Dungarvan Co Waterford Thomas Power (1856-1930) was the first chairman of Waterford County Council and was chairman of Dungarvan Town Commissioners on a number of occasions.  In the 1880s he was in partnership with his brother producing mineral waters.  In 1904 he began producing his award winning Blackwater Cider.
    In 1917 Thomas purchased the old St Brigid's Well Brewery in Fair Lane, Dungarvan from the Marquis of Waterford.  The business was a great success and its produce was in demand all over County Waterford and beyond.  After his death the brewery was taken over by his son Paul I. Power who managed it until 1976 when his son Ion took over. Brewing took place in Dungarvan throughout history but we only have detailed information from the late 18th century onwards. The St Brigid’s Well Brewery was owned by the Marquis of Waterford and was run in the 19th century by the Dower family, it was later managed directly by the Marquis of Waterford. In 1917 the Marquis sold the property and it was acquired by Thomas Power. He developed a thriving business known as Power's Brewery. This brewing tradition continues into the modern era with the Dungarvan Brewing Company.
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  • Thomas Power’s Dungarvan- St Brigids Well Brewery -Cider Advert

    €100.00
    Fantastic & atmospheric Thomas Power's Cider advert from the 1920s. 30cm x 40cm Dungarvan Co Waterford Thomas Power (1856-1930) was the first chairman of Waterford County Council and was chairman of Dungarvan Town Commissioners on a number of occasions.  In the 1880s he was in partnership with his brother producing mineral waters.  In 1904 he began producing his award winning Blackwater Cider.
    In 1917 Thomas purchased the old St Brigid's Well Brewery in Fair Lane, Dungarvan from the Marquis of Waterford.  The business was a great success and its produce was in demand all over County Waterford and beyond.  After his death the brewery was taken over by his son Paul I. Power who managed it until 1976 when his son Ion took over. Brewing took place in Dungarvan throughout history but we only have detailed information from the late 18th century onwards. In 1917 the Marquis sold the property and it was acquired by Thomas Power. He developed a thriving business known as Power's Brewery. This brewing tradition continues into the modern era with the Dungarvan Brewing Company.
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  • Thomas Power Dungarvan- St Brigids Well Brewery -Lemonade Advert

    €80.00
    Lovely'quaint advert extolling the delightful and refreshing :Powers of Dungarvan Lemonade. 30cm x 37cm Thomas Power (1856-1930) was the first chairman of Waterford County Council and was chairman of Dungarvan Town Commissioners on a number of occasions.  In the 1880s he was in partnership with his brother producing mineral waters.  In 1904 he began producing his award winning Blackwater Cider.
    In 1917 Thomas purchased the old St Brigid's Well Brewery in Fair Lane, Dungarvan from the Marquis of Waterford.  The business was a great success and its produce was in demand all over County Waterford and beyond.  After his death the brewery was taken over by his son Paul I. Power who managed it until 1976 when his son Ion took over. Brewing took place in Dungarvan throughout history but we only have detailed information from the late 18th century onwards. In 1917 the Marquis sold the property and it was acquired by Thomas Power. He developed a thriving business known as Power's Brewery. This brewing tradition continues into the modern era with the Dungarvan Brewing Company.
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  • Thomas Power’s Dungarvan- St Brigids Well Brewery-Delivery Lorry

    €50.00
    Charming framed photo from the 1960s of two Powers of dungarvan workers alongside a delivery lorry. 22cm x 23cm Thomas Power (1856-1930) was the first chairman of Waterford County Council and was chairman of Dungarvan Town Commissioners on a number of occasions.  In the 1880s he was in partnership with his brother producing mineral waters.  In 1904 he began producing his award winning Blackwater Cider.
    In 1917 Thomas purchased the old St Brigid's Well Brewery in Fair Lane, Dungarvan from the Marquis of Waterford.  The business was a great success and its produce was in demand all over County Waterford and beyond.  After his death the brewery was taken over by his son Paul I. Power who managed it until 1976 when his son Ion took over. Brewing took place in Dungarvan throughout history but we only have detailed information from the late 18th century onwards. In 1917 the Marquis sold the property and it was acquired by Thomas Power. He developed a thriving business known as Power's Brewery. This brewing tradition continues into the modern era with the Dungarvan Brewing Company.
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  • Famous Munster Haka v All Blacks Thomond Park Reopening 2009

    €120.00
    Fantastic framed photo of the famous Munster Haka performed by the New Zealand contingent wearing red- Doug Howlett,Lifemi Mafi,Jeremy Manning & Rua Tipoki. Limerick  45cm x60cm   WHAT DO YOU remember most about this game? 12 years have passed now but what sticks out is how low-key the build-up was until the moment of the famous response to the haka from Munster’s New Zealand contingent. Low-key in the sense that not a whole lot was expected from the game itself. The occasion was always going to be a bit of crack with all the players from the epic day in ’78 being wheeled out to give interviews about the time they slayed the giant from the land of the long white cloud. But after all the clips and interviews with Seamus Dennison and Tony Ward were over, was anyone seriously expecting a proper contest from the game? Sure, it was an All Blacks ‘B’ side (although at the time, their second-string consisted of Cory Jane, Liam Messam, Kieran Read and Hosea Gear) but it was also a weakened Munster team, with Denis Leamy the only first choice forward available due to international commitments. The state of the two line-ups meant that two of rugby’s most well-worn clichés were put head-to-head: ‘There is no such thing as an All Blacks B team’ vs ‘you can never count out Munster’. Given what followed, you would probably say it was a push. The first sense that the game might channel the spirit of ’78 rather than just pay tribute to it was obviously during the haka. This would have been the perfect sporting moment if you could have erased Jeremy Manning’s Village People moustache out of there. The Thomond Park crowd rarely needs any encouragement but the ground was heaving after that introduction. Then the game started and the untested members of the Munster pack were the most tigerish. James Coughlan was basically a 28-year-old club player at the time but his ferocious display of carrying earned him a proper professional career. Donnacha Ryan exploded out of POC and DOC’s shadow with an commanding performance and Munster were clinical early on. It helped that out-half Paul Warwick was in the form of his life. These monster drop goals were a regular sight during that 2008-09 season. wawrick The All Blacks hit back with a try from Stephen ‘Beaver’ Donald but right on half time, Munster took a six point lead after this Barry Murphy try. This was one of those classic moments during an upset when you turn to a mate, nod vigorously and say ‘It’s on now'   murphy Half time came a moment later and with it, this nice gesture from Cory Jane. For most Irish fans, this was the first time they had seen Jane in action and this moment, coupled with his strong attacking performance marked him as one of the good guys. jane I can’t speak for anyone else, but the only thing I remember about the second half is Joe Rokocoko’s try – probably because Munster didn’t score in the second 40. Munster held out for 76 minutes until Rokocoko got the ball directly against his old teammate Doug Howlett. Should Howlett have made the tackle? It is hard to stop Smokin’ Joe when he plants that foot. joe And that was it. There was no heroic win. Unknown players like prop Timmy Ryan didn’t get to join the heroes of ’78 as regulars on the after-dinner speech circuit. What made this such a memorable occasion was how unexpected it was. It was played on a Tuesday, sandwiched between two other November Tests and although the pageantry was always going to be good fun, the fact that it exploded into life in the way it did makes it one of the most exciting games in the history of Irish rugby. It’s been six years now, but the memory of ‘It’s on’ is one that will never go away.   Munster: Howlett; B Murphy, Tipoki, Mafi, Dowling; Warwick, Stringer; Pucciariello, Sheahan, Ryan; M O’Driscoll (capt), Ryan; Coughlan, Ronan, Leamy. Replacements: Buckley for Ryan 40, Fogarty for Sheahan 63, Holland for Leamy 24, Manning for Tipoki 52. Not used: Melbourne, O’Sullivan, Prendergast New Zealand: Jane; H Gear, Tuitavake, Toeava, Rokocoko; Donald, Weepu (capt); Mackintosh, Flynn, Franks, Filipo, Eaton, Thomson, Waldrom, Messam. Replacements: Elliott for Flynn 65, Afoa for Franks 70, B Thorn for Filipo 71, Read for Thomson 60, Mathewson for Weepu 63, Muliaina for Tuitavake 71. Not used: Kahui,
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  • 1994 Limerick Hurling Team Framed Photograph

    €90.00
    Boher Co Limerick  35cm x 48cm The 1994 All-Ireland Senior Hurling Championship Final was the 107th All-Ireland Final and the culmination of the 1994 All-Ireland Senior Hurling Championship. The match was held at Croke Park, Dublin, on 4 September 1994, between Offaly and Limerick. The Munster champions lost to their Leinster opponents on a score line of 3-16 to 2-13. The match is known as 'the five-minute final' due to the sensational comeback by Offaly who scored 2-5 to win the game in the last five minutes. With five minutes of normal time remaining, Limerick were leading by 2-13 to 1-11 and looked to be heading to their first title in 21 years when Offaly were awarded a free 20 metres from the goal. Limerick goalkeeper Joe Quaid later admitted that he was to blame for the resultant goal in that he didn't organise his defence well enough to stop a low-struck free from Johnny Dooley.[3] Quaid was erroneously blamed for Offaly's second goal after what was described as a quick and errant puck-out leading to Pat O'Connor putting Offaly a point ahead with a low shot to the net. Quaid later described the puck-out: "I didn’t rush back to the goals. I went back and picked up the ball, walked behind the goals like I normally would. Hegarty was out in the middle of the field on his own. I dropped the ball into his hand 70 yards out from goal. He caught the ball and in contact the ball squirted out of his hands." Because the television coverage was still showing a replay of the first goal, very few people got to see the build up to the second and when live transmission was resumed, the sliotar was still dropping towards Pat O'Connor leading people to assume that Quaid rushed his puck-out.Limerick went on to lose the game by 3-16 to 2-13.
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  • Large Dubliners Display with Autographs of Band-And Pints of Bass!

    €250.00
    Fantastic framed .large Dubliners drinking pints of Bass display with autographs of all the band members underneath. 75cm x 66cm  Dublin The Dubliners were quite simply one of the most famous Irish folk bands of all time.Founded in 1962,they enjoyed a 50 year career with the success of the band centred on their two lead singers,Luke Kelly and Ronnie Drew.They garnered massive international acclaim with their lively Irish folk songs,traditional street ballads and instrumentals eventually crossing over to mainstream culture by appearing on Top of the Pops in 1967 with "Seven Drunken Nights" which sold over 250000 singles in the UK alone.Later a number of collaborations with the Pogues saw them enter the UK singles charts again on another 2 occasions.Instrumental in popularising Irish folk music abroad ,they influenced many generations of Irish bands and covers of Irish ballads such as Raglan Road and the Auld Triangle by Luke Kelly and Ronnie Drew tend to be regarded as definitive versions.They also enjoyed a hard drinking and partying image and this advertising collaboration with Bass Ales must be seen as the perfect fit in terms of a target audience !  
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  • Framed Autographed Pogues Display-Dirty Old Town

    €80.00
    Fantastic framed Pogues -dirty old town display with autographs of all the band members included. 40m x 30cm  Dublin The Pogues were an English or Anglo-IrishCeltic punk band fronted by Shane MacGowan and others, founded in Kings Cross, London in 1982, as "Pogue Mahone" – the anglicisation of the Irish Gaelic póg mo thóin, meaning "kiss my arse".The band reached international prominence in the 1980s and early 1990s, recording several hit albums and singles. MacGowan left the band in 1991 owing to drinking problems, but the band continued – first with Joe Strummerand then with Spider Stacy on vocals – before breaking up in 1996.The Pogues re-formed in late 2001, and played regularly across the UK and Ireland and on the US East Coast, until dissolving again in 2014. The group did not record any new material during this second incarnation. Their politically-tinged music was informed by MacGowan and Stacy's punk backgrounds,[20] yet used traditional Irish instruments such as the tin whistle, banjo, cittern, mandolin and accordion. The future members of the Pogues first met when MacGowan (vocals), Peter "Spider" Stacy (tin whistle), and Jem Finer(banjo) were together in an occasional band called The Millwall Chainsaws in the late 1970s after MacGowan and Stacy met in the toilets at a Ramones gig at The Roundhouse in London in 1977. MacGowan was already with The Nips, though when they broke up in 1980 he concentrated more on Stacy's Millwall Chainsaws, who changed their name to The New Republicans.

    Early years: 1982–1986

    In 1982, James Fearnley (accordion), who had been a guitarist with The Nips, joined MacGowan, Stacy, and Finer, forming the band, then known as Pogue Mahone. The new group played their first gig at The Pindar of Wakefield on 4 October 1982.They then appeared at Gossips in Dean Street Soho on Thursday 3 November 1983 with Trash Trash Trash and The Stingrays. They later added Cait O'Riordan (bass) and Andrew Ranken (drums). The band played London pubs and clubs,and released a single, "Dark Streets of London",on their own, self-named label, gaining a small reputation – especially for their live performances. They came to the attention of the media and Stiff Records when they opened for The Clash on their 1984 tour.Shortening their name to "The Pogues" (partly due to BBC censorship following complaints from Gaelic speakers in Scotland) they released their first album Red Roses for Me on Stiff Records that October. The band gained more attention when the UK Channel 4's influential music show The Tube made a video of their version of "Waxie's Dargle" for the show. The performance, featuring Spider Stacy repeatedly smashing himself over the head with a beer tray, became a favourite with the viewers, but Stiff Records refused to release it as a single, feeling it was too late for it to help Red Roses for Me. Nevertheless, it remained a favourite request for the show for many years. With the aid of producer Elvis Costello, they recorded the follow-up, Rum Sodomy & the Lash, in 1985 during which time guitarist Philip Chevron joined. The album title is a famous comment falsely attributed to Winston Churchill who was supposedly describing the "true" traditions of the British Royal Navy. The album cover featured The Raft of the Medusa, with the faces of the characters in Théodore Géricault's painting replaced with those of the band members. The album shows the band moving away from covers to original material. Shane MacGowan came into his own as a songwriter with this disc, offering up poetic story-telling, such as "The Sick Bed of Cúchulainn" and "The Old Main Drag", as well as definitive interpretations of Ewan MacColl's "Dirty Old Town" and Eric Bogle's "And the Band Played Waltzing Matilda" (this had previously been covered by Shane's fellow punk contemporaries Skids in 1981). The band failed to take advantage of the momentum created by the strong artistic and commercial success of their second album. They first refused to record another album (offering up the four-track EP Poguetry in Motion instead); O'Riordan married Costello and left the band, to be replaced by bassist Darryl Hunt, formerly of Plummet Airlines and Pride of the Cross; and they added a multi-instrumentalist in Terry Woods, formerly of Steeleye Span. Looming over the band at this period (as throughout their entire career) was the increasingly erratic behaviour of their vocalist and principal songwriter, Shane MacGowan. Their record label, Stiff Records, went bankrupt soon after the 1987 release of the single "The Irish Rover" (with The Dubliners). Members of the band, including O'Riordan, acted in Alex Cox's Straight to Hell, and five songs by the band were included on the film's soundtrack album.

    Mainstream success and break-up: 1987–1996

    The band remained stable enough to record If I Should Fall from Grace with God with its Christmas hit duet with Kirsty MacColl "Fairytale of New York". "Fairytale of New York" was released as a single in 1987 and reached No. 1 in the Irish charts and No. 2 in the British charts over Christmas (the time of peak sales). The song has become a festive classic in the UK and Ireland over the years, and was voted the best Christmas song of all time three years running in 2004,2005,and 2006 in polls by music channel VH1 UK, despite not achieving Christmas Number One when it was released. It was also voted as the 27th greatest song never to reach UK#1 in another VH1 poll, and also voted as the 84th greatest song of all time by BBC Radio 2 listeners in the "Sold on Song" top 100 poll. In 2007 the record was briefly censored by the BBC because of the word "faggot" being deemed potentially offensive to homosexual people. Following protests from listeners, including the mother of Kirsty MacColl, the censorship was lifted. The band was at the peak of its commercial success, with both albums making the top 5 in the UK (numbers 3 and 5 respectively), but MacGowan was increasingly unreliable. He failed to turn up for the opening dates of their 1988 tour of America, and prevented the band from promoting their 1990 album Hell's Ditch, so in 1991 the band sacked him. Vocal duties were for a time handled by Joe Strummer. Spider Stacy took over permanently after Strummer left in the winter of 1991. After Strummer's departure, the remaining seven Pogues recorded in 1993 Waiting for Herb, which contained the band's third and final top twenty single, "Tuesday Morning", which became their best-selling single internationally. Terry Woods and James Fearnley then left the band and were replaced by David Coulter and James McNally respectively. Within months of their departures, ill health forced Phil Chevron to leave the band; he was replaced by his former guitar technician, Jamie Clarke. This line-up recorded the band's seventh and final studio album, Pogue Mahone. The album was a commercial failure, and, following Jem Finer's decision to leave the band in 1996, the remaining members decided it was time to call it quits. According to Shane MacGowan, among the reasons of the break-up was disagreement concerning the political orientation of his songs, the band not wanting to sing too obvious pro-Republican songs – though some of their previous songs were already politically engaged: for instance, Streams of Whiskey is about the poet and IRA member Brendan Behan. Soon after the break-up Shane MacGowan recorded a song titled Paddy Public Enemy Number One as a tribute to the Republican leader Dominic McGlinchey, a former leader of the INLA killed a few years before.

    Post-breakup

    After the Pogues's break-up, the three remaining long-term members (Spider Stacy, Andrew Ranken and Darryl Hunt) played together briefly as The Vendettas. They played mainly new Stacy-penned tracks, though Darryl Hunt also contributed songs, and the band's live set included a few Pogues songs. First Ranken then Hunt left the band, the latter going on to become singer/songwriter in an indie band called Bish, whose self-titled debut album was released in 2001. Ranken has gone on to play with a number of other bands, including Kippers, The Municipal Waterboard and, most recently, The Mysterious Wheels. In addition to The Vendettas, who Stacy freely admits lost all attraction when the Pogues reformed, Spider continued to write and record music with various bands, including the James Walbourne, Filthy Thieving Bastards, Dropkick Murphys and Astral Social Club. Shane MacGowan founded Shane MacGowan and The Popes in 1992. They released two studio albums and broke up in 2002. His autobiography A Drink With Shane MacGowan, co-written with his journalist girlfriend Victoria Mary Clarke, was released in 2001. Jem Finer went into experimental music, playing a big part in a project known as "Longplayer", a piece of music designed to play continuously for 1,000 years without repeating itself. In 2005, Finer released the album Bum Steerwith DB Bob (as DM Bob and Country Jem). James Fearnley moved to the United States shortly before leaving the Pogues. He was a member of The Low And Sweet Orchestra and later the Cranky George Trio. Philip Chevron reformed his former band The Radiators, which briefly included former Pogue Cait O'Riordan. Terry Woods formed The Bucks with Ron Kavana, releasing the album Dancin' To The Ceili Band in 1994. Later, he formed The Woods Band, releasing the album Music From The Four Corners of Hell in 2002.

    Reunion: 2001–2014

    The Pogues in Brixton, 2004
    The band, including MacGowan, re-formed for a Christmas tour in 2001 and performed nine shows in the UK and Ireland in December 2004. In 2002 Q magazine named the Pogues as one of the "50 Bands To See Before You Die". In July 2005, the band – again including MacGowan – played at the annual Guilfest festival in Guildford before flying out to Japan where they played three dates. Japan is the last place they all played together before MacGowan was originally sacked in 1991, and they have a strong following there. They played a date in Spain in early September. The reunited Pogues played dates in the UK with support from the Dropkick Murphys in late 2005, and re-released their 1987 Christmas classic "Fairytale of New York" on 19 December, which went straight in at No. 3 in the UK Singles charts on Christmas Day 2005, showing the song's enduring popularity. On 22 December 2005 the BBC broadcast a live performance (recorded the previous week) on the Jonathan RossChristmas show with Katie Melua filling in for the late Kirsty MacColl, the first time the band had played the song live on television. The following week they performed live on the popular music show CD:UK. Shane MacGowan wrote a blog for The Guardian in 2006, detailing his thoughts on the current tour.
    The Pogues with Shane MacGowan, 11 October 2006 in San Diego
    The band was awarded the lifetime achievement award at the annual Meteor Ireland Music Awards in February 2006. In March 2006, the band played their first US dates with Shane in over 15 years. The band played a series of sold-out concerts in Washington, D.C., Atlantic City, Boston, and New York. Later they played a series of highly acclaimed and sold-out gigs during mid-October 2006 in San Francisco, Las Vegas, and Los Angeles, and toured Glasgow, Manchester, Birmingham, London, Dublin, and Nottingham in mid-December 2006. They began a second US tour in March 2007, once again to coincide (and conclude) with a Roseland Ballroom New York City show on Saint Patrick's Day. 2007 has proved to be the most prolific year of touring since the reunion. A tour of the west coast of America and eleven dates in the UK in December complement the headlining festival appearances made in the summer across Europe (Sweden, Belgium and Spain). They continue to be in huge demand, often selling out very large venues, despite criticism of selling out, and claims that arenas and festivals do not suit the band's sound.
    The Pogues on 1 August 2010 in Amsterdam
    The Pogues 2011 in Munich, Philip Chevron, James Fearnley, Andrew Ranken, Shane MacGowan, Darryl Hunt, Spider Stacy, Jem Finer not on photo Terry Woods
    Guitarist Phil Chevron has stated there were no plans to record new music or release a new album. Chevron said that one way to keep enjoying what they were doing was to avoid making a new album, although he did say that there still is a possibility in the future for new music, but certainly not in the near future. Terry Woods has commented that MacGowan has been writing, and most of it sounds good. In 2008 the band released a box set Just Look Them Straight in the Eye and Say....POGUE MAHONE!!, which included rare studio out-takes and previously unreleased material. The band received mixed reviews of their performances though they continued to pull the crowds. Reviewing a March 2008 concert, The Washington Post described MacGowan as "puffy and paunchy," but said the singer "still has a banshee wail to beat Howard Dean's, and the singer's abrasive growl is all a band this marvelous needs to give its amphetamine-spiked take on Irish folk a focal point". The reviewer continued: "The set started off shaky, MacGowan singing of `goin' where streams of whiskey are flowin,' and looking like he'd arrived there already. He grew more lucid and powerful as the evening gathered steam, through two hours and 26 songs, mostly from the Pogues' first three (and best) albums".In December 2010 the Pogues (with support from Crowns) played what was billed as a farewell UK Christmas tour. In March 2011, the Pogues played a six-city/ten-show sold out US tour titled "A Parting Glass with The Pogues" visiting Chicago, Detroit, Baltimore, Washington, D.C., Boston, and New York City (in that order), with only the last three cities getting more than one show. Stacy said "I think we are basically pretty certain this is the last tour of this type we'll be doing in the States. There might be the odd sort of one-off here and there. We're not saying this is absolutely, definitely the end". In August 2012, the Pogues embarked on a 30th Anniversary Summer 2012 8-city European Tour scheduled from 4 August 2012 at the Stockton Weekender Festival in Stockton-on-Tees, UK to 11 & 12 September 2012 at L'Olympia, Paris, two shows filmed and recorded for a live album and DVD released on 19 November 2012. In March 2013, the Pogues released 30:30: The Essential Collection, a 2-disc set featuring 30 songs along with eleven videos. In October 2013, the Pogues released a box set titled Pogues 30 containing remastered versions of all of their studio albums plus a previously unreleased live album featuring Joe Strummer at the London Forum in December 1991. Guitarist Philip Chevron died on 8 October 2013 in Dublin, Ireland from oesophageal cancer, aged 56. In December 2013, the Pogues went on a four-date UK Christmas tour, followed by a few shows during spring and summer 2014.The Pogues' last performance on British soil occurred on 5 July 2014 at the British Summer Time festival in London's Hyde Park. The Pogues' last performance to date occurred on 9 August 2014 during the "Fête du bruit dans Landerneau" festival in Landerneau, Brittany, France. About his future with the Pogues, in a 24 December 2015 interview with Vice Magazine, when the interviewer asked whether the band were still active, Shane MacGowan said: "We're not, no", saying that, since their 2001 reunion happened, "I went back with [The] Pogues and we grew to hate each other all over again", adding, "I don't hate the band at all – they're friends. I like them a lot. We were friends for years before we joined the band. We just got a bit sick of each other. We're friends as long as we don't tour together. I've done a hell of a lot of touring. I've had enough of it".

    Members

    Timeline

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  • Vintage Guinness

    €70.00
    Beautifully mounted & framed 30cm x 30cm  Dublin Arthur Guinness started brewing ales in 1759 at the St James Gate Brewery,Dublin.On 31st December 1759 he signed a 9,000 year lease at £45 per annum for the unused brewery.Ten years later, on 19 May 1769, Guinness first exported his ale: he shipped six-and-a-half barrels to Great Britain before he started selling the dark beer porter in 1778. The first Guinness beers to use the term were Single Stout and Double Stout in the 1840s.Throughout the bulk of its history, Guinness produced only three variations of a single beer type: porter or single stout, double or extra and foreign stout for export. “Stout” originally referred to a beer’s strength, but eventually shifted meaning toward body and colour.Porter was also referred to as “plain”, as mentioned in the famous refrain of Flann O’Brien‘s poem “The Workman’s Friend”: “A pint of plain is your only man.” Already one of the top-three British and Irish brewers, Guinness’s sales soared from 350,000 barrels in 1868 to 779,000 barrels in 1876.In October 1886 Guinness became a public company, and was averaging sales of 1,138,000 barrels a year. This was despite the brewery’s refusal to either advertise or offer its beer at a discount. Even though Guinness owned no public houses, the company was valued at £6 million and shares were twenty times oversubscribed, with share prices rising to a 60 per cent premium on the first day of trading. The breweries pioneered several quality control efforts. The brewery hired the statistician William Sealy Gosset in 1899, who achieved lasting fame under the pseudonym “Student” for techniques developed for Guinness, particularly Student’s t-distribution and the even more commonly known Student’s t-test. By 1900 the brewery was operating unparalleled welfare schemes for its 5,000 employees. By 1907 the welfare schemes were costing the brewery £40,000 a year, which was one-fifth of the total wages bill. The improvements were suggested and supervised by Sir John Lumsden. By 1914, Guinness was producing 2,652,000 barrels of beer a year, which was more than double that of its nearest competitor Bass, and was supplying more than 10 per cent of the total UK beer market. In the 1930s, Guinness became the seventh largest company in the world. Before 1939, if a Guinness brewer wished to marry a Catholic, his resignation was requested. According to Thomas Molloy, writing in the Irish Independent, “It had no qualms about selling drink to Catholics but it did everything it could to avoid employing them until the 1960s.” Guinness thought they brewed their last porter in 1973. In the 1970s, following declining sales, the decision was taken to make Guinness Extra Stout more “drinkable”. The gravity was subsequently reduced, and the brand was relaunched in 1981. Pale malt was used for the first time, and isomerized hop extract began to be used. In 2014, two new porters were introduced: West Indies Porter and Dublin Porter. Guinness acquired the Distillers Company in 1986.This led to a scandal and criminal trialconcerning the artificial inflation of the Guinness share price during the takeover bid engineered by the chairman, Ernest Saunders. A subsequent £5.2 million success fee paid to an American lawyer and Guinness director, Tom Ward, was the subject of the case Guinness plc v Saunders, in which the House of Lords declared that the payment had been invalid. In the 1980s, as the IRA’s bombing campaign spread to London and the rest of Britain, Guinness considered scrapping the Harp as its logo. The company merged with Grand Metropolitan in 1997 to form Diageo. Due to controversy over the merger, the company was maintained as a separate entity within Diageo and has retained the rights to the product and all associated trademarks of Guinness.
    The Guinness Brewery Park Royal during demolition, at its peak the largest and most productive brewery in the world.
    The Guinness brewery in Park Royal, London closed in 2005. The production of all Guinness sold in the UK and Ireland was moved to St. James’s Gate Brewery, Dublin. Guinness has also been referred to as “that black stuff”. Guinness had a fleet of ships, barges and yachts. The Irish Sunday Independent newspaper reported on 17 June 2007 that Diageo intended to close the historic St James’s Gate plant in Dublin and move to a greenfield site on the outskirts of the city.This news caused some controversy when it was announced.The following day, the Irish Daily Mail ran a follow-up story with a double page spread complete with images and a history of the plant since 1759. Initially, Diageo said that talk of a move was pure speculation but in the face of mounting speculation in the wake of the Sunday Independent article, the company confirmed that it is undertaking a “significant review of its operations”. This review was largely due to the efforts of the company’s ongoing drive to reduce the environmental impact of brewing at the St James’s Gate plant. On 23 November 2007, an article appeared in the Evening Herald, a Dublin newspaper, stating that the Dublin City Council, in the best interests of the city of Dublin, had put forward a motion to prevent planning permission ever being granted for development of the site, thus making it very difficult for Diageo to sell off the site for residential development. On 9 May 2008, Diageo announced that the St James’s Gate brewery will remain open and undergo renovations, but that breweries in Kilkenny and Dundalk will be closed by 2013 when a new larger brewery is opened near Dublin. The result will be a loss of roughly 250 jobs across the entire Diageo/Guinness workforce in Ireland.Two days later, the Sunday Independent again reported that Diageo chiefs had met with Tánaiste Mary Coughlan, the deputy leader of the Government of Ireland, about moving operations to Ireland from the UK to benefit from its lower corporation tax rates. Several UK firms have made the move in order to pay Ireland’s 12.5 per cent rate rather than the UK’s 28 per cent rate. Diageo released a statement to the London stock exchange denying the report.Despite the merger that created Diageo plc in 1997, Guinness has retained its right to the Guinness brand and associated trademarks and thus continues to trade under the traditional Guinness name despite trading under the corporation name Diageo for a brief period in 1997. In November 2015 it was announced that Guinness are planning to make their beer suitable for consumption by vegetarians and vegans by the end of 2016 through the introduction of a new filtration process at their existing Guinness Brewery that avoids the need to use isinglass from fish bladders to filter out yeast particles.This went into effect in 2017, per the company’s FAQ webpage where they state: “Our new filtration process has removed the use of isinglass as a means of filtration and vegans can now enjoy a pint of Guinness. All Guinness Draught in keg format is brewed without using isinglass. Full distribution of bottle and can formats will be in place by the end of 2017, so until then, our advice to vegans is to consume the product from the keg format only for now. Guinness stout is made from water, barley, roast malt extract, hops, and brewer’s yeast. A portion of the barley is roasted to give Guinness its dark colour and characteristic taste. It is pasteurisedand filtered. Until the late 1950s Guinness was still racked into wooden casks. In the late 1950s and early 1960s, Guinness ceased brewing cask-conditioned beers and developed a keg brewing system with aluminium kegs replacing the wooden casks; these were nicknamed “iron lungs”.Until 2016 the production of Guinness, as with many beers, involved the use of isinglass made from fish. Isinglass was used as a fining agent for settling out suspended matter in the vat. The isinglass was retained in the floor of the vat but it was possible that minute quantities might be carried over into the beer. Diageo announced in February 2018 that the use of isinglass in draught Guinness was to be discontinued and an alternative clarification agent would be used instead. This has made draught Guinness acceptable to vegans and vegetarians. Arguably its biggest change to date, in 1959 Guinness began using nitrogen, which changed the fundamental texture and flavour of the Guinness of the past as nitrogen bubbles are much smaller than CO2, giving a “creamier” and “smoother” consistency over a sharper and traditional CO2 taste. This step was taken after Michael Ash – a mathematician turned brewer – discovered the mechanism to make this possible. Nitrogen is less soluble than carbon dioxide, which allows the beer to be put under high pressure without making it fizzy. High pressure of the dissolved gas is required to enable very small bubbles to be formed by forcing the draught beer through fine holes in a plate in the tap, which causes the characteristic “surge” (the widget in cans and bottles achieves the same effect). This “widget” is a small plastic ball containing the nitrogen. The perceived smoothness of draught Guinness is due to its low level of carbon dioxide and the creaminess of the head caused by the very fine bubbles that arise from the use of nitrogen and the dispensing method described above. “Foreign Extra Stout” contains more carbon dioxide, causing a more acidic taste. Contemporary Guinness Draught and Extra Stout are weaker than they were in the 19th century, when they had an original gravity of over 1.070. Foreign Extra Stout and Special Export Stout, with abv of 7.5% and 9% respectively, are perhaps closest to the original in character.Although Guinness may appear to be black, it is officially a very dark shade of ruby. The most recent change in alcohol content from the Import Stout to the Extra Stout was due to a change in distribution through North American market. Consumer complaints have influenced recent distribution and bottle changes.
    Studies claim that Guinness can be beneficial to the heart. Researchers found that “‘antioxidantcompounds’ in the Guinness, similar to those found in certain fruits and vegetables, are responsible for the health benefits because they slow down the deposit of harmful cholesterol on the artery walls.”Guinness ran an advertising campaign in the 1920s which stemmed from market research – when people told the company that they felt good after their pint, the slogan, created by Dorothy L. Sayers–”Guinness is Good for You”. Advertising for alcoholic drinks that implies improved physical performance or enhanced personal qualities is now prohibited in Ireland.Diageo, the company that now manufactures Guinness, says: “We never make any medical claims for our drinks.” Origins : Dublin Dimensions : 43cm x 35cm
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  • Bloody Sunday Photo Collage 1920

    €80.00
    35cm x 50cm Limerick

    loody Sunday, 21st November 1920

     In 1920 the War of Independence was ongoing in Ireland.

    On the morning of November 21st, an elite assassination unit known as ‘The Squad’ mounted an operation planned by Michael Collins, Director of Intelligence of the Irish Republican Army (IRA). Their orders were clear – they were to take out the backbone of the British Intelligence network in Ireland, specifically a group of officers known as ‘The Cairo Gang’. The shootings took place in and around Dublin’s south inner city and resulted in fourteen deaths, including six intelligence agents and two members of the British Auxiliary Force. Later that afternoon, Dublin were scheduled to play Tipperary in a one-off challenge match at Croke Park, the proceeds of which were in aid of the Republican Prisoners Dependents Fund. Tensions were high in Dublin due to fears of a reprisal by Crown forces following the assassinations. Despite this a crowd of almost 10,000 gathered in Croke Park. Throw-in was scheduled for 2.45pm, but it did not start until 3.15pm as crowd congestion caused a delay.
    Dublin Team, Bloody Sunday 1920
    Eye-witness accounts suggest that five minutes after the throw-in an aeroplane flew over Croke Park. It circled the ground twice and shot a red flare - a signal to a mixed force of Royal Irish Constabulary (R.I.C.), Auxiliary Police and Military who then stormed into Croke Park and opened fire on the crowd. Amongst the spectators, there was a rush to all four exits, but the army stopped people from leaving the ground and this created a series of crushes around the stadium. Along the Cusack Stand side, hundreds of people braved the twenty-foot drop and jumped into the adjacent Belvedere Sports Grounds. The shooting lasted for less than two minutes. That afternoon in Croke Park, 14 people including one player (Michael Hogan from Tipperary), lost their lives. It is estimated that 60 – 100 people were injured.
    Tipperary Team, Bloody Sunday 1920
    The names of those who died in Croke Park on Bloody Sunday 1920 were. James Burke, Jane Boyle, Daniel Carroll, Michael Feery, Michael Hogan, Thomas (Tom) Hogan, James Matthews, Patrick O’Dowd, Jerome O’Leary, William (Perry) Robinson, Tom Ryan, John William (Billy) Scott, James Teehan, Joseph Traynor. In 1925, the GAA's Central Council took the decision to name a stand in Croke Park after Michael Hogan. The 21st November 2020 marks one hundred years since the events of Bloody Sunday in Croke Park.
    Michael Hogan
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  • Framed portrait of Tipperary Hurling Legend Tom Semple

    €100.00
    Great portrait of Tipperary Hurling Legend Tom Semple of Thurles 47cm x 24cm  Thurles Co Tipperary Thomas Semple (8 April 1879 – 11 April 1943) was an Irish hurler who played as a half-forward for the Tipperary senior team. Semple joined the panel during the 1897 championship and eventually became a regular member of the starting seventeen until his retirement after the 1909 championship. During that time he won three All-Ireland medals and four Munster medals. An All-Ireland runner-up on one occasion, Semple captained the team to the All-Ireland title in 1906 and in 1908. At club level Semple was a six-time county club championship medalist with Thurles. Semple played his club hurling with the local club in Thurles, the precursor to the famous Sarsfield's club. He rose through the club and served as captain of the team for almost a decade. In 1904 Semple won his first championship medal following a walkover from Lahorna De Wets. Thurles failed to retain their title, however, the team returned to the championship decider once again in 1906. A 4-11 to 3-6 defeat of Lahorna De Wets gave Semple his second championship medal as captain. It was the first of four successive championships for Thurles as subsequent defeats of Lahorna De Wets, Glengoole and Racecourse/Grangemockler brought Semple's medal tally to five. Five-in-a-row proved beyond Thurles, however, Semple's team reached the final for the sixth time in eight seasons in 1911. A 4-5 to 1-0 trouncing of Toomevara gave Semple his sixth and final championship medal as captain.

    Inter-county

    Tipperary Hurling Team outside Clonmel railway station, August 26, 1910. Semple is in the centre of the middle row.
    Semple's skill quickly brought him to the attention of the Tipperary senior hurling selectors. After briefly joining the team in 1897, he had to wait until 1900 to become a regular member of the starting seventeen. That year a 6-11 to 1-9 trouncing of Kerry gave him his first Munster medal.Tipp later narrowly defeated Kilkenny in the All-Ireland semi-final before trouncing Galway in the "home" All-Ireland final. This was not the end of the championship campaign because, for the first year ever, the "home" finalists had to take on London in the All-Ireland decider. The game was a close affair with both sides level at five points with eight minutes to go. London then took the lead; however, they later conceded a free. Tipp's Mikey Maher stepped up, took the free and a forward charge carried the sliotar over the line. Tipp scored another goal following a weak puck out and claimed a 2-5 to 0-6 victory.It was Semple's first All-Ireland medal. Cork dominated the provincial championship for the next five years; however, Tipp bounced back in 1906. That year Semple was captain for the first time as Tipp foiled Cork's bid for an unprecedented sixth Munster title in-a-row. The score line of 3-4 to 0-9 gave Semple a second Munster medal. Tipp trounced Galway by 7-14 to 0-2 on their next outing, setting up an All-Ireland final meeting with Dublin. Semple's side got off to a bad start with Dublin's Bill Leonard scoring a goal after just five seconds of play. Tipp fought back with Paddy Riordan giving an exceptional display of hurling and capturing most of his team's scores. Ironically, eleven members of the Dublin team hailed from Tipperary. The final score of 3-16 to 3-8 gave victory to Tipperary and gave Semple a second All-Ireland medal. Tipp lost their provincial crown in 1907, however, they reached the Munster final again in 1908. Semple was captain of the side again that year as his team received a walkover from Kerry in the provincial decider. Another defeat of Galway in the penultimate game set up another All-Ireland final meeting with Dublin. That game ended in a 2-5 to 1-8 draw and a replay was staged several months later in Athy. Semple's team were much sharper on that occasion. A first-half goal by Hugh Shelly put Tipp well on their way. Two more goals by Tony Carew after the interval gave Tipp a 3-15 to 1-5 victory.It was Semple's third All-Ireland medal. 1909 saw Tipp defeat arch rivals Cork in the Munster final once again. A 2-10 to 1-6 victory gave Semple his fourth Munster medal. The subsequent All-Ireland final saw Tipp take on Kilkenny. The omens looked good for a Tipperary win. It was the county's ninth appearance in the championship decider and they had won the previous eight. All did not go to plan as this Kilkenny side cemented their reputation as the team of the decade. A 4-6 to 0-12 defeat gave victory to "the Cats" and a first final defeat to Tipperary. Semple retired from inter-county hurling following this defeat. Semple was born in Drombane, County Tipperary in 1879. He received a limited education at his local national school and, like many of his contemporaries, finding work was a difficult prospect. At the age of 16 Semple left his native area and moved to Thurles. Here he worked as a guardsman with the Great Southern & Western Railway. In retirement from playing Semple maintained a keen interest in Gaelic games. In 1910 he and others organised a committee which purchased the showgrounds in Thurles in an effort to develop a hurling playing field there. This later became known as Thurles Sportsfield and is regarded as one of the best surfaces for hurling in Ireland. In 1971 it was renamed Semple Stadium in his honour. The stadium is also lovingly referred to as Tom Semple's field. Semple also held the post of chairman of the Tipperary County Board and represented the Tipperary on the Munster Council and Central Council. He also served as treasurer of the latter organization. During the War of Independence Semple played an important role for Republicans. He organized dispatches via his position with the Great Southern & Western Railway in Thurles. Tom Semple died on 11 April 1943  
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  • The Beatles arrive in Ireland 1963-Framed Photo

    €120.00
    Framed photo of an iconic moment as the Beatles arrive in Dublin,pistured outside the old Dublin Airport Terminal in 47cm x 60cm  Dublin

    November 7, 1963, one of the wildest phenomenons of the 20th century hit Dublin.... a Liverpudlian revolution named The Beatles!

    All these years later, according to The Irish Times, a plaque will be placed at the site of the event, the Adelphi Cinema on Middle Abbey Street in Dublin. The tribute honors a world-changing British rock and roll group who the columnist Quidnunc in the Times described as “four hairy youngsters. [They] appeared onstage to be greeted with shrieks and whistles. Three of them walloped electric guitars which appeared to be amplified to the decibel limit, the fourth walloped a set of drums. “They all opened their mouths and made noises that sounded to me like: ‘Mew; Me-oh, me-ooh, me-ooh-ooh!’” The Beatles had come to town for two sold-out shows at the Adelphi. Ireland would never be quite the same again Fifteen days later JFK would be assassinated.  The old innocent age drew to a close. The newspapers all reported on a strange phenomenon called Beatlemania.  “It’s happening everywhere,” declared the Daily Mirrorworriedly. What was significant was that it was young girls who were screaming their heads off, crying, scratching to get near and touch the Beatles.   Female sexuality was a completely new phenomenon in Holy Catholic Ireland, and their honors the bishops were not long in weighing in What happened in Dublin was a riot. The 3,000 pumped up crowd for the first show came streaming out only to run full tilt into the 3,000-second show patrons. Neither crowd gave way, and pushing and shoving ensued.  Then it turned nasty. A commotion described as a riot took place. The Times lead ran"
    “Many arrested as city crowds run riot.”“Cars were overturned in Abbey Street and O’Connell Street, at least 50 people were treated for minor injuries, while three people were taken to hospital with fractured legs and arms.”
    A young man was also hospitalized after being stabbed. Two hundred police and three fire brigades arrived.  Buses and taxis were halted in the melee. Only the ringing of the fire bells seemed to settle down the crowd, but soon more crowds arrived and fights began anew. “One group of youths pushed a parked car into half a dozen policemen who were trying to get them out of the street,” reported the Times. “St John’s Ambulance men treated men and women on the footpaths while the crowds swirled around them.”
    The Beatles did not hang around.  John, Paul, George, and Ringo escaped in a newspaper van to the nearby Gresham Hotel. Later, two of them went to Drumcondra to see relatives, the Times reported. The Times’ reviewer at the gig could hear nothing but the sound of “ecstatic, joyful, hysteric, demented” screams from Dublin teenagers.  He wrote:
    “A pity, this, because the Beatles, in spite of their theatrical gimmicks, their long locks, and ‘with-it’ suits, have a great act…God knows, Dublin has never seen anything like the Beatles.”
    Indeed they had not. Nor would they ever see their likes again. Despite their multiple Irish connections, the four lads would never be back, and more’s the pity.
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  • Autographed 2007 Limerick Senior Hurlers Team Photograph

    €130.00
    Framed photo of the gallant 2007 Limerick Hurlers who reached the All Ireland final where they were beaten by an all time great Kilkenny Team. 53cm x 68cm  Limerick In 2007, Limerick shook up the hurling landscape by reaching their first All Ireland final since 1996 in an attempt to win their first Liam McCarthy Cup since all the way back in 1973.  However, the wait would go on… until it was ended gloriously in 2018.
    The final in Croke Park turned out to be an anti-climax for Treaty supporters as they fell to the all conquering Kilkenny on a scoreline of 2-19 to 1-15.
    Munster Semi-Final 2nd replay 24/6/2007 Limerick vs Tipperary Limerick's Mike O'Brien and Niall Moran celebrate a late score Mandatory Credit ©INPHO/James Crombie However, the Limerick players of 2007 will go down as heroes on Shannonside, regardless of a sub-standard performance on the first Sunday of September. After an epic Munster championship, which saw Richie Bennis’s side go to two replays with Tipperary, eventually coming out on top after extra-time in the third game before succumbing to a Dan Shanahan inspired Waterford in the final, Limerick went on to gather a momentum that would see them all the way to a clash with Brian Cody’s charges with the All Ireland title on the line. Henry Shefflin was the Cats captain that year and notched 1-2 for himself on the big day, while Eddie Brennan top-scored with a tally of 1-5.
       
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  • W.B Yeats Portrait

    €80.00
    40cm x 30cm  Enniscrone Co Sligo William Butler Yeats(13 June 1865 – 28 January 1939) Irish poet, dramatist, prose writer and one of the foremost figures of 20th-century literature. A pillar of the Irish literary establishment, he helped to found the Abbey Theatre, and in his later years served two terms as a Senator of the Irish Free State. He was a driving force behind the Irish Literary Revival along with Lady Gregory, Edward Martyn and others. Yeats was born in Sandymount, Ireland, and educated there and in London. He was a Protestant and member of the Anglo-Irish community. He spent childhood holidays in County Sligo and studied poetry from an early age, when he became fascinated by Irish legends and the occult. These topics feature in the first phase of his work, which lasted roughly until the turn of the 20th century. His earliest volume of verse was published in 1889, and its slow-paced and lyrical poems display debts to Edmund Spenser, Percy Bysshe Shelley, and the poets of the Pre-Raphaelite Brotherhood. From 1900, his poetry grew more physical and realistic. He largely renounced the transcendental beliefs of his youth, though he remained preoccupied with physical and spiritual masks, as well as with cyclical theories of life. In 1923, he was awarded the Nobel Prize in Literature.
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  • The Beatles in Ireland 1963-Adelphi Theatre Dublin Ticket

    €120.00
    Framed photo of an iconic moment as the Beatles arrive in Dublin,pistured outside the old Dublin Airport Terminal in 47cm x 60cm  Dublin

    November 7, 1963, one of the wildest phenomenons of the 20th century hit Dublin.... a Liverpudlian revolution named The Beatles!

    All these years later, according to The Irish Times, a plaque will be placed at the site of the event, the Adelphi Cinema on Middle Abbey Street in Dublin. The tribute honors a world-changing British rock and roll group who the columnist Quidnunc in the Times described as “four hairy youngsters. [They] appeared onstage to be greeted with shrieks and whistles. Three of them walloped electric guitars which appeared to be amplified to the decibel limit, the fourth walloped a set of drums. “They all opened their mouths and made noises that sounded to me like: ‘Mew; Me-oh, me-ooh, me-ooh-ooh!’” The Beatles had come to town for two sold-out shows at the Adelphi. Ireland would never be quite the same again Fifteen days later JFK would be assassinated.  The old innocent age drew to a close. The newspapers all reported on a strange phenomenon called Beatlemania.  “It’s happening everywhere,” declared the Daily Mirrorworriedly. What was significant was that it was young girls who were screaming their heads off, crying, scratching to get near and touch the Beatles.   Female sexuality was a completely new phenomenon in Holy Catholic Ireland, and their honors the bishops were not long in weighing in What happened in Dublin was a riot. The 3,000 pumped up crowd for the first show came streaming out only to run full tilt into the 3,000-second show patrons. Neither crowd gave way, and pushing and shoving ensued.  Then it turned nasty. A commotion described as a riot took place. The Times lead ran"
    “Many arrested as city crowds run riot.”“Cars were overturned in Abbey Street and O’Connell Street, at least 50 people were treated for minor injuries, while three people were taken to hospital with fractured legs and arms.”
    A young man was also hospitalized after being stabbed. Two hundred police and three fire brigades arrived.  Buses and taxis were halted in the melee. Only the ringing of the fire bells seemed to settle down the crowd, but soon more crowds arrived and fights began anew. “One group of youths pushed a parked car into half a dozen policemen who were trying to get them out of the street,” reported the Times. “St John’s Ambulance men treated men and women on the footpaths while the crowds swirled around them.”
    The Beatles did not hang around.  John, Paul, George, and Ringo escaped in a newspaper van to the nearby Gresham Hotel. Later, two of them went to Drumcondra to see relatives, the Times reported. The Times’ reviewer at the gig could hear nothing but the sound of “ecstatic, joyful, hysteric, demented” screams from Dublin teenagers.  He wrote:
    “A pity, this, because the Beatles, in spite of their theatrical gimmicks, their long locks, and ‘with-it’ suits, have a great act…God knows, Dublin has never seen anything like the Beatles.”
    Indeed they had not. Nor would they ever see their likes again. Despite their multiple Irish connections, the four lads would never be back, and more’s the pity.
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  • Irish-Australian American Football Legend Pat O’Dea

    €70.00
    25cm x 35cm. Limerick Patrick John "Kangaroo Kicker" O'Dea (17 March 1872 – 5 April 1962) was an Irish-Australian rules and American footballplayer and coach. An Australian by birth, O'Dea played Australian rules football for the Melbourne Football Club in the Victorian Football Association (VFA). In 1898 and 1899, O'Dea played American football at the University of Wisconsin–Madison in the United States, where he excelled in the kicking game. He then served as the head football coach at the University of Notre Dame from 1900 to 1901 and at the University of Missouri in 1902, compiling a career college footballrecord of 19–7–2. O'Dea was inducted into the College Football Hall of Fame as a player in 1962.

    Early life

    O'Dea was born in Kilmore, Victoria, Australia to an Irish-born father and a Victorian-born mother. He was the third child of seven children. As a child he attended Christian Brothers College and Xavier College. As a 16-year-old he received a bronze medallion from the Royal Humane Society of Australasia for rescuing a woman at Mordialloc beach.

    Playing career

    Photo session of O'Dea while playing at the University of Wisconsin
    O'Dea played American football at the University of Wisconsin–Madison, where he was their star fullback from 1896–1899 and captained the 1898 and 1899 teams. In those days fullbacks punted and often did the placekicking. In the 1898 edition of the Northwestern game, which was played in a blizzard, he drop kicked a 62-yard field goal, and had a 116-yard punt. This earned him the nickname "Kangaroo Kicker". Wisconsin then headed into a Thanksgiving Day showdown with 1898 Western champions Michigan with only the narrow loss to Yale marring their record. New songs were composed for the occasion including “Oh, Pat O’Dea” to the popular tune “Margery”. The chorus ran: "Oh Pat O’Dea, oh Pat O’Dea, We love you more and more. Oh Pat O’Dea, oh Pat O’Dea, You’re the boy that we adore; Your leg is ever sure and true, And always kicks a goal or two. The team and rooters worship you. Oh Pat O’Dea." The final verse concluded: "To this brave lad forever we shall proudly sing. He is the boy we love. And in the games we play The cry “O’Dea, ”We’ll yell to every foe, because their game will show There is no other lad to see like Pat O’Dea. The East and West will surely have to see That we can’t lose in Patrick’s shoes, For he’s the only boy in all this land so free. The famous punter, Pat O’Dea." In the 1899 game, he returned a kickoff 90 yards for a touchdown, and had four field goals. He was selected as an All-American team member in 1899.

    Coaching career

    Notre Dame

    From 1900 to 1901, O'Dea coached at the University of Notre Dame, and compiled a 14–4–2 record.

    Missouri

    O'Dea was the tenth head football coach for the University of Missouri–Columbia Tigers located in Columbia, Missouri and he held that position for the 1902 season. His career coaching record at Missouri was 5 wins, 3 losses, and 0 ties. This ranks him 22nd at Missouri in total wins and tenth at Missouri in winning percentage.

    Later life

    After coaching, he disappeared from public view in 1917, having decided that he didn't like being treated as a celebrity, and it was assumed by Wisconsin fans that O'Dea had died fighting in World War I. In 1934, he was discovered living under an assumed name in California and came back to Wisconsin to a hero's welcome. He later appeared on Bob Hope's All-American football team announcement shows. He was inducted into the College Football Hall of Fame on 3 April 1962. He died the next day at the University of California, San Francisco Medical Center. Pat O'Dea died on 4 April 1962 at the age of 90 after an illness. While he was in hospital he received a get-well message from President John Kennedy. O'Dea's obituary in the New York Times commented on his kicking achievements including a 110-yard punt, though against Minnesota in 1897 and not Yale in 1899, and his 62-yard goal against Northwestern in 1898.
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  • 1956 Melbourne Olympics Ronnie Delaney wins Gold for Ireland

    €60.00
    20cm x 35cm Limerick Ronald Michael Delany (born 6 March 1935), better known as Ron or Ronnie Delany, is an Irish former athlete, who specialised in middle-distance running. He won a gold medal in the 1500 metres event at the 1956 Summer Olympicsin Melbourne. He later earned a bronze medal in the 1500 metres event at the 1958 European Athletics Championships in Stockholm. Delany also competed at the 1954 European Athletics Championships in Bern and the 1960 Summer Olympics in Rome, though was less successful on these occasions. Retiring from competitive athletics in 1962, he has secured his status as Ireland's most recognisable Olympian as well as one of the greatest sportsmen and international ambassadors in his country's history.

    Early life

    Born in Arklow, County Wicklow, Delany moved with his family to Sandymount, Dublin 4 when he was six. Delany later went to Sandymount High School and then to Catholic University School. At Catholic University School Delany was first coached by Jack Sweeney (Maths Teacher) to whom he sent a telegram from Melbourne stating "We did it Jack" Delany in 2008 said about Sweeney "Other people would have seen my potential but he was the one who in effect helped me execute my potential" Delany studied commerce and finance at Villanova University in the United States. While there he was coached by the well-known track coach Jumbo Elliott.

    Career

    Delany's first achievement of note was reaching the final of the 800 m at the 1954 European Athletics Championships in Bern. In 1956, he became the seventh runner to join the club of four-minute milers, but nonetheless struggled to make the Irish team for the 1956 Summer Olympics, held in Melbourne. Delany qualified for the Olympic 1500 m final, in which local runner John Landy was the big favourite. Delany kept close to Landy until the final lap, when he started a crushing final sprint, winning the race in a new Olympic record.Delany thereby became the first Irishman to win an Olympic gold medal in athletics since Bob Tisdall in 1932. The Irish people learned of its new champion at breakfast time.Delany was Ireland's last Olympic champion for 36 years, until Michael Carruth won the gold medal in boxing at the 1992 Summer Olympics in Barcelona. Delany won the bronze medal in the 1500 m event at the 1958 European Athletics Championships. He went on to represent Ireland once again at the 1960 Summer Olympics held in Rome, this time in the 800 metres. He finished sixth in his quarter-final heat. Delany continued his running career in North America, winning four successive AAU titles in the mile, adding to his total of four Irish national titles, and three NCAA titles. He was next to unbeatable on indoor tracks over that period, which included a 40-race winning streak. He broke the World Indoor Mile Record on three occasions. In 1961 Delany won the gold medal in the World University games in Sofia, Bulgaria. He retired from competitive running in 1962.

    Retirement

    After retiring from competitions Delany first worked in the United States for the Irish airline Aer Lingus. After that, for almost 20 years, he was Assistant Chief Executive of B&I Line, responsible for marketing and operations of the Irish ferry company based in Dublin. In 1998 he established his own company focused on marketing and sports consultancy.

    Honours

    In 2006, Delany was granted the Freedom of the City of Dublin. He was also conferred with an honorary Doctor of Laws Degree by University College Dublin in 2006. In 2019, a housing scheme in Arklow, where Delany was born, was named Delany Park in his honour. He attended the opening in person. Similarly, two streets in Strabane in Northern Ireland were named Delaney Crescent and Olympic Drive in the 1950s in his honour – however, Delany was not aware of these until it was pointed out that his surname had been spelt wrongly
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  • Laurel & Hardy and Wives visit Ireland 1953

    €60.00
    32cm x 27cm

    From the Evening Echo, September 9, 1953

    THE famous comedy team of Stan Laurel and Oliver Hardy were scheduled to disembark from the liner ‘America’ which called at Cobh today from New York. No elaborate reception was planned, and the shipping officials carried out the usual arrangements for the arrival of important passengers.

    The famous pair wanted no fuss, and of course, the liner company officals were anxious to carry out to the letter the wishes of their first-class passengers.

    Mr Sean O’Brien, Irish manager of US Lines, said his officials were there to greet them and satisfy their slightest wish.

    But often on the occasion when the planning is most careful, something goes wrong. And in this case it did. For neither the comedians, nor their wives, nor the company officials, nor the police nor the many other people associated with the life of a trans- Atlantic port of call, reckoned with the children, to whom the funny faces and the queer screen antics of the cuckoo comedians is better known than the president of the US.

    The entire children’s population of Cobh must have played truant from school for they blocked all traffic, and despite the presence of several vastly amused policemen, they clung onto Laurel and Hardy.

    They begged for autographs, ruffled their ties and generally gave them a whole-hearted reception.

    Non-plussed, but only for a moment, the comedians entered into the fun of the affair, and nobody could accuse them of being stinted in giving autographs.

    Twenty-three stone Hardy (22st 12lbs to be exact) commented: “We were absolutely overwhelmed. There scarcely ever was a film scene like it. They are grand children, and Stan and I are grateful to them.”

    There was no great advance publicity, but all of Cobh and outlying districts seemed to know that Laurel and Hardy had arrived. Family parties went out in small boats and cheered as the tender bearing the passengers from the liner drew into the quayside.

    The party were taken by Mr O’Brien to hear the carillon bells of Cobh Cathedral and the comedians told an Echo reporter that hearing the ‘Cuckoo Song’ played on the bells was one of the greatest thrills of their lives.

    Later, the party went to kiss the Blarney Stone. All performed the traditional rite of kissing except Hardy, who commented: “Nobody would hold me. I am too big.”

    Ald P McGrath, Lord Mayor of Cork, accompanied by Mr AA Healy, TC, received them at the City Hall and was photographed with them. Asked to nominate their favourite film the bluff Oliver replied: “Fra Diavolo.”

    They have been partners for thirty years. Subsequently the comedians and their wives left for Dublin where they are to fulfil a theatrical engagement.

    Amongst the others who met them in Cobh was Mrs D Murphy, on behalf of Mr George Heffernan, Tourist Agent, Cork.

    Another passenger to disembark from the vessel was the Hon Kit Clardy, Republican Senator from Michigan. He intends to spend a short holiday in this country. In all, 117 disembarked at Cobh.

    Embarking passengers included a party of 40 pilgrims from Cork to Lourdes and Liseux. The spiritual director to the party is Rev Maurice Walsh, SMA, and the pilgrimage arrangements were in the hands of Miss B Arnold, of Mr Heffernan’s agency.

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  • 1940 Limerick v Tipperary

    €90.00
    30cm x 36cm  Limerick
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  • George Harrison in Dublin-How all the Beatles had Irish Heritage

    €60.00
    30cm x 25cm The greatest band in the world came from Liverpool, a city with an Irish population so large that it’s known as “The Real Capital of Ireland”, but although The Beatles’ success is familiar to all, their Irish roots are not so well-known. “We’re all Irish” John Lennon declared when the band toured Ireland in 1963. The singer was born in war-time Liverpool on October 9, 1940 to Julia and Alfred Lennon. His father, a merchant seaman of Irish descent, was away at the time of John’s birth and for much of his life.John knew little about his connection to Ireland whilst growing up, but it was in the post-Beatles days that he became one of the most famous voices calling for a United Ireland and for an end to English presence in Northern Ireland.
    Known for their political activism, John and Yoko penned two protest songs “Sunday Bloody Sunday” and “The Luck of the Irish” inspired by the events in Northern Ireland for their 1972 album Some Time in New York City Such was the connection Lennon felt to his homeland that he had hoped to make a piece of it a place for him and Yoko Ono to retire. He purchased an island off the West Coast of Ireland, which he owned until his untimely death in 1980.
    “I'm a quarter Irish or half Irish or something, and long, long before the trouble started, I told Yoko that's where we're going to retire, and I took her to Ireland. We went around Ireland a bit and we stayed in Ireland and we had a sort of second honeymoon there. So, I was completely involved in Ireland” – John Lennon, 1971.
    James Paul McCartney was born on June 18, 1942 in Liverpool to Jim and Mary Patricia (Mahon) McCartney, and like many other Liverpool families descended from Irish immigrants. His mother’s father was born in Ireland, and was Roman Catholic, while his great-grandfather was an Irish native, and Protestant.
    It is unknown which part of Ireland Paul McCartney’s paternal side is from, but it is known that they first emigrated from Ireland to Galloway, Scotland, and then on to Liverpool. McCartney, who immortalised the Mull of Kintyre with his song of the same name also wrote about his Irish heritage in his music. Like John and Yoko, Paul and his first wife Linda wrote in response to the events of Bloody Sunday, drawing from his Irish background in their controversial song “Give Ireland Back to the Irish”. The song was completely banned in Britain but reached number one on the singles chart in Ireland.Then there’s Ringo, and while Ringo Starr is often described as the most English Beatle, Mark Lewisohn in his book Tune In describes one family line going back to County Mayo suggesting that all four of The Beatles can be accurately described as having ancestral roots in Ireland.
    It was however George Harrison who had the strongest Irish connections, coming from an Irish Catholic family on his mother’s side. Unusually for the time his grandparents never married and Mark Lewisohn suggests that the secretive aspect to his family life and their suspicion of “nosy neighbours” had a lasting effect on the attitude of ‘the quiet Beatle’. Harrison would return to Ireland throughout his life to visit family living in North Dublin, often catching the ferry across from Liverpool to Dublin. He also took his soon-to-be-wife Pattie Boyd on an early vacation to Ireland. Harrison’s music however didn't overtly draw from his Irish heritage, but the films produced through his own company are peppered with references to Ireland.
    The “Scouse” accent of Liverpool itself betrays Irish influence, the port city became a melting pot of several languages and dialects, as sailors, traders and migrants from other parts of Britain, Ireland and northern Europe established themselves in the area throughout the 19th century. The Irish have played a major role in Liverpool's population and social fabric for a good part of its 800 year history and it is apparent today when visiting the city. It’s safe to say that the people of Liverpool are extremely proud of its four sons and the way that Irish influence has helped to shape this famous musical city.
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  • 1978 Munster v The All Blacks Thomond Park

    €80.00
    There are many chapters in Munster’s storied rugby journey but pride of place remains the game against the otherwise unbeaten New Zealanders on October 31, 1978. 40cm x 30cm There were some mighty matches between the Kiwis and Munster, most notably at the Mardyke in 1954 when the tourists edged home by 6-3 and again by the same margin at Thomond Park in 1963 while the teams also played a 3-3 draw at Musgrave Park in 1973. During that time, they resisted the best that Ireland, Ulster and Leinster (admittedly with fewer opportunities) could throw at them so this country was still waiting for any team to put one over on the All Blacks when Graham Mourie’s men arrived in Limerick on October 31st, 1978. There is always hope but in truth Munster supporters had little else to encourage them as the fateful day dawned. Whereas the New Zealanders had disposed of Cambridge University, Cardiff, West Wales and London Counties with comparative ease, Munster’s preparations had been confined to a couple of games in London where their level of performance, to put it mildly, was a long way short of what would be required to enjoy even a degree of respectability against the All Blacks. They were hammered by Middlesex County and scraped a draw with London Irish. Ever before those two games, things hadn’t been going according to plan. Tom Kiernan had coached Munster for three seasons in the mid-70s before being appointed Branch President, a role he duly completed at the end of the 1977/78 season. However, when coach Des Barry resigned for personal reasons, Munster turned once again to Kiernan. Being the great Munster man that he was and remains, Tom was happy to oblige although as an extremely shrewd observer of the game, one also suspected that he spotted something special in this group of players that had escaped most peoples’ attention. He refused to be dismayed by what he saw in the games in London, instead regarding them as crucial in the build-up to the All Blacks encounter. He was, in fact, ahead of his time, as he laid his hands on video footage of the All Blacks games, something unheard of back in those days, nor was he averse to the idea of making changes in key positions. A major case in point was the introduction of London Irish loose-head prop Les White of whom little was known in Munster rugby circles but who convinced the coaching team he was the ideal man to fill a troublesome position. Kiernan was also being confronted by many other difficult issues. The team he envisaged taking the field against the tourists was composed of six players (Larry Moloney, Seamus Dennison, Gerry McLoughlin, Pat Whelan, Brendan Foley and Colm Tucker) based in Limerick, four (Greg Barrett, Jimmy Bowen, Moss Finn and Christy Cantillon) in Cork, four more (Donal Canniffe, Tony Ward, Moss Keane and Donal Spring) in Dublin and Les White who, according to Keane, “hailed from somewhere in England, at that time nobody knew where”. Always bearing in mind that the game then was totally amateur and these guys worked for a living, for most people it would have been impossible to bring them all together on a regular basis for six weeks before the match. But the level of respect for Kiernan was so immense that the group would have walked on the proverbial bed of nails for him if he so requested. So they turned up every Wednesday in Fermoy — a kind of halfway house for the guys travelling from three different locations and over appreciable distances. Those sessions helped to forge a wonderful team spirit. After all, guys who had been slogging away at work only a short few hours previously would hardly make that kind of sacrifice unless they meant business. October 31, 1978 dawned wet and windy, prompting hope among the faithful that the conditions would suit Munster who could indulge in their traditional approach sometimes described rather vulgarly as “boot, bite and bollock” and, who knows, with the fanatical Thomond Park crowd cheering them on, anything could happen. Ironically, though, the wind and rain had given way to a clear, blue sky and altogether perfect conditions in good time for the kick-off. Surely, now, that was Munster’s last hope gone — but that didn’t deter more than 12,000 fans from making their way to Thomond Park and somehow finding a spot to view the action. The vantage points included hundreds seated on the 20-foot high boundary wall, others perched on the towering trees immediately outside the ground and some even watched from the windows of houses at the Ballynanty end that have since been demolished. The atmosphere was absolutely electric as the teams took the field, the All Blacks performed the Haka and the Welsh referee Corris Thomas got things under way. The first few skirmishes saw the teams sizing each other up before an incident that was to be recorded in song and story occurred, described here — with just the slightest touch of hyperbole! — by Terry McLean in his book ‘Mourie’s All Blacks’. “In only the fifth minute, Seamus Dennison, him the fellow that bore the number 13 jersey in the centre, was knocked down in a tackle. He came from the Garryowen club which might explain his subsequent actions — to join that club, so it has been said, one must walk barefooted over broken glass, charge naked through searing fires, run the severest gauntlets and, as a final test of manhood, prepare with unfaltering gaze to make a catch of the highest ball ever kicked while aware that at least eight thundering members of your own team are about to knock you down, trample all over you and into the bargain hiss nasty words at you because you forgot to cry out ‘Mark’. Moss Keane recalled the incident: “It was the hardest tackle I have ever seen and lifted the whole team. That was the moment we knew we could win the game.” Kiernan also acknowledged the importance of “The Tackle”.
    He said: “Tackling is as integral a part of rugby as is a majestic centre three-quarter break. There were two noteworthy tackles during the match by Seamus Dennison. He was injured in the first and I thought he might have to come off. But he repeated the tackle some minutes later.”
    Many years on, Stuart Wilson vividly recalled the Dennison tackles and spoke about them in remarkable detail and with commendable honesty: “The move involved me coming in from the blind side wing and it had been working very well on tour. It was a workable move and it was paying off so we just kept rolling it out. Against Munster, the gap opened up brilliantly as it was supposed to except that there was this little guy called Seamus Dennison sitting there in front of me. “He just basically smacked the living daylights out of me. I dusted myself off and thought, I don’t want to have to do that again. Ten minutes later, we called the same move again thinking we’d change it slightly but, no, it didn’t work and I got hammered again.” The game was 11 minutes old when the most famous try in the history of Munster rugby was scored. Tom Kiernan recalled: “It came from a great piece of anticipation by Bowen who in the first place had to run around his man to get to Ward’s kick ahead. He then beat two men and when finally tackled, managed to keep his balance and deliver the ball to Cantillon who went on to score. All of this was evidence of sharpness on Bowen’s part.” Very soon it would be 9-0. In the first five minutes, a towering garryowen by skipper Canniffe had exposed the vulnerability of the New Zealand rearguard under the high ball. They were to be examined once or twice more but it was from a long range but badly struck penalty attempt by Ward that full-back Brian McKechnie knocked on some 15 yards from his line and close to where Cantillon had touched down a few minutes earlier. You could sense White, Whelan, McLoughlin and co in the front five of the Munster scrum smacking their lips as they settled for the scrum. A quick, straight put-in by Canniffe, a well controlled heel, a smart pass by the scrum-half to Ward and the inevitability of a drop goal. And that’s exactly what happened. The All Blacks enjoyed the majority of forward possession but the harder they tried, the more they fell into the trap set by the wily Kiernan and so brilliantly carried out by every member of the Munster team. The tourists might have edged the line-out contest through Andy Haden and Frank Oliver but scrum-half Mark Donaldson endured a miserable afternoon as the Munster forwards poured through and buried him in the Thomond Park turf. As the minutes passed and the All Blacks became more and more unsure as to what to try next, the Thomond Park hordes chanted “Munster-Munster–Munster” to an ever increasing crescendo until with 12 minutes to go, the noise levels reached deafening proportions. And then ... a deep, probing kick by Ward put Wilson under further pressure. Eventually, he stumbled over the ball as it crossed the line and nervously conceded a five-metre scrum. The Munster heel was disrupted but the ruck was won, Tucker gained possession and slipped a lovely little pass to Ward whose gifted feet and speed of thought enabled him in a twinkle to drop a goal although surrounded by a swarm of black jerseys. So the game entered its final 10 minutes with the All Blacks needing three scores to win and, of course, that was never going to happen. Munster knew this, so, too, did the All Blacks. Stu Wilson admitted as much as he explained his part in Wardy’s second drop goal: “Tony Ward banged it down, it bounced a little bit, jigged here, jigged there, and I stumbled, fell over, and all of a sudden the heat was on me. They were good chasers. A kick is a kick — but if you have lots of good chasers on it, they make bad kicks look good. I looked up and realised — I’m not going to run out of here so I just dotted it down. I wasn’t going to run that ball back out at them because five of those mad guys were coming down the track at me and I’m thinking, I’m being hit by these guys all day and I’m looking after my body, thank you. Of course it was a five-yard scrum and Ward banged over another drop goal. That was it, there was the game”. The final whistle duly sounded with Munster 12 points ahead but the heroes of the hour still had to get off the field and reach the safety of the dressing room. Bodies were embraced, faces were kissed, backs were pummelled, you name it, the gauntlet had to be walked. Even the All Blacks seemed impressed with the sense of joy being released all about them. Andy Haden recalled “the sea of red supporters all over the pitch after the game, you could hardly get off for the wave of celebration that was going on. The whole of Thomond Park glowed in the warmth that someone had put one over on the Blacks.” Controversially, the All Blacks coach, Jack Gleeson (usually a man capable of accepting the good with the bad and who passed away of cancer within 12 months of the tour), in an unguarded (although possibly misunderstood) moment on the following day, let slip his innermost thoughts on the game. “We were up against a team of kamikaze tacklers,” he lamented. “We set out on this tour to play 15-man rugby but if teams were to adopt the Munster approach and do all they could to stop the All Blacks from playing an attacking game, then the tour and the game would suffer.” It was interpreted by the majority of observers as a rare piece of sour grapes from a group who had accepted the defeat in good spirit and it certainly did nothing to diminish Munster respect for the All Blacks and their proud rugby tradition.
    And Tom Kiernan and Andy Haden, rugby standard bearers of which their respective countries were justifiably proud, saw things in a similar light.
    “Jack’s comment was made in the context of the game and meant as a compliment,” Haden maintained. “Indeed, it was probably a little suggestion to his own side that perhaps we should imitate their efforts and emulate them in that department.” Tom Kiernan went along with this line of thought: “I thought he was actually paying a compliment to the Munster spirit. Kamikaze pilots were very brave men. That’s what I took out of that. I didn’t think it was a criticism of Munster.” And Stuart Wilson? “It was meant purely as a compliment. We had been travelling through the UK and winning all our games. We were playing a nice, open style. But we had never met a team that could get up in our faces and tackle us off the field. Every time you got the ball, you didn’t get one player tackling you, you got four. Kamikaze means people are willing to die for the cause and that was the way with every Munster man that day. Their strengths were that they were playing for Munster, that they had a home Thomond Park crowd and they took strength from the fact they were playing one of the best teams in the world.” You could rely on Terry McLean (famed New Zealand journalist) to be fair and sporting in his reaction to the Thomond Park defeat. Unlike Kiernan and Haden, he scorned Jack Gleeson’s “kamikaze” comment, stating that “it was a stern, severe criticism which wanted in fairness on two grounds. It did not sufficiently praise the spirit of Munster or the presence within the one team of 15 men who each emerged from the match much larger than life-size. Secondly, it was disingenuous or, more accurately, naive.” “Gleeson thought it sinful that Ward had not once passed the ball. It was worse, he said, that Munster had made aggressive defence the only arm of their attack. Now, what on earth, it could be asked, was Kiernan to do with his team? He held a fine hand with top trumps in Spring, Cantillon, Foley and Whelan in the forwards and Canniffe, Ward, Dennison, Bowen and Moloney in the backs. Tommy Kiernan wasn’t born yesterday. He played to the strength of his team and upon the suspected weaknesses of the All Blacks.” You could hardly be fairer than that – even if Graham Mourie himself in his 1983 autobiography wasn’t far behind when observing: “Munster were just too good. From the first time Stu Wilson was crashed to the ground as he entered the back line to the last time Mark Donaldson was thrown backwards as he ducked around the side of a maul. They were too good.” One of the nicest tributes of all came from a famous New Zealand photographer, Peter Bush. He covered numerous All Black tours, was close friends with most of their players and a canny one when it came to finding the ideal position from which to snap his pictures. He was the guy perched precariously on the pillars at the entrance to the pitch as the celebrations went on and which he described 20 years later in his book ‘Who Said It’s Only a Game?’
    “I climbed up on a gate at the end of the game to get this photo and in the middle of it all is Moss Keane, one of the great characters of Irish rugby, with an expression of absolute elation. The All Blacks lost 12-0 to a side that played with as much passion as I have ever seen on a rugby field. The great New Zealand prop Gary Knight said to me later: ‘We could have played them for a fortnight and we still wouldn’t have won’. I was doing a little radio piece after the game and got hold of Moss Keane and said ‘Moss, I wonder if ...’ and he said, ‘ho, ho, we beat you bastards’.
    “With that, he flung his arms around me and dragged me with him into the shower. I finally managed to disentangle myself and killed the tape. I didn’t mind really because it had been a wonderful day.” Dimensions :47cm x 57cm
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  • Classic Irish Fair Day Scene-Puck Fair Killorglin Co Kerry 1954

    €70.00
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  • DeValera in America

    €80.00

    struggle for independence, this month marks the 100-year anniversary of an important moment in Irish-US relations.

    In June 1919, Éamon de Valera arrived in the United States for what was to be an 18-month visit. He had recently escaped from Lincoln jail in England in sensational fashion, after a duplicate key was smuggled into the jail in a cake and he escaped dressed as a woman.

    A few months later he was a stowaway aboard the SS Lapland from Liverpool bound for America.

    De Valera’s plan was to secure recognition for the emerging Irish nation, tap into the huge Irish-American community for funds, and to pressurise the US government to take a stance on Irish independence. Playing on his mind was the upcoming Versailles conference where the nascent League of Nations was preparing to guarantee “existing international borders” – a provision that would imply Ireland remaining within the United Kingdom.

    De Valera also had a challenge in winning over President Woodrow Wilson, who was less than sympathetic to Ireland’s cause.

    De Valera’s interest in America was of course personal. He was born in New York in 1882 and his US citizenship was one of the reasons he was spared execution after the 1916 rising.

    Public speeches

    At first Dev kept a low profile in America. Though he was greeted by Harry Boland and others when he docked in New York, he first went to Philadelphia and stayed with Joseph McGarrity, the Tyrone-born leader of Clan na Gael and a well-known figure in Irish America. He also quietly paid a visit to his mother in Rochester, upstate New York.

    De Valera’s first major engagement was on June 23rd when he was unveiled to the American public at a press conference in the Waldorf-Astoria hotel in New York. Crowds thronged the streets around the hotel, and De Valera proclaimed: “I am in America as the official head of the Republic established by the will of the Irish people in accordance with the principle of self-determination.”

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  • Canine Motorcycle Rider Dublin 1970s

    €70.00
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  • Ginger McLoughlins Try v England Twickenham 1982

    €70.00
    Gerry ‘Ginger' McLoughlin – better known as ‘Locky' in his native Limerick - was instrumental in winning the 1982 Triple Crown, Ireland's first since 1949. Below, ‘Locky' tells of his flirtation with the priesthood, Limerick's rugby rivalries and great players, his call-up to international rugby and the fateful tour to apartheid South Africa which impacted on his teaching career By Dave McMahon   There are few contenders for the most memorable Irish try of the last 50 years. A generation who remember the days of black and white television will cite Pat Casey's ‘criss-cross' try against England at Twickenham in 1964 when Mike Gibson's searing break gave Jerry Walsh the opportunity to deliver the decisive reverse pass. Gordon Hamilton's superb burst to score in the Lansdowne Road corner against Australia in the 1991 World Cup ranks high in the list – a try that rarely gets the credit it deserves because of Michael Lynagh's instant riposte. Nearer the present day, the delayed October Six-Nations game against England in 2001 saw Keith Wood score one of the great forwards inspired try's against the auld enemy at Lansdowne Road.  A try, indeed, which gave purists as much pleasure as any, with the pack orchestrating the score with military precision. The line-out throw from Wood; Galwey's clean take; Foley's magical hands; Eric Miller doing just enough to create the running channel; Wood's powerful burst through Neil Back's tackle for the touchdown. And then, you had Locky's try against England at Twickenham in the Triple Crown winning year of 1982 – a different class! In recalling 1982, it's Gerry McLoughlin's try that represents the defining moment of Ireland's first Triple Crown winning year since 1949.  Ollie Campbell's touchline conversion of McLoughlin's try (pictured left) helped Ireland to a 16-15 victory and an ultimately successful Triple Crown decider against Scotland two weeks later.  Three generations of Irish rugby heroes had come and gone without Triple Crown success – McBride, Kiernan, Dawson, O'Reilly, Gibson, and Goodall.  Gerry McLoughlin's try helped create history, and he isn't slow to trumpet his role in '82.“At the time, I was misquoted as saying I dragged the Irish pack over the line with me.In fact, I dragged the entire Irish and English forwards across the line that day! Also, I never got the credit for creating the free which led to my try.  As Steve Smith was about to put-in at an English scrum, I whispered to Ciaran Fitzgerald that I intended to pull the scrum, which I did successfully with the result that Smith was penalised for crooked-in.  After the free was taken, I took over.” It was a tremendous year for McLoughlin during a rugby career which had its share of heartbreak as well as some glorious highs. “As a young man, I dabbled with hurling and gaelic football as a full-back or full-forward with St. Patrick's CBS. I had no great skill at either code; I simply mullocked and laid into guys. My destiny was certainly never to be a skillful All-Ireland winning hurler with Limerick. Rugby was always going to be my game. “Brian O'Brien got three Irish caps in 1968 and I regarded him as a hero, so it was always on that I should join Shannon, while my late father, Mick, had won Transfield Cup medals with the parish side.  Joining Shannon at 16, my bulk and size immediately saw me go into the front-row where I had Michael Noel Ryan, who had captained the first-ever Shannon team to win the Munster Senior Cup, as a sound mentor. “Frankly, at the time, I didn't plan on a rugby career as I had other designs on my life.  As soon as I entered Sexton Street CBS, my admiration for the role that the Christian Brothers played in Irish society saw me develop a vocation to become a Christian Brother. I spent a 3 year novitiate between Carriglea Park in Dun Laoghaire and St. Helens in Booterstown and was within 3 weeks of taking my vows of poverty, chastity and obedience before deciding that I wanted to opt out. “Had I taken the vows, I would have entered a world where there was no television, no newspapers and would not be able to take holidays or see my family for the best part of five years.  That's the way it was in those days. I was at a young impressionable age and, in the end, I got stage fright and returned to Sexton Street as a pupil. “At 18, I was in the Shannon senior-cup team and I knew that I had some ability. After Sexton Street, I went to UCG to do my BA and that gave me the opportunity of further developing my rugby skills as I joined Ciaran Fitzgerald in the Colleges senior front-row.  I won a handful of senior caps with Connacht who were not very successful at the time.  The highlight of my Connacht career came when we ended a near 10-year losing run by beating, believe it or not, Spain by 7-3 in 1973.  I played with some decent players in my days with Connacht, Mick Molloy and Leo Galvin were often in the second-row, while Mick Casserly was probably the best wing-forward never to be capped by Ireland.” After graduating from UCG, and the successful completion of a teacher-training degree with UCC, McLoughlin returned to his alma mater Sexton Street CBS as an Economics teacher in 1973 – and to the front-row in a Shannon senior-team that was about to make it's mark on the Irish rugby scene. “In those days, the rivalry between Limerick clubs was intense.  Young Munster was a proud working-class club that commanded tremendous support and playing against them, especially in Greenfields, was often tougher than the Cardiff Arms Park.  Reputations counted for nothing.  You ignored hamstrings, cuts, strains and blood – you earned respect against them.” “Of course, Garryowen set the standard with their huge number of Munster Cup victories.  In my time, they had a great full-back in Larry Moloney.  Just four caps with Ireland was no reward for his ability. Despite spending 13 years of my life in Wales, the edge between Shannon and Garryowen is deeply engrained in my brain. Time hasn't diminished that rivalry. “People speak of Limerick rugby and the syndrome of doctor and docker playing side by side.  That was certainly the case with Garryowen.  Mick Lucey and Len Harty were doctors who played in the light blues three-quarter line in the late 60's. Then, you often had Dr. Jim Molloy playing in the Garryowen pack alongside Tom Carroll who was a Limerick docker. To this day, I maintain that Carroll was both the toughest and technically most proficient prop-forward I ever encountered.  Tom was not much more than 13 stone, yet I never got the better of him. “In my early days with Shannon, we hardly rated on the rugby map.  Teams like Trinity and Wanderers didn't want games against us. Garryowen were the standard bearers in Limerick and our aim was to become as good as them.  After I returned from UCG in 1973, Shannon, with Brian O'Brien pulling the strings, had begun to assemble a powerful team.  Brendan Foley was a fine second-row and an inspirational captain.  Colm Tucker was the best ball-carrying wing-forward I ever played with.  Colm was good enough to play in two tests for the Lions against South Africa in 1980, yet he was only capped on three occasions by Ireland.  That was an absolute joke. “You would go a long way before finding better club forwards than my brother Mick, Eddie Price, Johnny Barry and Noel Ryan.  Later, Niall O'Donovan came through as an outstanding number eight.  Noel Ryan,  indeed, was such a good loose-head prop that I played all my games for Shannon and, subsequently, Ireland at tight-head, while my entire career with Munster, and a handful of games with the Lions in 1983, was in the loose-head position.  Playing on either side of the scrum never presented problems as the emphasis in training with Shannon was always on having a powerful scrummage as a starting-point.” Just six months after representing Connacht against Spain, McLoughlin won his first Munster ‘cap' in a fiery encounter against Argentina at Thomond Park. That was the start of a long interprovincial career which lasted from 1983 to 1987. An ever-present in the Munster team, the breakthrough to International level proved daunting and is the source of fiery comment from McLoughlin. “As I was a regular with Munster, I was asked to submit a CV by the IRFU to facilitate any calling to International level. I did all the right things.  I deducted a year from my age with the result that my birth date changed from 11 June 1951 to 11 June 1952. I added a half-inch to my height to make sure that I came in as a sturdy six footer.  I weighed 13 stone, 11 ounces those days and I remember sticking 7 pounds of lead into my jockstrap at a formal weigh-in to hit the 14 stone, 4 ounce mark. Still, the call to international representation was light years away. Ciaran Fitzgerald knew my correct age, but kept it quiet for years before revealing all to the IRFU one evening when he had a few too many. At that stage, it didn't matter. “The selection system was just a joke with two Leinster, two Ulster and a solitary Munster selector, with Connacht having no representation at all. To this day, I often wonder how Ciaran Fitzgerald was ever capped.  I played some fine rugby for Munster over many years, yet I never came close to making the International scene and I doubt that I would have were it not for Munster beating the All Blacks in 1978.  The selectors found it impossible to ignore us after that. I was also very lucky that Brian O'Brien eventually came through as an Irish selector.  For years, he kept me in a ‘job', and I kept him in a ‘job'.” Munster's victory over New Zealand remains the most emotional game of McLoughlin's career.  “It wasn't a fluke by any means as that was a superb Munster team.  For starters, the usual Cork/Limerick selectorial carve-up didn't apply as twelve of the Munster team picked themselves.  We had leaders and quality players all over the field.  Wardie (Tony Ward) was under pressure all day, but still managed to kick brilliantly for position; Canniffe gave him a great service; Dennison and Barrett never stopped tackling; Larry Moloney was himself at full-back; Andy Haden might have won the line-out battle, but we matched the All Blacks forwards everywhere else; in the end, we fully deserved our 12-0 victory. “After that success over New Zealand, I was totally focused on making the step up to International level. I was often asked for tips by budding prop-forwards, but I never revealed anything useful in case the younger man got better than me.  You spend all your career striving to get to the top and the last thing you wanted was someone to get ahead of you in the race.  I had to be both dedicated and selfish.” Just three months after beating New Zealand and a successful final-trial outing with the probables, McLoughlin made his international debut against France. He may have been listed as ‘G.A.J. McLoughlin' on the match programme, but Limerick rugby followers still called him ‘Locky' – one of their own!  Woe betide the fate of any Dublin hack that resorted to ‘Ginger'. Nearly 30 years after his International debut, he is still ‘Locky' in Limerick, but the metropolitan media continually refer to him as ‘Ginger'. But what's in a name? Some 10 years ago an almost fatal blow was struck against the ‘Locky' constituency. With the future of Connacht rugby under threat, a protest march to IRFU headquarters at Lansdowne Road was made.  Remembering his youthful days in UCG and that famous victory over Spain, Gerry McLoughlin was at the forefront of the parade with a banner which read “Ginger supports Connacht rugby”.  Locky or Ginger? Take your pick. If the Triple Crown and Munster's victory over the All Blacks were career highlights, McLoughlin's decision to tour South Africa with Ireland in 1981 cast a long shadow over his life. “I was teaching in Sexton Street at the time and initially got approval from the school to travel.  However, just a week before we were due to depart, a change of management took place within the school and my permission to travel was withdrawn.  It left me with a very difficult decision to make.  I was married with a young family, but I dearly wanted to represent my country.  Also, I felt that South Africa were making advances on apartheid.  Errol Tobias, in fact, became the first non-white player to wear the Springboks jersey in a full-international against Ireland.  In the end, I resigned my teaching position and travelled with Ireland.” In rugby terms, McLoughlin's decision to travel was justified as he regained his Irish place and played in both tests. However, it was altogether different on a personal level. “On my return from South Africa, I was advised that I had a solid legal case against my former employers in Sexton Street but I decided against taking any action as I had a great love of the Christian Brothers and had witnessed the benefits which their dedication gave to generations of children.  They were put under severe pressure at the time as apartheid was a political and social time-bomb.” McLoughlin is far less forgiving when it came to the IRFU post-South Africa. “I wrote to every school in the country and couldn't get an interview, never mind get a job. The IRFU had plenty of people in positions of power, but the support from that quarter was nil. Ray McLoughlin (no relation) and Mick Molloy did offer considerable help at the time. Other than that, I was largely left to fend for myself.” From a remove of nearly 30 years, McLoughlin is philosophical. “It was my decision to travel to South Africa – I had to accept the consequences.” A part-time job teaching in the Municipal Institute of Technology followed, but that was never going to be enough to support a young family.  The painful decision to emigrate to Wales was taken, after recession forced McLoughlin to close his pub – aptly named The Triple Crown – which he owned for five years. “In all, I spent 13 years in Wales, teaching in Gilfach Goch near Pontypridd during the day and running a pub in the evenings before deciding to return to Ireland.  At the moment, my daughter Orla, who is getting married next August, is based in Limerick, while my three sons, Cian, Fionn and Emmet are in Wales where they spent so much of their youth.” Nowadays, living in Garryowen in the shade of St. John's Cathedral, Gerry McLoughlin enjoys a contented social and political life. “I was elected to the Limerick City Council as an Independent in 2004, before subsequently joining the Labour party.  I had always admired the social vision of the late Jim Kemmy, so the move to Labour was a natural progression for me. “On a professional level, I'm energised by the day job as a social needs assistant at St. Mary's Boys School in the heart of the parish.  I'm a lifetime non-smoker and I haven't touched alcohol in the last 14 years. I have a hectic political schedule, but I also find plenty of time to engage in worthwhile community work. “Recently, we formed an under 13/14 girls soccer club in Garryowen and I'm involved as Treasurer.  Also, I coach St. Mary's under-age teens in rugby on Sunday mornings, while I have a similar role in soccer coaching with Star Rovers youngsters. Nowadays, my ambition is to give every child the opportunity to kick a ball.” The man who once propped against the famous Pontypool front-row confesses to a surprising social outlet: “I had a knee replacement operation in 2004 and that gave me the freedom to enjoy ballroom dancing on at least three evenings a week. It's wonderful for social relaxation”. Gerry McLoughlin has few, if any, regrets about his rugby career. “In the current era, I might have won 50 instead of 18 caps, but I have the memory of never losing in an Irish jersey at Lansdowne Road and I wouldn't change the Triple Crown success or beating the All Blacks for anything. Would I do things differently? Possibly.  I might have deducted two years from my age if I was starting all over again!”
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  • Ogdens Cigarette Card-Louis Magee -Legendary Irish Rugby International

    €70.00
    35cm x 20cm  Dublin Aloysius Mary "Louis" Magee (1 May 1874 – 4 April 1945)was an Irish rugby union halfback. Magee played club rugby for Bective Rangers and London Irish and played international rugby for Ireland and was part of the British Isles team in their 1896 tour of South Africa. Magee was capped 27 times for Ireland, ten as captain, and won two Championships, leading Ireland to a Triple Crownwin in the 1899 Home Nations Championship. Magee was one of the outstanding half backs of world rugby prior to 1914, and is credited as being a driving force in turning Ireland from a no-hope team into one that commanded respect.

    Rugby career

    Magee came from a well known sporting family. His eldest brother Joseph Magee was also an international rugby player for Ireland, while another brother James played cricket for Ireland. His brother-in-law, Tommy Little, played rugby for Ireland between 1898 and 1901.Magee played almost the entirety of his rugby for club team Bective Rangers, as did both his brothers. In 1898, while in London, Magee was approached by newly formed club, London Irish, to play for the first team. When Magee accepted, his presence in the team helped recruit other countrymen to join the exile club, and is seen as a major catalyst in the success of the club.

    Early international career

    Magee first played international rugby during the 1895 Home Nations Championship in an encounter with England. Magee was selected along with his brother Joseph, but Joseph's international career ended after only two games, playing in only the first two matches of the 1895 season. Although Ireland narrowly lost the opening game, Magee scored the only points for Ireland when he scored his first international try. Magee was reselected for the next two games of the Championship, Ireland losing both narrowly in two tight matches which saw Ireland end bottom of the table for the season.

    British Isles tour

    1896 was a turn around in fortunes for Ireland, beating England and Wales and drawing 0–0 with Scotland, giving Ireland its second Championship in three years. Magee played in all three games of the season making him a Championship winning player. Towards the end of the 1896 season, Magee was approached by Johnny Hammond to join his British Isles team on their tour of South Africa. Magee accepted, and was joined on the tour by his brother James, who was also a member of Bective Rangers. The tour was notable for the large contingent of Irish players, who had been poorly represented on previous tours. The other Irish players being Thomas Crean, Robert Johnston, Larry Bulger, Jim Sealy, Andrew Clinch, Arthur Meares and Cecil Boyd. Magee played in only fourteen of the 21 arranged games of the tour, but played in four Test games against the South African national team. In the First Test he was partnered at half back with Matthew Mullineux, but for the final three tests he was joined by Cambridge University player Sydney Pyman Bell.

    1899 Home Nations Championship

    On his return to Britain, Magee retained his position in the Ireland national team, and from his first game in 1895 he played at centre for 26 consecutive games taking in eight Championship seasons. Magee's finest season was the 1899 Home Nations Championship, which saw him gain the captaincy of the national team in the opening game of the campaign, a home match against England. Ireland won 6–0, with Magee scoring with a penalty kick and long term Irish half back partner, Gerald Allen, scoring a try. Magee then set up two of the tries in a 9–3 victory of Scotland, leaving the encounter with Wales as the decider for the Triple Crown. The game was played at Cardiff Arms Park in front of a record crowd of 40,000, who constantly disrupted the game as the spectators spilled onto the pitch.The game was decided by a single try by Ireland's Gerry Doran, but Magee was called into action preventing a try from one of the Welsh three-quarters in the last minute with a tackle from behind.The win gave Ireland the Triple Crown for the second time in the country's history.

    1900–1904

    Magee continued to captain his country over the next two seasons, but he did not experience the same success as in the 1899 campaign. A single draw against Scotland was the best result in 1900, and apart from a good win over England in 1901 and a strong three-quarters, there was little to celebrate in the Irish results. The 1902 Championship saw Magee lose the captaincy to half back John Fulton. Ireland lost their opening match against England, but after a win over Scotland, Magee was handed the captain's position for the final encounter, against Wales. Ireland were well-beaten in their biggest home defeat since the start of the Championship competition. The 1903 Championship started with a strong win over England, but the Irish captaincy was now in the hands of Harry Corley, Magee's half back partner since the start of 1902. Magee was seen as one of the finest half backs to come out of Ireland, his playing style was of a basic left-side, right-side tradition of half back play; Corley was one of the first specialised fly-halves, pointing the new way forward in rugby play. Ireland failed to capitalise on their strong opening game, losing narrowly to Scotland and then being completely out-classed by Wales. losing 18–0. Magee was dropped for the 1904 Home Nations Championship, replaced by Robinson and Kennedy, as Corley was moved to the centre position. But the team were well beaten by both England and then Scotland, leading the Irish selectors to make eight changes in the final match at home to Wales. Magee was recalled to partner Kennedy in his final international, and the game turned out to be the match of the season. The Welsh took an early lead, but after Ireland were reduced to 14 men through an injury, the team appeared inspired and improved their game. With four tries from each side, the only difference was that Ireland managed to convert one of their tries, whereas Wales missed all theirs. Magee finished his international career with a great win, and with 27 appearances was the most capped Irish player to date.
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  • Paul McGrath-the Black Pearl of Inchicore & Irish Football Great

    €70.00
    30cm x 30cm

    Paul McGrath - The Black Pearl of Inchicore

    Paul McGrath is one of the greatest footballers to ever play for the Republic of Ireland soccer team. The fact that he managed to perform so well for so long for his clubs and country is all the more remarkable because he was beset by ongoing injury problems and off-pitch issues. McGrath suffered many injuries to his knees over his career and the effects of his alcoholism caused him to miss matches for football club and country on occasions.

    McGrath was a natural and magnificent athlete with outstanding soccer talent. His preferred position on the football pitch was at centre-half however the Irish soccer manager Jack Charlton, often deployed him with great success in midfield. From an Irish perspective two of his greatest performances for the Republic of Ireland soccer team were both against Italy and both at World Cup finals. His performance in Rome in 1990 and particularly in New York in 1994 are the stuff of Irish football legend.

    Paul McGrath - Early Days

    Paul McGrath was born in London in 1959. His mother, Betty, was Irish and the father that he never met was Nigerian. They were not married and in those unenlightened days such a union would have been very much frowned upon. Raising a mixed race baby as an unmarried mother in Ireland in those days just wasn't on so for most people so McGrath's mother headed for London. Shortly after Paul was born his mother came home to Dublin and put her baby up for adoption. McGrath was raised in orphanages and foster homes in Dublin.

    As a boy Paul McGrath's love was soccer. It was his means of self-expression and in ways it was a form of escape. His natural talent was apparent from an early age. He played his schoolboy soccer for Pearse Rovers and later he played junior football for Dalkey United.

    McGrath - the Professional Footballer

    St Patrick's Athletic

    In 1981 Paul McGrath became a professional soccer player when he signed for St Patrick's Athletic in Inchicore, Dublin. It was during his short football career with St Pat's that his performances on the pitch were so good that he was dubbed 'The Black Pearl of Inchicore'. McGrath's physique, presence and pure football talent made him stand out on any football pitch that he graced and it wasn't very long before the Irish scouts of English football clubs came calling.

    Manchester United

    After just one season with St Pat's Paul McGrath's left Ireland in 1982 to begin his English soccer career with Manchester United having been spotted by United's talent scout Billy Behan. At the time United were managed by Ron Atkinson and the team played with a smile on their faces and in a somewhat cavalier fashion. Atkinson was a larger than life character and McGrath took to him immediately. After some initial difficulty in adjusting to the demands of the United training routine Paul settled down to the life of a professional footballer in Manchester. He was helped by the fact that there were other Irish soccer players at the club such as Frank Stapleton, Kevin Moran and Ashley Grimes.

    His debut was in the 1982/83 season in a charity match against Aldershot. His league debut was against Tottenham Hotspur in November 1982. Paul went on to make 163 appearances, scoring 12 goals and winning an FA cup medal in 1985 with United. If McGrath felt he had a good relationship with Ron Atkinson, it was clear from early that the Alex Ferguson - Paul McGrath relationship would be not be a comfortable one. Ferguson is renowned as a disciplinarian and McGrath's drinking problems would not allow him to conform to the new stricter regime. Eventually the time came for Paul to find new soccer pastures.

    Aston Villa

    Paul McGrath transferred Aston Villa in 1989. He was an instant success and the Villa fans embraced him and his sublime footballing skills. Ultimately he was known as 'God' by the fans such was the esteem in which they held him. In the early 1990's Aston Villa were a soccer force in the old Division One (now Premier League) and McGrath was instrumental in the club's push to win the league. Villa were runners-up in 1990 and again 1993. Paul McGrath's performances on the soccer pitch were such that he was voted the PFA Players' Player of the Year in 1993. This was an amazing feat by Paul since "He was, quite literally, a walking wreck" as noted by author Colm Keene in his book: Ireland's Soccer Top 20.

    McGrath gained a measure of revenge over Alex Ferguson and Manchester United in 1994 when he helped Aston Villa to beat them at Wembley in the League Cup final. Paul played 252 times for Villa scoring 9 goals in the process.

    Derby County & Sheffield United

    In 1996 Paul McGrath finished his Villa career by joining Derby County for whom he played 24 times. His final club was Sheffield United but he only managed 11 appearances as his knees could no longer take the punishment. He retired from soccer in 1998.

    International Career

    Paul McGrath : Ireland versus Latvia in 1993 Typical of Paul McGrath Ireland V Latvia - 1993

    In Dublin Paul McGrath made his international debut for the Republic of Ireland international soccer team in 1985 in a friendly against Italy. The Italians would later be the opponents for two major highs in his international career. He subsequently featured in two of Ireland's three matches in the Euro '88 football finals in Germany.

    While his preferred position was centre-half he was competing with the likes of Mark Lawrenson, David O'Leary, Kevin Moran and Mick McCarthy for a berth in the defence. When Jack Charlton took over as the Ireland soccer manager he recognised that with those players he did not need McGrath in defence but he also recognised that McGrath was too good to leave out of the team. Charlton's solution was to play Paul in midfield. He was certainly good enough and he repaid his manager's faith in spades.

    Paul McGrath represented his country 83 times on the football pitch scoring eight goals. It is difficult to recall a single poor performance by Paul when playing soccer for Ireland. Even when playing out of his normal position on the pitch invariably he was one of the star performers match-in match-out. Two stand-out performances spring to mind when Irish soccer fans are asked about Paul's greatest matches for Ireland. Both were against Italy. In the quarter final of the 1990 World Cup in Rome Italy were overwhelming favourites to win the match. In a very good overall team performance McGrath's performance stood out as the Irish lost narrowly 1-0.

    Great as that performance was, and it really was great, Paul gave an absolute master class four years later in the opening group match in the World Cup finals in New York. Back in his favourite position at centre-half McGrath was simply magnificent. Ireland lead from early through a Ray Houghton goal. The Irish defence had to endure some periods of sustained attack from the talented Italians.

    Time and again McGrath repelled Italian attacks, snuffing out danger early, making last ditch tackles, and making towering clearing headers. His performance had it all including one cameo where he made a number tackles in quick succession finally taking a shot full in the face. Unbelievably he was back on his feet in a flash ready to stop whatever else the Italian attack could throw at him.

    During Paul McGrath's international career Jack Charlton acted very much as a father figure to Paul and there seems to have been a genuine warmth between them. Like Ferguson, Jack Charlton cuts quite a strict authority figure yet when it came to handling Paul, particularly when it came to dealing with his drinking problems, Charlton dealt with him sensitively and compassionately.

    Paul McGrath's Knees & Need for Alcohol

    There is no doubt that Paul McGrath had the ability and soccer talent to become one of the true greats of World soccer. One really has to about wonder what he could have achieved if he hadn't been plagued by injuries and if he hadn't been afflicted by alcoholism.

    McGrath had never been injured while playing soccer in Ireland yet in the last game in his first season in England he was injured in a bad tackle. This resulted in the need for surgery and it was to be far from the last time he would need to go under the knife. Thus began the Irish nation's obsession with Paul McGrath's knees.

    Paul had been getting a bit frustrated at not being able to secure a permanent first team place. Gordon McQueen and Kevin Moran, both experienced and talented players, had the two centre-half positions nailed down. The first injury of his career compounded his frustration and so to escape his negative feelings he resorted to alcohol.

    On his recovery from the injury McGrath threw himself into his training, pushing himself harder than ever. Paul now believes that the "hard" training sessions employed by United contributed significantly to his knee problems. The injuries continued to interrupt his progress and it seemed that almost every injury required surgery. Allied to that, McGrath had signed up to then existent United drinking culture. His particular partner in crime was Norman Whiteside who was also injury-prone. Eventually Alex Ferguson concluded that something had to change and the manager decided that Paul McGrath would be transferred from Manchester United. Paul's drinking and his successive injuries effectively ended his career with the biggest soccer club in England.

    The rest of his football career was occasionally blighted by the effects of his alcoholism causing to miss training and matches. He later admitted were that there times that he was still under the influence when playing soccer matches.

    Over the years Paul had to undergo surgery on eight occasions on his knees. In the final few years of his career McGrath employed a personalised training program that was designed to reduce the impact on his knee joints. Close to the end of his Aston Villa career McGrath could not train at all. He relied upon the football matches to keep up his fitness levels. All the while he was playing with a significant level of pain so much so that he could not even warm up properly for matches

    Retirement from Soccer and Back in Ireland

    As a footballer, Paul McGrath, is sadly missed by his fans. His autobiography reveals just how heroic this giant of Irish football is - although it makes for harrowing reading at times. McGrath had to contend with problems that would have broken most other men yet this legend had an outstanding football career and produced unforgettable sporting highlights for an adoring public.

    In one of his last matches, in a man of the match performance, McGrath inspired Derby County to a shock defeat of Manchester United at Old Trafford. Ferguson said after the match "You have to wonder what a player McGrath should have been." He also commented that "Paul had similar problems to George Best [but] he was without doubt the most natural athlete in football you could imagine". True praise from a football legend who knows a thing or two about football talent.

    Truly Paul McGrath is an Irish soccer great now living in County Wexford, Ireland.

    To see what others thought about this Irish football legend click on Paul McGrath quotes.

    Paul McGrath - Manchester United & Ireland Statistics
    Paul McGrath Playing Football
    Paul McGrath was born on
    4th December 1959 in London
    Playing Position
    Defender
    Joined Manchester United
    1982
    Manchester United Debut
    13 November 1982 V Tottenham Hotspur
    Left Manchester United
    1989
    No. of Games Played for Utd
    199
    Goals scored for Man Utd
    16
    Honours Won by Paul McGrath
    FA Cup 1985
    Other Clubs
    St Patricks Athletic, Aston Villa, Derby County, Sheffield United
    Republic of Ireland Caps
    83
    Goals scored for Ireland
    8

    References :
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  • Paul McGrath-the Black Pearl of Inchicore & Irish Football Great

    €70.00
    30cm x 30cm

    Paul McGrath - The Black Pearl of Inchicore

    Paul McGrath is one of the greatest footballers to ever play for the Republic of Ireland soccer team. The fact that he managed to perform so well for so long for his clubs and country is all the more remarkable because he was beset by ongoing injury problems and off-pitch issues. McGrath suffered many injuries to his knees over his career and the effects of his alcoholism caused him to miss matches for football club and country on occasions.

    McGrath was a natural and magnificent athlete with outstanding soccer talent. His preferred position on the football pitch was at centre-half however the Irish soccer manager Jack Charlton, often deployed him with great success in midfield. From an Irish perspective two of his greatest performances for the Republic of Ireland soccer team were both against Italy and both at World Cup finals. His performance in Rome in 1990 and particularly in New York in 1994 are the stuff of Irish football legend.

    Paul McGrath - Early Days

    Paul McGrath was born in London in 1959. His mother, Betty, was Irish and the father that he never met was Nigerian. They were not married and in those unenlightened days such a union would have been very much frowned upon. Raising a mixed race baby as an unmarried mother in Ireland in those days just wasn't on so for most people so McGrath's mother headed for London. Shortly after Paul was born his mother came home to Dublin and put her baby up for adoption. McGrath was raised in orphanages and foster homes in Dublin.

    As a boy Paul McGrath's love was soccer. It was his means of self-expression and in ways it was a form of escape. His natural talent was apparent from an early age. He played his schoolboy soccer for Pearse Rovers and later he played junior football for Dalkey United.

    McGrath - the Professional Footballer

    St Patrick's Athletic

    In 1981 Paul McGrath became a professional soccer player when he signed for St Patrick's Athletic in Inchicore, Dublin. It was during his short football career with St Pat's that his performances on the pitch were so good that he was dubbed 'The Black Pearl of Inchicore'. McGrath's physique, presence and pure football talent made him stand out on any football pitch that he graced and it wasn't very long before the Irish scouts of English football clubs came calling.

    Manchester United

    After just one season with St Pat's Paul McGrath's left Ireland in 1982 to begin his English soccer career with Manchester United having been spotted by United's talent scout Billy Behan. At the time United were managed by Ron Atkinson and the team played with a smile on their faces and in a somewhat cavalier fashion. Atkinson was a larger than life character and McGrath took to him immediately. After some initial difficulty in adjusting to the demands of the United training routine Paul settled down to the life of a professional footballer in Manchester. He was helped by the fact that there were other Irish soccer players at the club such as Frank Stapleton, Kevin Moran and Ashley Grimes.

    His debut was in the 1982/83 season in a charity match against Aldershot. His league debut was against Tottenham Hotspur in November 1982. Paul went on to make 163 appearances, scoring 12 goals and winning an FA cup medal in 1985 with United. If McGrath felt he had a good relationship with Ron Atkinson, it was clear from early that the Alex Ferguson - Paul McGrath relationship would be not be a comfortable one. Ferguson is renowned as a disciplinarian and McGrath's drinking problems would not allow him to conform to the new stricter regime. Eventually the time came for Paul to find new soccer pastures.

    Aston Villa

    Paul McGrath transferred Aston Villa in 1989. He was an instant success and the Villa fans embraced him and his sublime footballing skills. Ultimately he was known as 'God' by the fans such was the esteem in which they held him. In the early 1990's Aston Villa were a soccer force in the old Division One (now Premier League) and McGrath was instrumental in the club's push to win the league. Villa were runners-up in 1990 and again 1993. Paul McGrath's performances on the soccer pitch were such that he was voted the PFA Players' Player of the Year in 1993. This was an amazing feat by Paul since "He was, quite literally, a walking wreck" as noted by author Colm Keene in his book: Ireland's Soccer Top 20.

    McGrath gained a measure of revenge over Alex Ferguson and Manchester United in 1994 when he helped Aston Villa to beat them at Wembley in the League Cup final. Paul played 252 times for Villa scoring 9 goals in the process.

    Derby County & Sheffield United

    In 1996 Paul McGrath finished his Villa career by joining Derby County for whom he played 24 times. His final club was Sheffield United but he only managed 11 appearances as his knees could no longer take the punishment. He retired from soccer in 1998.

    International Career

    Paul McGrath : Ireland versus Latvia in 1993 Typical of Paul McGrath Ireland V Latvia - 1993

    In Dublin Paul McGrath made his international debut for the Republic of Ireland international soccer team in 1985 in a friendly against Italy. The Italians would later be the opponents for two major highs in his international career. He subsequently featured in two of Ireland's three matches in the Euro '88 football finals in Germany.

    While his preferred position was centre-half he was competing with the likes of Mark Lawrenson, David O'Leary, Kevin Moran and Mick McCarthy for a berth in the defence. When Jack Charlton took over as the Ireland soccer manager he recognised that with those players he did not need McGrath in defence but he also recognised that McGrath was too good to leave out of the team. Charlton's solution was to play Paul in midfield. He was certainly good enough and he repaid his manager's faith in spades.

    Paul McGrath represented his country 83 times on the football pitch scoring eight goals. It is difficult to recall a single poor performance by Paul when playing soccer for Ireland. Even when playing out of his normal position on the pitch invariably he was one of the star performers match-in match-out. Two stand-out performances spring to mind when Irish soccer fans are asked about Paul's greatest matches for Ireland. Both were against Italy. In the quarter final of the 1990 World Cup in Rome Italy were overwhelming favourites to win the match. In a very good overall team performance McGrath's performance stood out as the Irish lost narrowly 1-0.

    Great as that performance was, and it really was great, Paul gave an absolute master class four years later in the opening group match in the World Cup finals in New York. Back in his favourite position at centre-half McGrath was simply magnificent. Ireland lead from early through a Ray Houghton goal. The Irish defence had to endure some periods of sustained attack from the talented Italians.

    Time and again McGrath repelled Italian attacks, snuffing out danger early, making last ditch tackles, and making towering clearing headers. His performance had it all including one cameo where he made a number tackles in quick succession finally taking a shot full in the face. Unbelievably he was back on his feet in a flash ready to stop whatever else the Italian attack could throw at him.

    During Paul McGrath's international career Jack Charlton acted very much as a father figure to Paul and there seems to have been a genuine warmth between them. Like Ferguson, Jack Charlton cuts quite a strict authority figure yet when it came to handling Paul, particularly when it came to dealing with his drinking problems, Charlton dealt with him sensitively and compassionately.

    Paul McGrath's Knees & Need for Alcohol

    There is no doubt that Paul McGrath had the ability and soccer talent to become one of the true greats of World soccer. One really has to about wonder what he could have achieved if he hadn't been plagued by injuries and if he hadn't been afflicted by alcoholism.

    McGrath had never been injured while playing soccer in Ireland yet in the last game in his first season in England he was injured in a bad tackle. This resulted in the need for surgery and it was to be far from the last time he would need to go under the knife. Thus began the Irish nation's obsession with Paul McGrath's knees.

    Paul had been getting a bit frustrated at not being able to secure a permanent first team place. Gordon McQueen and Kevin Moran, both experienced and talented players, had the two centre-half positions nailed down. The first injury of his career compounded his frustration and so to escape his negative feelings he resorted to alcohol.

    On his recovery from the injury McGrath threw himself into his training, pushing himself harder than ever. Paul now believes that the "hard" training sessions employed by United contributed significantly to his knee problems. The injuries continued to interrupt his progress and it seemed that almost every injury required surgery. Allied to that, McGrath had signed up to then existent United drinking culture. His particular partner in crime was Norman Whiteside who was also injury-prone. Eventually Alex Ferguson concluded that something had to change and the manager decided that Paul McGrath would be transferred from Manchester United. Paul's drinking and his successive injuries effectively ended his career with the biggest soccer club in England.

    The rest of his football career was occasionally blighted by the effects of his alcoholism causing to miss training and matches. He later admitted were that there times that he was still under the influence when playing soccer matches.

    Over the years Paul had to undergo surgery on eight occasions on his knees. In the final few years of his career McGrath employed a personalised training program that was designed to reduce the impact on his knee joints. Close to the end of his Aston Villa career McGrath could not train at all. He relied upon the football matches to keep up his fitness levels. All the while he was playing with a significant level of pain so much so that he could not even warm up properly for matches

    Retirement from Soccer and Back in Ireland

    As a footballer, Paul McGrath, is sadly missed by his fans. His autobiography reveals just how heroic this giant of Irish football is - although it makes for harrowing reading at times. McGrath had to contend with problems that would have broken most other men yet this legend had an outstanding football career and produced unforgettable sporting highlights for an adoring public.

    In one of his last matches, in a man of the match performance, McGrath inspired Derby County to a shock defeat of Manchester United at Old Trafford. Ferguson said after the match "You have to wonder what a player McGrath should have been." He also commented that "Paul had similar problems to George Best [but] he was without doubt the most natural athlete in football you could imagine". True praise from a football legend who knows a thing or two about football talent.

    Truly Paul McGrath is an Irish soccer great now living in County Wexford, Ireland.

    To see what others thought about this Irish football legend click on Paul McGrath quotes.

    Paul McGrath - Manchester United & Ireland Statistics
    Paul McGrath Playing Football
    Paul McGrath was born on
    4th December 1959 in London
    Playing Position
    Defender
    Joined Manchester United
    1982
    Manchester United Debut
    13 November 1982 V Tottenham Hotspur
    Left Manchester United
    1989
    No. of Games Played for Utd
    199
    Goals scored for Man Utd
    16
    Honours Won by Paul McGrath
    FA Cup 1985
    Other Clubs
    St Patricks Athletic, Aston Villa, Derby County, Sheffield United
    Republic of Ireland Caps
    83
    Goals scored for Ireland
    8

    References :
    Add to cart Details

  • Paul McGrath-the Black Pearl of Inchicore & Irish Football Great meets Pele

    €70.00
    30cm x 30cm

    Paul McGrath - The Black Pearl of Inchicore

    Paul McGrath is one of the greatest footballers to ever play for the Republic of Ireland soccer team. The fact that he managed to perform so well for so long for his clubs and country is all the more remarkable because he was beset by ongoing injury problems and off-pitch issues. McGrath suffered many injuries to his knees over his career and the effects of his alcoholism caused him to miss matches for football club and country on occasions.

    McGrath was a natural and magnificent athlete with outstanding soccer talent. His preferred position on the football pitch was at centre-half however the Irish soccer manager Jack Charlton, often deployed him with great success in midfield. From an Irish perspective two of his greatest performances for the Republic of Ireland soccer team were both against Italy and both at World Cup finals. His performance in Rome in 1990 and particularly in New York in 1994 are the stuff of Irish football legend.

    Paul McGrath - Early Days

    Paul McGrath was born in London in 1959. His mother, Betty, was Irish and the father that he never met was Nigerian. They were not married and in those unenlightened days such a union would have been very much frowned upon. Raising a mixed race baby as an unmarried mother in Ireland in those days just wasn't on so for most people so McGrath's mother headed for London. Shortly after Paul was born his mother came home to Dublin and put her baby up for adoption. McGrath was raised in orphanages and foster homes in Dublin.

    As a boy Paul McGrath's love was soccer. It was his means of self-expression and in ways it was a form of escape. His natural talent was apparent from an early age. He played his schoolboy soccer for Pearse Rovers and later he played junior football for Dalkey United.

    McGrath - the Professional Footballer

    St Patrick's Athletic

    In 1981 Paul McGrath became a professional soccer player when he signed for St Patrick's Athletic in Inchicore, Dublin. It was during his short football career with St Pat's that his performances on the pitch were so good that he was dubbed 'The Black Pearl of Inchicore'. McGrath's physique, presence and pure football talent made him stand out on any football pitch that he graced and it wasn't very long before the Irish scouts of English football clubs came calling.

    Manchester United

    After just one season with St Pat's Paul McGrath's left Ireland in 1982 to begin his English soccer career with Manchester United having been spotted by United's talent scout Billy Behan. At the time United were managed by Ron Atkinson and the team played with a smile on their faces and in a somewhat cavalier fashion. Atkinson was a larger than life character and McGrath took to him immediately. After some initial difficulty in adjusting to the demands of the United training routine Paul settled down to the life of a professional footballer in Manchester. He was helped by the fact that there were other Irish soccer players at the club such as Frank Stapleton, Kevin Moran and Ashley Grimes.

    His debut was in the 1982/83 season in a charity match against Aldershot. His league debut was against Tottenham Hotspur in November 1982. Paul went on to make 163 appearances, scoring 12 goals and winning an FA cup medal in 1985 with United. If McGrath felt he had a good relationship with Ron Atkinson, it was clear from early that the Alex Ferguson - Paul McGrath relationship would be not be a comfortable one. Ferguson is renowned as a disciplinarian and McGrath's drinking problems would not allow him to conform to the new stricter regime. Eventually the time came for Paul to find new soccer pastures.

    Aston Villa

    Paul McGrath transferred Aston Villa in 1989. He was an instant success and the Villa fans embraced him and his sublime footballing skills. Ultimately he was known as 'God' by the fans such was the esteem in which they held him. In the early 1990's Aston Villa were a soccer force in the old Division One (now Premier League) and McGrath was instrumental in the club's push to win the league. Villa were runners-up in 1990 and again 1993. Paul McGrath's performances on the soccer pitch were such that he was voted the PFA Players' Player of the Year in 1993. This was an amazing feat by Paul since "He was, quite literally, a walking wreck" as noted by author Colm Keene in his book: Ireland's Soccer Top 20.

    McGrath gained a measure of revenge over Alex Ferguson and Manchester United in 1994 when he helped Aston Villa to beat them at Wembley in the League Cup final. Paul played 252 times for Villa scoring 9 goals in the process.

    Derby County & Sheffield United

    In 1996 Paul McGrath finished his Villa career by joining Derby County for whom he played 24 times. His final club was Sheffield United but he only managed 11 appearances as his knees could no longer take the punishment. He retired from soccer in 1998.

    International Career

    Paul McGrath : Ireland versus Latvia in 1993 Typical of Paul McGrath Ireland V Latvia - 1993

    In Dublin Paul McGrath made his international debut for the Republic of Ireland international soccer team in 1985 in a friendly against Italy. The Italians would later be the opponents for two major highs in his international career. He subsequently featured in two of Ireland's three matches in the Euro '88 football finals in Germany.

    While his preferred position was centre-half he was competing with the likes of Mark Lawrenson, David O'Leary, Kevin Moran and Mick McCarthy for a berth in the defence. When Jack Charlton took over as the Ireland soccer manager he recognised that with those players he did not need McGrath in defence but he also recognised that McGrath was too good to leave out of the team. Charlton's solution was to play Paul in midfield. He was certainly good enough and he repaid his manager's faith in spades.

    Paul McGrath represented his country 83 times on the football pitch scoring eight goals. It is difficult to recall a single poor performance by Paul when playing soccer for Ireland. Even when playing out of his normal position on the pitch invariably he was one of the star performers match-in match-out. Two stand-out performances spring to mind when Irish soccer fans are asked about Paul's greatest matches for Ireland. Both were against Italy. In the quarter final of the 1990 World Cup in Rome Italy were overwhelming favourites to win the match. In a very good overall team performance McGrath's performance stood out as the Irish lost narrowly 1-0.

    Great as that performance was, and it really was great, Paul gave an absolute master class four years later in the opening group match in the World Cup finals in New York. Back in his favourite position at centre-half McGrath was simply magnificent. Ireland lead from early through a Ray Houghton goal. The Irish defence had to endure some periods of sustained attack from the talented Italians.

    Time and again McGrath repelled Italian attacks, snuffing out danger early, making last ditch tackles, and making towering clearing headers. His performance had it all including one cameo where he made a number tackles in quick succession finally taking a shot full in the face. Unbelievably he was back on his feet in a flash ready to stop whatever else the Italian attack could throw at him.

    During Paul McGrath's international career Jack Charlton acted very much as a father figure to Paul and there seems to have been a genuine warmth between them. Like Ferguson, Jack Charlton cuts quite a strict authority figure yet when it came to handling Paul, particularly when it came to dealing with his drinking problems, Charlton dealt with him sensitively and compassionately.

    Paul McGrath's Knees & Need for Alcohol

    There is no doubt that Paul McGrath had the ability and soccer talent to become one of the true greats of World soccer. One really has to about wonder what he could have achieved if he hadn't been plagued by injuries and if he hadn't been afflicted by alcoholism.

    McGrath had never been injured while playing soccer in Ireland yet in the last game in his first season in England he was injured in a bad tackle. This resulted in the need for surgery and it was to be far from the last time he would need to go under the knife. Thus began the Irish nation's obsession with Paul McGrath's knees.

    Paul had been getting a bit frustrated at not being able to secure a permanent first team place. Gordon McQueen and Kevin Moran, both experienced and talented players, had the two centre-half positions nailed down. The first injury of his career compounded his frustration and so to escape his negative feelings he resorted to alcohol.

    On his recovery from the injury McGrath threw himself into his training, pushing himself harder than ever. Paul now believes that the "hard" training sessions employed by United contributed significantly to his knee problems. The injuries continued to interrupt his progress and it seemed that almost every injury required surgery. Allied to that, McGrath had signed up to then existent United drinking culture. His particular partner in crime was Norman Whiteside who was also injury-prone. Eventually Alex Ferguson concluded that something had to change and the manager decided that Paul McGrath would be transferred from Manchester United. Paul's drinking and his successive injuries effectively ended his career with the biggest soccer club in England.

    The rest of his football career was occasionally blighted by the effects of his alcoholism causing to miss training and matches. He later admitted were that there times that he was still under the influence when playing soccer matches.

    Over the years Paul had to undergo surgery on eight occasions on his knees. In the final few years of his career McGrath employed a personalised training program that was designed to reduce the impact on his knee joints. Close to the end of his Aston Villa career McGrath could not train at all. He relied upon the football matches to keep up his fitness levels. All the while he was playing with a significant level of pain so much so that he could not even warm up properly for matches

    Retirement from Soccer and Back in Ireland

    As a footballer, Paul McGrath, is sadly missed by his fans. His autobiography reveals just how heroic this giant of Irish football is - although it makes for harrowing reading at times. McGrath had to contend with problems that would have broken most other men yet this legend had an outstanding football career and produced unforgettable sporting highlights for an adoring public.

    In one of his last matches, in a man of the match performance, McGrath inspired Derby County to a shock defeat of Manchester United at Old Trafford. Ferguson said after the match "You have to wonder what a player McGrath should have been." He also commented that "Paul had similar problems to George Best [but] he was without doubt the most natural athlete in football you could imagine". True praise from a football legend who knows a thing or two about football talent.

    Truly Paul McGrath is an Irish soccer great now living in County Wexford, Ireland.

    To see what others thought about this Irish football legend click on Paul McGrath quotes.

    Paul McGrath - Manchester United & Ireland Statistics
    Paul McGrath Playing Football
    Paul McGrath was born on
    4th December 1959 in London
    Playing Position
    Defender
    Joined Manchester United
    1982
    Manchester United Debut
    13 November 1982 V Tottenham Hotspur
    Left Manchester United
    1989
    No. of Games Played for Utd
    199
    Goals scored for Man Utd
    16
    Honours Won by Paul McGrath
    FA Cup 1985
    Other Clubs
    St Patricks Athletic, Aston Villa, Derby County, Sheffield United
    Republic of Ireland Caps
    83
    Goals scored for Ireland
    8

    References :
    Add to cart Details

  • Paul McGrath-the Black Pearl of Inchicore & Irish Football Great

    €70.00
    30cm x 30cm

    Paul McGrath - The Black Pearl of Inchicore

    Paul McGrath is one of the greatest footballers to ever play for the Republic of Ireland soccer team. The fact that he managed to perform so well for so long for his clubs and country is all the more remarkable because he was beset by ongoing injury problems and off-pitch issues. McGrath suffered many injuries to his knees over his career and the effects of his alcoholism caused him to miss matches for football club and country on occasions.

    McGrath was a natural and magnificent athlete with outstanding soccer talent. His preferred position on the football pitch was at centre-half however the Irish soccer manager Jack Charlton, often deployed him with great success in midfield. From an Irish perspective two of his greatest performances for the Republic of Ireland soccer team were both against Italy and both at World Cup finals. His performance in Rome in 1990 and particularly in New York in 1994 are the stuff of Irish football legend.

    Paul McGrath - Early Days

    Paul McGrath was born in London in 1959. His mother, Betty, was Irish and the father that he never met was Nigerian. They were not married and in those unenlightened days such a union would have been very much frowned upon. Raising a mixed race baby as an unmarried mother in Ireland in those days just wasn't on so for most people so McGrath's mother headed for London. Shortly after Paul was born his mother came home to Dublin and put her baby up for adoption. McGrath was raised in orphanages and foster homes in Dublin.

    As a boy Paul McGrath's love was soccer. It was his means of self-expression and in ways it was a form of escape. His natural talent was apparent from an early age. He played his schoolboy soccer for Pearse Rovers and later he played junior football for Dalkey United.

    McGrath - the Professional Footballer

    St Patrick's Athletic

    In 1981 Paul McGrath became a professional soccer player when he signed for St Patrick's Athletic in Inchicore, Dublin. It was during his short football career with St Pat's that his performances on the pitch were so good that he was dubbed 'The Black Pearl of Inchicore'. McGrath's physique, presence and pure football talent made him stand out on any football pitch that he graced and it wasn't very long before the Irish scouts of English football clubs came calling.

    Manchester United

    After just one season with St Pat's Paul McGrath's left Ireland in 1982 to begin his English soccer career with Manchester United having been spotted by United's talent scout Billy Behan. At the time United were managed by Ron Atkinson and the team played with a smile on their faces and in a somewhat cavalier fashion. Atkinson was a larger than life character and McGrath took to him immediately. After some initial difficulty in adjusting to the demands of the United training routine Paul settled down to the life of a professional footballer in Manchester. He was helped by the fact that there were other Irish soccer players at the club such as Frank Stapleton, Kevin Moran and Ashley Grimes.

    His debut was in the 1982/83 season in a charity match against Aldershot. His league debut was against Tottenham Hotspur in November 1982. Paul went on to make 163 appearances, scoring 12 goals and winning an FA cup medal in 1985 with United. If McGrath felt he had a good relationship with Ron Atkinson, it was clear from early that the Alex Ferguson - Paul McGrath relationship would be not be a comfortable one. Ferguson is renowned as a disciplinarian and McGrath's drinking problems would not allow him to conform to the new stricter regime. Eventually the time came for Paul to find new soccer pastures.

    Aston Villa

    Paul McGrath transferred Aston Villa in 1989. He was an instant success and the Villa fans embraced him and his sublime footballing skills. Ultimately he was known as 'God' by the fans such was the esteem in which they held him. In the early 1990's Aston Villa were a soccer force in the old Division One (now Premier League) and McGrath was instrumental in the club's push to win the league. Villa were runners-up in 1990 and again 1993. Paul McGrath's performances on the soccer pitch were such that he was voted the PFA Players' Player of the Year in 1993. This was an amazing feat by Paul since "He was, quite literally, a walking wreck" as noted by author Colm Keene in his book: Ireland's Soccer Top 20.

    McGrath gained a measure of revenge over Alex Ferguson and Manchester United in 1994 when he helped Aston Villa to beat them at Wembley in the League Cup final. Paul played 252 times for Villa scoring 9 goals in the process.

    Derby County & Sheffield United

    In 1996 Paul McGrath finished his Villa career by joining Derby County for whom he played 24 times. His final club was Sheffield United but he only managed 11 appearances as his knees could no longer take the punishment. He retired from soccer in 1998.

    International Career

    Paul McGrath : Ireland versus Latvia in 1993 Typical of Paul McGrath Ireland V Latvia - 1993

    In Dublin Paul McGrath made his international debut for the Republic of Ireland international soccer team in 1985 in a friendly against Italy. The Italians would later be the opponents for two major highs in his international career. He subsequently featured in two of Ireland's three matches in the Euro '88 football finals in Germany.

    While his preferred position was centre-half he was competing with the likes of Mark Lawrenson, David O'Leary, Kevin Moran and Mick McCarthy for a berth in the defence. When Jack Charlton took over as the Ireland soccer manager he recognised that with those players he did not need McGrath in defence but he also recognised that McGrath was too good to leave out of the team. Charlton's solution was to play Paul in midfield. He was certainly good enough and he repaid his manager's faith in spades.

    Paul McGrath represented his country 83 times on the football pitch scoring eight goals. It is difficult to recall a single poor performance by Paul when playing soccer for Ireland. Even when playing out of his normal position on the pitch invariably he was one of the star performers match-in match-out. Two stand-out performances spring to mind when Irish soccer fans are asked about Paul's greatest matches for Ireland. Both were against Italy. In the quarter final of the 1990 World Cup in Rome Italy were overwhelming favourites to win the match. In a very good overall team performance McGrath's performance stood out as the Irish lost narrowly 1-0.

    Great as that performance was, and it really was great, Paul gave an absolute master class four years later in the opening group match in the World Cup finals in New York. Back in his favourite position at centre-half McGrath was simply magnificent. Ireland lead from early through a Ray Houghton goal. The Irish defence had to endure some periods of sustained attack from the talented Italians.

    Time and again McGrath repelled Italian attacks, snuffing out danger early, making last ditch tackles, and making towering clearing headers. His performance had it all including one cameo where he made a number tackles in quick succession finally taking a shot full in the face. Unbelievably he was back on his feet in a flash ready to stop whatever else the Italian attack could throw at him.

    During Paul McGrath's international career Jack Charlton acted very much as a father figure to Paul and there seems to have been a genuine warmth between them. Like Ferguson, Jack Charlton cuts quite a strict authority figure yet when it came to handling Paul, particularly when it came to dealing with his drinking problems, Charlton dealt with him sensitively and compassionately.

    Paul McGrath's Knees & Need for Alcohol

    There is no doubt that Paul McGrath had the ability and soccer talent to become one of the true greats of World soccer. One really has to about wonder what he could have achieved if he hadn't been plagued by injuries and if he hadn't been afflicted by alcoholism.

    McGrath had never been injured while playing soccer in Ireland yet in the last game in his first season in England he was injured in a bad tackle. This resulted in the need for surgery and it was to be far from the last time he would need to go under the knife. Thus began the Irish nation's obsession with Paul McGrath's knees.

    Paul had been getting a bit frustrated at not being able to secure a permanent first team place. Gordon McQueen and Kevin Moran, both experienced and talented players, had the two centre-half positions nailed down. The first injury of his career compounded his frustration and so to escape his negative feelings he resorted to alcohol.

    On his recovery from the injury McGrath threw himself into his training, pushing himself harder than ever. Paul now believes that the "hard" training sessions employed by United contributed significantly to his knee problems. The injuries continued to interrupt his progress and it seemed that almost every injury required surgery. Allied to that, McGrath had signed up to then existent United drinking culture. His particular partner in crime was Norman Whiteside who was also injury-prone. Eventually Alex Ferguson concluded that something had to change and the manager decided that Paul McGrath would be transferred from Manchester United. Paul's drinking and his successive injuries effectively ended his career with the biggest soccer club in England.

    The rest of his football career was occasionally blighted by the effects of his alcoholism causing to miss training and matches. He later admitted were that there times that he was still under the influence when playing soccer matches.

    Over the years Paul had to undergo surgery on eight occasions on his knees. In the final few years of his career McGrath employed a personalised training program that was designed to reduce the impact on his knee joints. Close to the end of his Aston Villa career McGrath could not train at all. He relied upon the football matches to keep up his fitness levels. All the while he was playing with a significant level of pain so much so that he could not even warm up properly for matches

    Retirement from Soccer and Back in Ireland

    As a footballer, Paul McGrath, is sadly missed by his fans. His autobiography reveals just how heroic this giant of Irish football is - although it makes for harrowing reading at times. McGrath had to contend with problems that would have broken most other men yet this legend had an outstanding football career and produced unforgettable sporting highlights for an adoring public.

    In one of his last matches, in a man of the match performance, McGrath inspired Derby County to a shock defeat of Manchester United at Old Trafford. Ferguson said after the match "You have to wonder what a player McGrath should have been." He also commented that "Paul had similar problems to George Best [but] he was without doubt the most natural athlete in football you could imagine". True praise from a football legend who knows a thing or two about football talent.

    Truly Paul McGrath is an Irish soccer great now living in County Wexford, Ireland.

    To see what others thought about this Irish football legend click on Paul McGrath quotes.

    Paul McGrath - Manchester United & Ireland Statistics
    Paul McGrath Playing Football
    Paul McGrath was born on
    4th December 1959 in London
    Playing Position
    Defender
    Joined Manchester United
    1982
    Manchester United Debut
    13 November 1982 V Tottenham Hotspur
    Left Manchester United
    1989
    No. of Games Played for Utd
    199
    Goals scored for Man Utd
    16
    Honours Won by Paul McGrath
    FA Cup 1985
    Other Clubs
    St Patricks Athletic, Aston Villa, Derby County, Sheffield United
    Republic of Ireland Caps
    83
    Goals scored for Ireland
    8

    References :
    Add to cart Details

  • Irish & British Football Legend Jack Charlton-Smoking Cigar Italia 90

    €70.00

    30cm x 30cmJohn Charlton OBE (8 May 1935 – 10 July 2020) was an English footballer and manager who played as a defender. He was part of the England team that won the 1966 World Cup and managed the Republic of Ireland national team from 1986 to 1996 achieving two World Cup and one European Championship appearances. He spent his entire club career with Leeds United from 1950 to 1973, helping the club to the Second Division title (1963–64), First Division title (1968–69), FA Cup (1972), League Cup (1968), Charity Shield (1969), Inter-Cities Fairs Cup (1968 and 1971), as well as one other promotion from the Second Division (1955–56) and five second-place finishes in the First Division, two FA Cup final defeats and one Inter-Cities Fairs Cup final defeat. His 629 league and 762 total competitive appearances are club records. He was the elder brother of former Manchester United forward Bobby Charlton, who was also a teammate in England's World Cup final victory. In 2006, Leeds United supporters voted Charlton into the club's greatest XI.[4]

    Called up to the England team days before his 30th birthday, Charlton went on to score six goals in 35 international games and to appear in two World Cups and one European Championship. He played in the World Cup final victory over West Germany in 1966, and also helped England to finish third in Euro 1968 and to win four British Home Championship tournaments. He was named FWA Footballer of the Year in 1967.

    After retiring as a player he worked as a manager, and led Middlesbrough to the Second Division title in 1973–74, winning the Manager of the Year award in his first season as a manager. He kept Boro as a stable top-flight club before he resigned in April 1977. He took charge of Sheffield Wednesday in October 1977, and led the club to promotion out of the Third Division in 1979–80. He left the Owls in May 1983, and went on to serve Middlesbrough as caretaker-manager at the end of the 1983–84 season. He worked as Newcastle United manager for the 1984–85 season. He took charge of the Republic of Ireland national team in February 1986, and led them to their first World Cup in 1990, where they reached the quarter-finals. He also led the nation to successful qualification to Euro 1988 and the 1994 World Cup. He resigned in January 1996 and went into retirement. He was married to Pat Kemp and they had three children.

    Ireland manager Jack Charlton and assistant Maurice Setters after the loss to Italy in the quarter-finals of the 1990 World Cup. Photo: Billy Stickland/Inpho

    Ireland manager Jack Charlton and assistant Maurice Setters after the loss to Italy in the quarter-finals of the 1990 World Cup

     

    Charlton is introduced to the crowd before the the friendly between Ireland and England in 2015. Photo: Donall Farmer/Inpho

    Add to cart Details

  • Irish & British Football Legend Jack Charlton -Leeds United Cartoon

    €70.00

    30cm x 30cm
    John Charlton OBE (8 May 1935 – 10 July 2020) was an English footballer and manager who played as a defender. He was part of the England team that won the 1966 World Cup and managed the Republic of Ireland national team from 1986 to 1996 achieving two World Cup and one European Championship appearances. He spent his entire club career with Leeds United from 1950 to 1973, helping the club to the Second Division title (1963–64), First Division title (1968–69), FA Cup (1972), League Cup (1968), Charity Shield (1969), Inter-Cities Fairs Cup (1968 and 1971), as well as one other promotion from the Second Division (1955–56) and five second-place finishes in the First Division, two FA Cup final defeats and one Inter-Cities Fairs Cup final defeat. His 629 league and 762 total competitive appearances are club records. He was the elder brother of former Manchester United forward Bobby Charlton, who was also a teammate in England's World Cup final victory. In 2006, Leeds United supporters voted Charlton into the club's greatest XI.[4]

    Called up to the England team days before his 30th birthday, Charlton went on to score six goals in 35 international games and to appear in two World Cups and one European Championship. He played in the World Cup final victory over West Germany in 1966, and also helped England to finish third in Euro 1968 and to win four British Home Championship tournaments. He was named FWA Footballer of the Year in 1967.

    After retiring as a player he worked as a manager, and led Middlesbrough to the Second Division title in 1973–74, winning the Manager of the Year award in his first season as a manager. He kept Boro as a stable top-flight club before he resigned in April 1977. He took charge of Sheffield Wednesday in October 1977, and led the club to promotion out of the Third Division in 1979–80. He left the Owls in May 1983, and went on to serve Middlesbrough as caretaker-manager at the end of the 1983–84 season. He worked as Newcastle United manager for the 1984–85 season. He took charge of the Republic of Ireland national team in February 1986, and led them to their first World Cup in 1990, where they reached the quarter-finals. He also led the nation to successful qualification to Euro 1988 and the 1994 World Cup. He resigned in January 1996 and went into retirement. He was married to Pat Kemp and they had three children.

    Ireland manager Jack Charlton and assistant Maurice Setters after the loss to Italy in the quarter-finals of the 1990 World Cup. Photo: Billy Stickland/Inpho

    Ireland manager Jack Charlton and assistant Maurice Setters after the loss to Italy in the quarter-finals of the 1990 World Cup

     

    Charlton is introduced to the crowd before the the friendly between Ireland and England in 2015. Photo: Donall Farmer/Inpho

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  • Phil Lynott in Manchester United Shirt

    €70.00
    30cm x 30cm Philip Parris Lynott (20 August 1949 – 4 January 1986) was an Irish singer, musician, and songwriter. His most commercially successful group was Thin Lizzy, of which he was a founding member, the principal songwriter, lead vocalist and bassist. He was known for his imaginative lyrical contributions including working class tales and numerous characters drawn from personal influences and Celtic culture. Lynott was born in the West Midlands of England, but grew up in Dublin with his grandparents. He remained close to his mother, Philomena, throughout his life. He fronted several bands as a lead vocalist, including Skid Row alongside Gary Moore, before learning the bass guitar and forming Thin Lizzy in 1969. After initial success with "Whiskey in the Jar", the band had several hits in the mid-1970s such as "The Boys Are Back in Town", "Jailbreak" and "Waiting for an Alibi", and became a popular live attraction combining Lynott's vocal and songwriting skills with dual lead guitars. Towards the end of the 1970s, Lynott embarked upon a solo career, published two books of poetry, and after Thin Lizzy disbanded, he assembled and fronted the band Grand Slam. In the 1980s, Lynott increasingly suffered drug-related problems, particularly an addiction to heroin. In 1985, he had a final chart success with Moore, "Out in the Fields", followed by the minor hit "Nineteen", before his death in 1986. He remains a popular figure in the rock world, and in 2005, a statue in his memory was erected in Dublin.
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  • Irish Olympic Legend Pat O’Callaghan

    €70.00
    30cm x 30cm Patrick "Pat" O'Callaghan (28 January 1906 – 1 December 1991) was an Irish athlete and Olympic gold medallist. He was the first athlete from Ireland to win an Olympic medal under the Irish flag rather than the British. In sport he then became regarded as one of Ireland's greatest-ever athletes.

    Early and private life

    Pat O'Callaghan was born in the townland of Knockaneroe, near Kanturk, County Cork, on 28 January 1906, the second of three sons born to Paddy O'Callaghan, a farmer, and Jane Healy. He began his education at the age of two at Derrygalun national school. O'Callaghan progressed to secondary school in Kanturk and at the age of fifteen he won a scholarship to the Patrician Academy in Mallow. During his year in the Patrician Academy he cycled the 32-mile round trip from Derrygalun every day and he never missed a class. O'Callaghan subsequently studied medicine at the Royal College of Surgeons in Dublin. Following his graduation in 1926 he joined the Royal Air Force Medical Service. He returned to Ireland in 1928 and set up his own medical practice in Clonmel, County Tipperary where he worked until his retirement in 1984.O'Callaghan was also a renowned field sports practitioner, greyhound trainer and storyteller.

    Sporting career

    Early sporting life

    O’Callaghan was born into a family that had a huge interest in a variety of different sports. His uncle, Tim Vaughan, was a national sprint champion and played Gaelic football with Cork in 1893. O’Callaghan's eldest brother, Seán, also enjoyed football as well as winning a national 440 yards hurdles title, while his other brother, Con, was also regarded as a gifted runner, jumper and thrower. O’Callaghan's early sporting passions included hunting, poaching and Gaelic football. He was regarded as an excellent midfielder on the Banteer football team, while he also lined out with the Banteer hurling team. At university in Dublin O’Callaghan broadened his sporting experiences by joining the local senior rugby club. This was at a time when the Gaelic Athletic Association ‘ban’ forbade players of Gaelic games from playing "foreign sports". It was also in Dublin that O’Callaghan first developed an interest in hammer-throwing. In 1926, he returned to his native Duhallow where he set up a training regime in hammer-throwing. Here he fashioned his own hammer by boring a one-inch hole through a 16 lb shot and filling it with the ball-bearing core of a bicycle pedal. He also set up a throwing circle in a nearby field where he trained. In 1927, O’Callaghan returned to Dublin where he won that year's hammer championship with a throw of 142’ 3”. In 1928, he retained his national title with a throw of 162’ 6”, a win which allowed him to represent the Ireland at the forthcoming Olympic Games in Amsterdam. On the same day, O’Callaghan's brother, Con, won the shot put and the decathlon and also qualified for the Olympic Games. Between winning his national title and competing in the Olympic Games O’Callaghan improved his throwing distance by recording a distance of 166’ 11” at the Royal Ulster ConstabularySports in Belfast.

    1928 Olympic Games

    In the summer of 1928, the three O’Callaghan brothers paid their own fares when travelling to the Olympic Games in Amsterdam. Pat O’Callaghan finished in sixth place in the preliminary round and started the final with a throw of 155’ 9”. This put him in third place behind Ossian Skiöld of Sweden, but ahead of Malcolm Nokes, the favourite from Great Britain. For his second throw, O’Callaghan used the Swede's own hammer and recorded a throw of 168’ 7”. This was 4’ more than Skoeld's throw and resulted in a first gold medal for O’Callaghan and for Ireland. The podium presentation was particularly emotional as it was the first time at an Olympic Games that the Irish tricolour was raised and Amhrán na bhFiann was played.

    Success in Ireland

    After returning from the Olympic Games, O’Callaghan cemented his reputation as a great athlete with additional successes between 1929 and 1932. In the national championships of 1930 he won the hammer, shot-putt, 56 lbs without follow, 56 lbs over-the-bar, discus and high jump. In the summer of 1930, O’Callaghan took part in a two-day invitation event in Stockholm where Oissian Skoeld was expected to gain revenge on the Irishman for the defeat in Amsterdam. On the first day of the competition, Skoeld broke his own European record with his very first throw. O’Callaghan followed immediately and overtook him with his own first throw and breaking the new record. On the second day of the event both O’Callaghan and Skoeld were neck-and-neck, when the former, with his last throw, set a new European record of 178’ 8” to win.

    1932 Summer Olympics

    By the time the 1932 Summer Olympics came around O’Callaghan was regularly throwing the hammer over 170 feet. The Irish team were much better organised on that occasion and the whole journey to Los Angeles was funded by a church-gate collection. Shortly before departing on the 6,000-mile boat and train journey across the Atlantic O’Callaghan collected a fifth hammer title at the national championships. On arrival in Los Angeles O’Callaghan's preparations of the defence of his title came unstuck. The surface of the hammer circle had always been of grass or clay and throwers wore field shoes with steel spikes set into the heel and sole for grip. In Los Angeles, however, a cinder surface was to be provided. The Olympic Committee of Ireland had failed to notify O’Callaghan of this change. Consequently, he came to the arena with three pairs of spiked shoes for a grass or clay surface and time did not permit a change of shoe. He wore his shortest spikes, but found that they caught in the hard gritty slab and impeded his crucial third turn. In spite of being severely impeded, he managed to qualify for the final stage of the competition with his third throw of 171’ 3”. While the final of the 400m hurdles was delayed, O’Callaghan hunted down a hacksaw and a file in the groundskeeper's shack and he cut off the spikes. O’Callaghan's second throw reached a distance of 176’ 11”, a result which allowed him to retain his Olympic title. It was Ireland's second gold medal of the day as Bob Tisdall had earlier won a gold medal in the 400m hurdles.

    Retirement

    Due to the celebrations after the Olympic Games O’Callaghan didn't take part in the national athletic championships in Ireland in 1933. In spite of that he still worked hard on his training and he experimented with a fourth turn to set a new European record at 178’ 9”. By this stage O’Callaghan was rated as the top thrower in the world by the leading international sports journalists. In the early 1930s controversy raged between the British AAA and the National Athletic and Cycling Association of Ireland (NACAI). The British AAA claimed jurisdiction in Northern Ireland while the NACAI claimed jurisdiction over the entire island of Ireland regardless of political division. The controversy came to a head in the lead-up to the 1936 Summer Olympics when the IAAF finally disqualified the NACAI. O’Callaghan remained loyal to the NACAI, a decision which effectively brought an end to his international athletic career. No Irish team travelled to the 1936 Olympic Games, however O’Callaghan travelled to Berlin as a private spectator. After Berlin, O’Callaghan's international career was over. He declined to join the new Irish Amateur Athletics Union (IAAU) or subsequent IOC recognised Amateur Athletics Union of Eire (AAUE) and continued to compete under NACAI rules. At Fermoy in 1937 he threw 195’ 4” – more than seven feet ahead of the world record set by his old friend Paddy 'Chicken' Ryan in 1913. This record, however, was not ratified by the AAUE or the IAAF. In retirement O’Callaghan remained interested in athletics. He travelled to every Olympic Games up until 1988 and enjoyed fishing and poaching in Clonmel. He died on 1 December 1991.

    Legacy

    O'Callaghan was the flag bearer for Ireland at the 1932 Olympics. In 1960, he became the first person to receive the Texaco Hall of Fame Award. He was made a Freeman of Clonmel in 1984, and was honorary president of Commercials Gaelic Football Club. The Dr. Pat O'Callaghan Sports Complex at Cashel Rd, Clonmel which is the home of Clonmel Town Football Club is named after him, and in January 2007 his statue was raised in Banteer, County Cork.
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  • Joyous Dublin Street Scenes during Italia 90

    €70.00
    30cm x 30cm If ever a time symbolised flag-waving, delirious, green white and orange national pride, Italia '90 was that time. It all came down to one single glorious moment on a steamy June night in the Stadio Luigi Ferraris in Genoa when Packie Bonner saved that penalty and a deafening Une Voce roar erupted, ricocheting through every home and bar across Ireland. Seconds later when David O'Leary's winning penalty unleashed tears of unbridled joy Irish tricolours billowed like crazy in the breezeless stands and cascaded from the terraces to seemingly endless choruses of 'Olé, Olé, Olé, Olé'. We had made it through to the quarter-finals of the World Cup but we might as well have won and no-one wanted to let that moment go. Back home, cars catapulted onto the streets of every town and village with horns honking and flags wavering precariously from rolled-down windows. In Donegal an impromptu motorcade, suddenly, impulsively headed for Packie's home place in the Rosses, where fans danced in the front garden and waved the tricolour. It was an epic display of patriotic fervour and a defining moment, not just for Irish football but for our sense of identity. Historian and author, John Dorney describes it as the moment when Irish identity and international football collided. In his analysis of the era, he concludes that the Irish team's English manager, Jack Charlton neither knew nor cared about the multiple divisions in Irish society. Likewise, many of the team had been born in England of Irish ancestry and were "a clean slate" without baggage.
    "The 11 men on the football fields of Italy in the 1990 tournament represented a joyous shedding of much that had gone on before," he points out.
    In the previous decades leading up to Italia '90, the Irish flag had been politicised and people in the Republic felt disengaged from the so-called Troubles

    "I think Italia '90 was about letting go of the past. The eighties had been a very difficult decade and there was a sense of something very cathartic happening. There was a real sense of letting go of the baggage of the past. In essence people were saying that they wanted Ireland to be successful, to be respected and not to always be associated with negative things.

    "They were saying we can be proud of our flag and we can carry it with us and it doesn't have to mean x, y or z. It can just be our flag and that's it." At the end of Ireland's final game in Stadio Olimpico in Rome, a tearful-looking Charlton brandishing a large tricolour as he led the players in a lap of honour in moving tribute to the fans, instantly became one of the abiding memories of an unforgettable tournament. It had all begun low key with the odd flag-waving fan among the stay-at-home supporters but by the time Ireland had reached Genoa for the game against Romania, excitement levels had rocketed to fever pitch. Flags were suddenly everywhere. Children beamed out from tricolour-painted faces and funny hats in the colours of the national flag had even made their way into the usually more solemn sports studios of the National Broadcaster. Bill O'Herlihy, who remained at home to anchor the RTE coverage, recalls Italia '90 as a defining moment, not just for the team and for soccer coverage but for the fans who rallied behind the team. "You have to remember that the World Cup is the biggest sporting event in the world so the fact that we qualified for the first time, meant there was a great sense of national pride. "In my judgment it was the best time I ever remember in Dublin. We all walked a little taller. There was much less crime. There was an awful lot of happiness and joy and a huge number of celebrations. It was more than a soccer event. It was a national event. "Everywhere you went there were flags flying. It was later calculated that everybody over the age of 4 was watching RTE to see that the penalty shoot out in Genoa which was an astounding thing," he said. The veteran sports' broadcaster pointed out that Italia '90 was also a defining time for Irish fans abroad. "I think we are very proud of our sports people and we have a great sporting tradition. The Irish flag is central to that in my estimation and we respect the flag because of the way we behave when we are away. "Everyone was talking about the Irish fans." He has no regrets about being in Dublin for the tournament and for the return of the team when half a million people turned out on the streets of the capital to welcome them home. "It was a very special time and I don't think it will ever be replicated. When we got to the next World Cup finals in 1994, I got a sense that the celebration was a bit forced. In 1990 it came from the heart."
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Irish Pub at Home & Abroad

The Pub has been at the forefront and epicentre of Irish life for hundreds of years. Often humble but always unpretentious, it has served many and varied functions.  A place where strangers become friends and friendships are solidified. A refuge from the stresses of everyday life, the headquarters of local life.

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