• 45cm x 35cm.   Dublin Iconic b&w photograph of legendary Actor & Bon Viveur Peter O'Toole outside one of his favourite Dublin Watering Hole's-Toners of Baggott Street. Peter Seamus O'Toole ( 2 August 1932 – 14 December 2013) was a British stage and film actor of Irish descent. He attended the Royal Academy of Dramatic Art and began working in the theatre, gaining recognition as a Shakespearean actor at the Bristol Old Vic and with the English Stage Company. In 1959 he made his West End debut in The Long and the Short and the Tall, and played the title role in Hamlet in the National Theatre’s first production in 1963. Excelling on the London stage, O'Toole was known as a "hellraiser" off it. Making his film debut in 1959, O'Toole achieved international recognition playing T. E. Lawrence in Lawrence of Arabia (1962) for which he received his first nomination for the Academy Award for Best Actor. He was nominated for this award another seven times – for playing King Henry II in both Becket (1964) and The Lion in Winter (1968), Goodbye, Mr. Chips (1969), The Ruling Class (1972), The Stunt Man (1980), My Favorite Year (1982), and Venus (2006) – and holds the record for the most Academy Award nominations for acting without a win. In 2002, O'Toole was awarded the Academy Honorary Award for his career achievements. He was additionally the recipient of four Golden Globe Awards, one BAFTA Award for Best British Actor and one Primetime Emmy Award. Brought up in Leeds, England in a Yorkshire Irish family, O'Toole has appeared on lists of greatest actors from publications in England and Ireland. In 2020, he was listed at number 4 on The Irish Times list of Ireland's greatest film actors. Situated on Baggot Street, Toners is one of Dublin’s oldest and most famous traditional pubs. To prove this, we were the overall winners of “Best Traditional Pub” in the National Hospitality Awards 2014. In September 2015 we also won Dublin Bar of the Year at the Sky Bar of the Year Awards. Original features in the pub take visitors back in time, including the old stock drawers behind the bar from when Toners first opened in 1818 as a bar and grocery shop. The interior details like the glazed cabinets filled with curio, elaborate mirrors, the brass bar taps and flagstone floors to mention a few, makes you feel like you are stepping in to a museum… A museum in which you can drink in! Frequented by many of Ireland’s literary greats, including Patrick Kavanagh, the pub was also a favourite spot of W.B. Yeats and the snug is said to be the only place he would drink when he took an occasional tipple.

    History of Toners Pub

    • Acquired first License by Andrew Rogers 1818 – 1859.
    • William F. Drought 1859 – 1883, Grocer, Tea, Wine & Spirit Merchant
    • John O’Neill 1883 – 1904, Tea, Wine & Spirit Merchant
    • James M Grant 1904 – 1923, Grocer, Tea, Wine & Spirit Merchant
    • James Toner 1923 – 1970, Grocer, Tea, Wine & Spirit Merchant
    • Joe Colgan Solicitor 1970 – 1976
    • Ned & Patricia Dunne & Partner Tom Murphy 1976 – 1987
    • Frank & Michael Quinn 1987 – Present

    Snug of the Year 2010

    Toner's Pub DublinToners won “Snug of the Year” 2010, a competition hosted by Powers Whiskey. 110 pubs across Ireland were shortlisted, and after counting the public’s votes Toners was announced the winner. A snug is a private area separated within a pub and is a timeless feature in a traditional Irish pub. Like the one in Toners, it typically has its own door, a rugged bench and is completely private. Back in the day it was where the likes of policemen, lovers and the Irish literati met up.

    Toners Yard

    Since Toners opened its doors to the yard in 2012 it has been a very popular spot with both locals and tourists. The beer garden is ideal for sunny days as it gets the sun from morning until evening, and if it is a bit chillier the heaters will keep you warm.

    Mumford & Sons – Arthurs Day 2012 in Toners Yard

    Arthurs Day, the annual celebration of all things Guinness, has been hugely successful since it launched in 2009. Diageo launched a “vote for your local” competition for Arthurs Day 2012. The public got a chance to vote and help bring a headline artist to their local pub. Toners, serving the best pint of Guinness in Dublin, got so much support from everyone and ended up being one of the winning pubs. The winning pubs were kept a secret until the night of Arthurs Day and to everyone’s delight, Mumford & Sons walked in to Toners Yard and played an amazing set.  
  • 35cm x 45cm.     Dublin Famous b&w photo of Michael Collins about to throw in the sliotar to start the 1921 Leinster hurling final. Dublin (4-04) beat Kilkenny (1-05) in this provincial final which was played in Croke Park on the September 11, 1921.  
  • 45cm x 35cm.  Thurles Co Tipperary Very interesting action shot of Denis Walsh of Cork getting very up close and personal with Nicky English of Tipperary during the 1990 Munster Final,in the era before the wearing of protective helmets became mandatory.

    The Munster hurling final day is one of the great occasions in Irish sport.Be it Semple Stadium, the Gaelic Grounds or in Páirc Uí Chaoimh, it is a huge date on the provincial and national stage.It is a well-documented fact that on Munster final day, carloads of supporters would travel from the Glens of Antrim to Thurles to view the protagonists in action.

    It’s 30 years ago now but it was a similar situation in 1990 when the two old foes collided on a scalding July day in Thurles .Tipperary had the MacCarthy Cup in their possession back then too having beaten Antrim in the All-Ireland final the previous September.Cork, on the other hand, were down in the dumps having lost to what proved to be a very poor Waterford team in 1989, a Waterford team that were subsequently hammered by Tipp in the Munster final.Cork went into the Munster final in 1990 as raging underdogs, almost no-hopers against the reigning All-Ireland champions.But it was a different Cork team that they were facing this time. In attitude as much as anything, as Teddy McCarthy and Tomás Mulcahy were both out for the provincial decider through injury.

    Pat Buckley in action against Tipperary's John Kennedy. Picture: Ray McManus/SPORTSFILE.
    Canon Michael O’Brien had taken the managerial reigns while Cork’s 1966 All-Ireland winning captain Gerald McCarthy had taken over the coaching duties.In the pre-match build-up Tipperary’s coach Babs Keating had riled Cork supporters with his infamous quote, ‘You don’t win derbies with donkeys’. It was a statement that to this day he has lived to regret although it must be said that nobody has more respect for Cork hurling than Babs Keating has.

    The Canon and Gerald brought a fresh and renewed impetus to the Cork set up, brought back a few players who had been discarded and going up to Thurles there was a calm and cautiously optimistic approach.

    For Cork to be in the hunt they needed a positive start to have any chance of outright victory, they needed to unsettle Tipp early on and that is exactly what transpired.

    Cork started brilliantly, inspired by Jim Cashman who was a dominant figure at centre-back, while Tony O’Sullivan, later Hurler of the Year, was hugely influential at wing-forward, as the below clip from the @corkhurlers1 twitter shows.A Tipperary laden with great players like Nicky English, Pat Fox, the Bonner brothers, Declan Ryan, John Leahy and Bobby Ryan quickly realised that this was a different Cork team than the one who had went down so meekly to Waterford a year earlier.

    The Cork crowd really got behind the team and as the game progressed an unlikely hero was to emerge from a small club in West Cork.

    Argedeen Rangers’ Mark Foley had one of those magical days that you could only ever dream about. Everything ‘The Dentist’ touched turned to gold, there was no holding him.

    Cork's Mark Foley scores on the stroke of half time against Tipperary in the 1990 Munster final at Semple Stadium. 
    Cork's Mark Foley scores on the stroke of half time against Tipperary in the 1990 Munster final at Semple Stadium. He banged in a brace of goals, rifled over seven points, all from play, he was simply unstoppable on that July afternoon in Semple Stadium.

    Tipp couldn’t cope and the rest is history as Cork swept to one of their greatest Munster Final triumphs.

    One can recall sitting in the Ryan Stand that day with Cork Examiner sports editor Tom Aherne and both of us losing the run of ourselves surrounded by Tipp supporters who were in a state of shock. Foley’s performance that day has stood the test of time as one of the greatest individual displays ever given in a Munster Final or otherwise.

    But there were heroes everywhere, from Ger Cunningham out. Teddy McCarthy, John Fitzgibbon, Tomás Mulcahy, Kevin Hennessy, Denis Walsh, Ger Fitzgerald, Tony O’Sullivan to mention just a handful.

    Jim Cashman had the game of his life at number six completely stifling Declan Ryan. But it was Foley’s day.

    That performance would be nearly impossible to repeat but in the All Ireland final against Galway he scored 1-1 which was a major contribution as Cork regained the McCarthy Cup.

    Tipp exacted revenge a year later in a Munster final replay when Jim Cashman was controversially taken out of the game.

    The Cork Tipp rivalry was as intense as it ever was back then and Cork won back the Munster final in 1992.

    The Cork team that day in 1990 was: G Cunningham; J Considine, D Walsh, S O’Gorman; S McCarthy, J Cashman, K McGuckin; P Buckley, B O’Sullivan; D Quirke, M Foley, T O’Sullivan; G Fitzgerald, K Hennessy, J Fitzgibbon

    Scorers: Mark Foley 2-7, John Fitzgibbon 2-0, Tony O’Sullivan 0-5, Cathal Casey, Ger Fitzgerald, Kevin Hennessy, David Quirke 0-1 each.

     

    In the All-Ireland final a short few months later Cork defeated Galway in a seven-goal thriller in Croke Park, winning in a scoreline of 5-15 to 2-21.

    The Cork scorers that day were: John Fitzgibbon 2-1, Kevin Hennessy 1-4, Tomás Mulcahy 1-2, Mark Foley 1-1, Teddy McCarthy 0-3, Tony O’Sullivan 0-2, Ger Fitzgerald, Kieran McGuckin 0-1 each.

     
  • Commemorative team photo of the 3 in a row winning Kerry Footballers 1978,1979 & 1§980 Sneem Co Kerry  Dimensions :63cm x 45cm  

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  • 36cm x 30cm   New York Wonderful elevated shot of the 1950 New York St Patricks Day Parade from high above 5th Avenue as the procession passes St Patricks Cathedral. The St. Patrick’s Day Parade is one of New York City’s greatest traditions. On this day, everyone is Irish in the Big Apple! The Parade marched for the first time on March 17, 1762 – fourteen Years before the Declaration of Independence was adopted and today it is the largest Parade in the World. This annual parade has been held for the past 257 years in honor of the Patron Saint of Ireland and the Archdiocese of New York. The Parade is reviewed from the steps of Saint Patrick’s Cathedral by His Eminence, Timothy Cardinal Dolan, Archbishop of New York in the same manner as the Archbishop of New York did in the early days of the Parade at the Old St. Patrick’s Cathedral in Lower Manhattan before the new St Patrick’s was built on Fifth Avenue. Often regarded as the most popular parade in New York City, the Parade is the largest and most famous of the many parades held in the city each year. The Parade starts at 44th Street at 11 am and is held every March 17th except when March 17th falls on a Sunday; it is celebrated the day before, Saturday the 16th, because of religious observances. The parade marches up Fifth Avenue past St. Patrick’s Cathedral at 50th Street all the way up 79th Street, where the parade finishes around 4:30 – 5:00 pm To this day, the St. Patrick’s Day Parade remains true to its roots as a true marchers Parade by not allowing floats, automobiles and other commercial aspects in the Parade. Every year the Parade Committee hosts the 150,000- 250,000 marchers, along with many great bands; bagpipes, high school bands and the ever-present politicians in front of the approx 2 million spectators lining Fifth Avenue. The Parade is televised for four hours on WNBC Channel Four to over half a million households and was web streamed live for the first time in 2008. Today, the coverage has expanded to seven additional internet based platforms and can easily be viewed on mobile devices. The first St. Patrick’s Day Parade in New York was held on lower Broadway in 1762 by a band of homesick Irish ex-patriots and Irish military serving with the British Army stationed in the American colonies in New York City. This was a time when the wearing of green was a sign of Irish pride and was banned in Ireland. The parade participants reveled in the freedom to speak Irish, wear green, sing Irish songs and play the pipes to Irish tunes that were very meaningful to the Irish immigrants who had fled their homeland. For the first few years of its existence, the parade was organized by military units. After the war of 1812, the Irish fraternal and benevolent societies took over the duties of hosting and sponsoring the event. Originally, the Irish societies joined together at their respective meeting places and moved in a procession toward Old St. Patrick’s Cathedral in Lower Manhattan on Mott & Prince Streets where the Archbishop of New York would then address the crowd before revelers dispersed to celebrate. Around 1851 the individual societies merged under a single grand marshal and the size of the parade grew sharply. This was when the “Irish” 69th Regiment began to lead the marchers and the Ancient Order of Hibernians became the official sponsor. In the early 90’s, the Parade was attacked for its traditional values and in the resulting lawsuits the organizers rights were up held all the way to the US Supreme court. In 1992 the National AOH directed all AOH organizations to form separate corporations to run events such as the Parade. The Parade is run today by members of the AOH under a separate corporation, St Patrick’s Day Parade Inc. Since the first Parade, 257 years ago, the Parade today is still escorted by a unit of soldiers; and for the past 165 years “The Irish Infantry” National Guard 69th Regiment have led the Parade up Fifth Avenue, and they are followed by the various Irish societies of the city, the thirty two Irish county societies, and various schools, colleges, Emerald Societies, Irish-language, and Nationalist Societies. The 2002 parade was dedicated to the ‘Heroes of 9/11, ‘ honoring the police, fire and all rescue workers. At midday, the entire parade paused for two minutes, the Parade at that time stretched one and a half miles and the entire Parade turned around and faced South towards the “TWIN TOWERS” as the Cardinal said a prayer for all the victims of 9/11. This was the first time in history, in the City that never sleeps, one could hear a pin drop on Fifth Avenue, a fitting tribute to the men and women who lost their lives on that fateful day in 2001. The 2002 Parade was the largest Parade to date with an estimated 300,000 marchers and three million spectators lining Fifth Avenue. This was the first time in history; the President of Ireland reviewed a St. Patrick’s Day Parade outside Ireland on March 17th.
  • Beautiful and poignant collection of four of the 1916 Easter Rising Rebel Leaders who were executed by the British Crown Forces at Kilmainham Jail a few weeks later.Featured here are Padraig Pearse,Thomas Clarke,James Connolly,Thomas Kent.   Patrick Pearse, in full Patrick Henry Pearse, Patrick also spelled in Irish Pádraic, (born November 10, 1879, Dublin, Ireland—died May 3, 1916, Dublin), Irish nationalist leader, poet, and educator. He was the first president of the provisional government of the Irish republic proclaimed in Dublin on April 24, 1916, and was commander in chief of the Irish forces in the anti-British Easter Rising that began on the same day.The son of an English sculptor and his Irish wife, Pearse became a director of the Gaelic League (founded 1893 for the preservation of the Irish language) and edited (1903–09) its weekly newspaper, An Claidheamh Soluis (“The Sword of Light”). To further promote the Irish language as a weapon against British domination, he published tales from old Irish manuscripts and a collection (1914) of his own poems in the modern Irish idiom. He founded St. Enda’s College (1908), near Dublin, as a bilingual institution with its teaching based on Irish traditions and culture. On the formation of the Irish Volunteers (November 1913) as a counterforce against the Ulster Volunteers (militant supporters of the Anglo-Irish union), Pearse became a member of their provisional committee, and he contributed poems and articles to their newspaper, The Irish Volunteer. In July 1914 he was made a member of the supreme council of the Irish Republican Brotherhood (IRB). After the Irish Volunteers split (September 1914), he became a leader of the more extreme nationalist section, which opposed any support for Great Britain in World War I. He came to believe that the blood of martyrs would be required to liberate Ireland, and on that theme he delivered a famous oration in August 1915 at the burial of Jeremiah O’Donovan, known as O’Donovan Rossa, a veteran of Sinn Féin.
    As early as spring 1915 Pearse, as an IRB supreme council member, helped to plan the Easter Rising. On Easter Monday he proclaimed the provisional government of the Irish republic from the steps of Dublin General Post Office. On April 29, when the revolt was crushed, he surrendered to the British. After a court-martial, he was shot by a firing squad. More than any other man, Pearse was responsible for establishing the republican tradition in Ireland.
    Pearse’s Collected Works appeared in 1917–22 (3 vol.) and again in 1924 (5 vol.), and his Political Writings and Speeches appeared in 1952.
     
  • 26cm x 33cm Not so much the clash of the ash as the bend of the ash in this unbelievable action photograph as Clare and Limerick Hurlers do battle in a challenge game in Sixmilebridge.The art of Hurley making & the raw materials used have not changed a lot since time immemorial as this article demonstrates ; Cad a dhéanfaimid feasta gan adhmaid, tá deireadh na gcoillte ar lár…” seems an appropriate opening to an article about hurley making, as we speak to Pat Cronin in his workshop overlooking the Comeragh Mountains in Kilcash, Tipperary.  “Over 90% of the timber used in hurley-making now is foreign.  Irish ash is very scarce, although Coillte are working to change this”, explained Pat. “I get most of my timber from Coillte in Dundrum (Tipperary). This comes from Denmark and Sweden”. Although some makers have produced hurleys from 14 year old ash Pat believes this is too soon. “You might only get two or three slabs out of a tree that young. If you left it another five or more years you’d get more than double that. It’d really take up to 25 years to get a decent return.” Pat’s uncle, Larry Welsh, made hurleys, but Pat didn’t realise this when he started out. “John Joe O’Brien in Cahir taught me. I used to call to him to get a few now and then and it went from there. I started about 25 years ago and gave up working with Eircom to go at it full time five years ago. I’m kept busy throughout the year.” Brian Dowling’s “Star Hurleys” workshop is in the heart of Kilkenny. Despite the fact that his son Mark is also in the business they’re under constant pressure to meet demand. Brian, who served his time to become a carpenter, has been making hurleys since 1980. His father Ramie was a well known maker, who started in the early 1960’s with Brian’s grandfather Tom Neary.   It probably takes about thirty minutes to make a hurley, if you were to go at it from start to finish. However, neither Pat nor Brian make them in this way. Both use copying machines to rough cut “slabs” three or four at a time. Each then finishes the hurleys by hand, to meet specific requirements. “You get phases of popularity in styles”, explained Pat Cronin, “Because of the O’Connor’s of Cork for instance, big bosses are in favour now. But there’s also a trend towards shorter and lighter sticks. There’s a risk if the hurley is too light it’ll snap more easily. And you don’t get the same distance on a puck out.” Brian, recently in Italy looking at a replacement for his aging copying machine, only cuts 33 inch sticks and bigger this way. “I do the smaller ones entirely by hand”. The style of hurling has changed over the years and naturally the hurley changes to reflect this. “Demands for particular styles naturally reflect the styles of the successful teams of the time”. Certainly the demand for personalised sticks has grown. Brian, who supplies most of the Kilkenny senior team, explains that most of them have specific demands.   Every hurley maker will advise you differently about how best to look after your stick! wever, you need good quality timber to start with. Pat Cronin suggests that when you get your new hurley you should put it away for a while. “Some people hang them, rather than prop them against a wall, so they won’t warp. There are those who put them in water until they get the right weight. Then they’ll varnish or linseed oil them to keep them at that weight. Like a good wine it should also be stored somewhere cool! You definitely shouldn’t keep them in the kitchen or in the boot of your car, or they will dry out.” Brian suggests that it’s better to buy the stick unbanded. “You need to allow a bit of time for timber to settle. You might also put five or six coats of linseed oil on, or even drop them into a barrel of linseed oil for a while, to get more penetration. You have to remember that this will add weight ‘though. But whether you oil them or not, you should leave them for a good week or so before banding them. And don’t keep them in the house!” There is a Hurley Makers Guild, which was formed almost ten years ago when ash became scarce. Makers felt the need to organise themselves to address the problem. There are about fifty active members these days. Both Pat Cronin and Brian Dowling are curious to see how Jack Carey – brother of the illustrious DJ – gets on with his plan to import finished hurleys from Eastern Europe. This could have quite an impact on what might be regarded as a quintessentially Irish cottage industry. However, time will tell. Just to set up a workshop and kit it out here in Ireland would probably cost about half a million Euro, according to both Pat and Brian. Not a cheap business to get into! Little wonder the notion of foreign manufactured hurleys doesn’t seem that strange… Two great Craftsmen, continuing the wonderful tradition of hurley-making.    
  • 26cm x 33cm  Ferns Co Wexford An anxious looking Wexford defence prepare as Christy Ring takes a in the 1956 All Ireland Hurling Final.The result would be forever known simply as " The Save ". Art Foley, who died on Monday last in New York, will be remembered for a save he made in the closing stages of the 1956 All-Ireland hurling final that had seismic and far-reaching consequences. It formed an instrumental part of a metamorphic sequence of play in a terrific contest with Cork, leading to one of the game's most epic finales. With three minutes left the ever-threatening Christy Ring gained possession and made for the Wexford goal. The finer points of what happened next are still in dispute. The main thread of the narrative is not. Ring let fly and the diminutive Foley in Wexford's goal was equal to it. He needed to be. His side led by two points, and a goal, especially one by Ring, would surely have inspired a Cork victory. Ring would have had his ninth medal. Wexford hurling might not be the beguiling and romanticised entity it is today.
    In the game's pivotal moment, the ball quickly travelled down the other end where Tom Ryan sent a raking handpass to Nickey Rackard. In a piece of perfect casting, the greatest name in Wexford hurling landed the deathblow, netting with a low shot to the corner. Wexford were already champions, having defeated Galway in the final a year before to end a 45-year wait. But to beat Cork gave them a status they'd never attained before and wrote them into everlasting legend. The death of Foley at 90 ended a significant chapter for that storied era, he being the last surviving member of the team that won the final in '56 and which started the '55 decider, giving hope to all counties outside the traditional fold. In a decade often depicted as repressive and severe, with heavy emigration, Wexford brought an abundance of novelty and glamour and dauntless expression which made them huge crowd-pullers and popular all over the country. A jazzy addition to the traditional acts. The previous six All-Irelands before Wexford's breakthrough in '55 were shared between Cork and Tipperary. "Why are all these massive crowds following Wexford?" asks Liam Griffin. "The Wexford support base for hurling grew with the rise of the Wexford teams of the 1950s. There was a romantic connection between them and all hurling people. Why? Because they came up to challenge the dominant counties." At the time Wexford looked more likely to prosper in football than hurling. The 1950s, led by the Rackards, changed all that. Only a few survivors remain from the '56 panel: Ted Morrissey, Oliver Gough and Pat Nolan. Morrissey played in the Leinster final before losing his place and had also been on the squad in '51 when Wexford reached the All-Ireland final. Nolan was Art Foley's goalkeeping deputy in '56, later winning All-Ireland medals over a long career in '60 and '68. Gough came on in the '55 final. In a way the loop that began the most famous end-to-end move in Wexford hurling history, starting with Foley's save and concluding with Rackard's goal, was replicated in life itself. The first of that celebrated '56 team to die was Rackard, in April, 1976, at the age of 54 after succumbing to cancer. When the team was celebrating its silver jubilee in 1981, Foley came home from the US for the occasion, having emigrated with his wife Anne and their three young children at 27 in the late 1950s. By the time of the silver jubilee of the '56 win, only Rackard was missing. Gradually over the years the numbers diminished. Ned Wheeler went this year. Billy Rackard was the last of that famous band of brothers to die ten years ago. Now, Foley, literally the last one standing, has gone too. The deeds, though, remain timeless and immortal. The save which made Foley famous followed him around all his days. "The big story of Art Foley is that save because it is the seminal moment of that time," as Liam Griffin puts it. It is also probably the most enigmatic save in the history of the game - the Mona Lisa of hurling saves, such has been the variety of interpretations. Even Ring seems to have offered contradictory accounts. Raymond Smith has an account from John Keane, the former Waterford great, who was umpiring that day. He recalled Ring shooting from 25 yards and the ball moving "so fast that the thought flashed through my mind, this must be a goal . . . and I couldn't believe my eyes when I saw that he'd saved it." One newspaper referred to "a powerful close-in shot" and another to a "piledriver" which was one of "several miracle saves" made by Foley on the day. Val Dorgan, Ring's biographer, reported a "vicious strike" that was saved just under the cross bar and he also used the word "miraculous".
    It wasn't until the next decade that All-Ireland finals began to be televised, leaving iconic moments like this shrouded in some mystery. Speaking to the Irish Echo in 2011, Foley himself gave this account: "Well, he shot and I blocked it straight up in the air. This is where they always get it wrong. They always say I caught it and cleared it, straight to Nickey [Rackard] and he scored the goal. But I blocked it out and Pat Barry [Cork] doubled on it, and it hit the outside of the net. "I pucked it out to Jim English and he passed it to Tom Ryan, and he got it to Nickey and Nickey got the goal, and we went on to win." It was in keeping with Foley's personality to play down the save's merits. In an interview in 2014, Ned Wheeler referred to Foley as "a gentlemen of few words". They stayed in touch regularly on the phone up to shortly before Wheeler's death. Ted Morrissey was another in frequent contact, a player who moved to Enniscorthy to work and joined the St Aidan's club which Foley played for. "I used to ring him every couple of weeks until recently," says Morrissey, now 89. "I rang him recently and he had fallen, the wife told me he was in the nursing home. "He was very clear, he had a great memory, could tell me all the people who lived on the street where he was. He worked as a lorry driver, that's what he was doing before he left. I suppose he thought there was a better life over there." What did they talk about? "About hurling and old times and the people he knew and he'd be asking me about the people around Enniscorthy. Unfortunately, by the last few conversations there weren't many left that he knew." Foley was just 5'6" at a time when there were marauding full-forwards aplenty and the goalkeeper didn't have the protection in the rulebook he has now. He was dropped after conceding six goals in the 1951 National League final and didn't play in the All-Ireland final later that year against Tipperary when Wexford suffered a heavy loss. Wexford opted for a novice 'keeper, something Billy Rackard later said had been a mistake. When he made the save in '56 Foley was given an appreciative and sporting hand-shake from Ring. The Cloyne man was notoriously competitive but often commented on the sportsmanship of Wexford and specifically his marker Bobby Rackard. At the end of the '56 final Nick O'Donnell and Rackard chaired Ring off the field which is another lasting and remarkable feature of that final. Foley spoke of that moment to Ted Morrissey. "Nicko (O'Donnell) came to Arty and says, 'we'll shoulder him off the field'. And Arty says to him, 'how the hell will we do that, you are 6'2 and I am 5'6 . . . go and get Bobby with you'. So Nicko and Bobby shouldered him off and Arty was a back-up man, giving them a push from behind." Ring stated after the '54 final when Cork defeated Wexford that Cork had never defeated a cleaner team. Perhaps the very different experience he had against Galway in the previous year's final had something to do with that, but the relationship between the counties at the time was cordial and warm. Ring being chaired off the field was its Olympian moment. At a time when hurling was notoriously rough and macho, these displays of sportsmanship were notably different from the norm. It deepened Wexford's unique appeal. Tony Dempsey, the former Wexford county chairman, and former senior hurling manger, met Foley and his wife and some of the family over lunch in Long Island a few years ago, where they made a presentation to him for his services to the county. They spoke of that decision to carry off Ring. "He told me Bobby caught Ring like a doll and lifted him up," said Dempsey, noting the power for which he was renowned. Foley survived in spite of his height limitations, helped by having O'Donnell in front of him. He left school at 13, like many others who were obliged to at the time, and followed his father Tommy, a truck driver, into employment at Davis's Mills in Enniscorthy. He told Dempsey in New York how he routinely carried 12-stone bags of flour up and down ladders at 14. "He took out a photo album and showed a photo of himself jumping for the ball," says Dempsey, "and proportionate to his body he had massive muscles, massive quads and massive thighs." In New York he ended up in long-term employment for TWA, spending 34 years as a crew chief. He came home occasionally, sometimes for reunions. After winning the '56 final, and entering legend, Wexford's victorious players began the triumphant journey home on the Monday night, stopping off in the Market Square in Enniscorthy. A Mr Browne from the county board introduced the players individually. "The greatest ovation was reserved for the goalkeeper Arty Foley whose brilliance in the net contributed much to Wexford's victory," the Irish Independent reported. Forty three years after they laid Nickey Rackard to rest in Bunclody, the first of that special team, Art Foley has gone to his eternal resting place in New York. Their deaths took place decades and thousands of miles apart. But their spirits will remain inseparable.
     
     
  • 26cm x 33cm Fantastic shot of the most westerly GAA pitch in Ireland and prob in Western Europe-the pitch on Care Island where the resourceful locals have mangaged to produce a decent playing surface on the only flat patch of land on the island ! Inishturk (Inis Toirc in Irish, meaning Wild Boar Island) is an inhabited island of County Mayo, in Ireland.

    Geography

    Islands off County Mayo
    The island lies about 15 km (9 mi) off the coast; its highest point reaches 189.3 m (621.1 ft) above sea level. Between Inisturk and Clare Island lies Caher Island. It has a permanent population of 58 people.There are two main settlements, both on the more sheltered eastern end of the island, Ballyheer and Garranty. Bellavaun and Craggy are abandoned settlements. The British built a Martello tower on the western coast during the Napoleonic Wars. Inisturk has the highest per capita donation rate towards the RNLI in the whole of Ireland.

    History

    Inishturk has been inhabited on and off since 4,000 BCE and has been inhabited permanently since at least 1700. Some of the more recent inhabitants are descended from evacuees from Inishark to the southwest. The social club Mountain Common is situated on the hill that separates the two settlements.

    Recent history

    In 1993 Inishturk Community centre was opened, this community centre doubles as a library and a pub. In June 2014 the ESB commissioned three new Broadcrown BCP 110-50 100kVA diesel generators to supply electricity to the island The ESB have operated a diesel power station on the island since the 1980s Inishturk gained international attention in 2016 after a number of websites claimed that the island would welcome any American "refugees" fleeing a potential Donald Trump presidency.These claims were used as one example of the type of "fake news" that arose during the 2016 US presidential election campaign. As of November 2016, no changes to inward migration have been reported. The island is home to a primary school on the island which in 2011 had only 3 pupils, this believed to be the smallest primary school in Ireland

    Demographics

    The table below reports data on Inisturk's population taken from Discover the Islands of Ireland (Alex Ritsema, Collins Press, 1999) and the Censusof Ireland.
    Historical population
    Year Pop. ±%
    1841 577
    1851 174 −69.8%
    1861 110 −36.8%
    1871 112 +1.8%
    1881 116 +3.6%
    1891 135 +16.4%
    1901 135 +0.0%
    1911 132 −2.2%
    1926 101 −23.5%
    Year Pop. ±%
    1936 107 +5.9%
    1946 125 +16.8%
    1951 123 −1.6%
    1956 110 −10.6%
    1961 108 −1.8%
    1966 92 −14.8%
    1971 83 −9.8%
    1979 85 +2.4%
    1981 76 −10.6%
    Year Pop. ±%
    1986 90 +18.4%
    1991 78 −13.3%
    1996 83 +6.4%
    2002 72 −13.3%
    2006 58 −19.4%
    2011 53 −8.6%
    2016 51 −3.8%
    Source: Central Statistics Office. "CNA17: Population by Off Shore Island, Sex and Year". CSO.ie. Retrieved October 12, 2016.

    Transport[edit]

    Prior to 1997 there was no scheduled ferry service and people traveled to and from the islands using local fishing boats. Since then a ferry service operates from Roonagh Quay, Louisburgh, County Mayo.[13] The pier was constructed during the 1980s by the Irish government, around this time the roads on the island were paved.[14]
  • The dichotomy of partition on the island of Ireland was perfectly illustrated in this powerful photograph taken during the height of the troubles on the streets of Belfast as two young(presumably Catholic) boys play hurling under the watchful gaze of a British Army soldier. 30cm x 30cm. Belfast
  • Classic photo of the legendary Limerick Character and Young Munster RFC Rugby supporter Dodo Reddan,wheeling her beloved pet dogs onto the pitch at Limericks Thomond Park in 1980 at the Munster Senior Cup Final between Munster's & Bohemians. 28cm x 34cm  Limerick

    This year marks the 25th anniversary since the passing of Limerick legend Dodo Reddan, and we want to take a look back at her iconic life as one of the city’s most colourful and memorable characters. Dodo, whose real name is Nora Quirke, embodied everything that is great about Limerick – kindness, passion, determination, generosity, and of course, the love of rugby – and we want to pay tribute to her life, and the legacy that she left behind.

    Born on Nelson Street in 1922, Dodo came from a working-class background. She was educated at the Presentation Convent, Sexton Street, and throughout her life she worked with the Limerick Leader newspaper, using its columns to speak about causes and topics close to her heart.

    Dodo Reddan and her dogs

    Dodo Reddan and her dogs. Picture: Limerick Leader Archive

    Dodo was a huge advocate for helping those less fortunate than herself, both animal and human. Well known for her pram full of pet dogs which she was rarely seen without, Dodo was an animal lover who would rescue and take in dozens of dogs throughout her life. She would also distribute food to the homeless, give toys to the city’s poorest children, and use her columns to give a voice to the voiceless – speaking about subjects such as animal welfare, her opinions on proposed domestic water charges, and much more.

    The extent of Dodo’s work in caring for animals was not truly realised until after her death in 1995, when it was found that she had been running what was essentially a one-woman Animal Rescue Centre, with her own limited resources and no financial support. Dodo left behind 24 dogs, and Limerick Animal Welfare was assigned with the task of rehoming them all, as it was Dodo’s wish, or more so instruction, that none of the dogs would be put down.

    Dodo’s other love was rugby, more specifically Young Munsters RFC, and she naturally became an iconic mascot for the club, appearing at every game with her pram of dogs, dressed to the nines in the team colours of black and amber. One of Dodo Reddan’s most memorable ventures was her journey to Lansdowne Road in Dublin, for the 1993 League Final between Young Munsters RFC and St Mary’s. Prohibited from using passenger accommodation on the train from Limerick as a result of her insistence on bringing her dogs, the ever determined Dodo travelled in the goods compartment of the train. Arriving in Dublin, no taxi or bus would carry her, so she walked her pram of dogs all the way to Lansdowne Road, arriving just in time to witness Young Munsters’ historic victory. The crowd roared with glee at the sight of Dodo and her dogs, and her appearance has been documented as a fundamental memory from that day.

    Dodo Reddan

    Dodo Reddan and her dogs dressed in the black and amber of Young Munsters RFC

    Sadly, Dodo died on September 3, 1995, at the age of 73, following a short illness. Her funeral mass was held at St. Saviour’s Dominican Church on September 5, and she was buried thereafter at Mount Saint Oliver Cemetery. Loved and cherished by the whole of Limerick, to this day, ongoing requests continue for a statue to be erected in her honour. Or better yet, a dog’s home to be established by the County Council in her name, a feat that she was always disappointed didn’t happen in her lifetime.

    Speaking about Dodo, one Twitter user wrote, “Dodo Reddan was a true legend. Her regular appearances with all her dogs kitted out in black and amber was a fantastic sight. Fondly remembered.” Another said, “Can a Dodo Reddan mural be next? Strong Limerick woman, amazing animal lover and saver, and rugby obsessed.”

    To this day, Dodo Reddan is a name which causes the ears of any Limerick native or rugby fan to prick up, and she has now gone down in history as a dearly cherished Limerick character, legend, and icon. Her love of rugby and her passion and determination for creating change and advocating for the less fortunate will never be forgotten.

    We all Miss Dodo 
    By Sinead Benn, Garryowen
    A legendary Limerick lady,
    Rugby filled her soul,
    Kindness was her passion
    As her famous pram she’d roll
    Her dogs togged out to perfection,
    Everyone would stop and stare
    Nature at its utmost
    For them she showed great care
    A student of Presentation School
    Nobody can succeed her
    She gave great points of view
    At the offices of the Limerick Leader
    Legends of our city
    We take pride in passing through
    “NORA DODO REDDAN”
    With great soul we remember you
       
  • Marvellous photograph taken from the 1970s in a bar in Ballylongford Co Kerry as the locals celebrate the return of the magnificent Sam Maguire trophy,presenred to the winners of the All Ireland Football Championship every year. 25cm x 25cm  Ballylongford Co Kerry The Sam Maguire Cup, often referred to as Sam or The Sam (Irish: Corn Sam Mhic Uidhir), is a trophy awarded annually by the Gaelic Athletic Association (GAA) to the team that wins the All-Ireland Senior Football Championship, the main competition in the medieval sport of Gaelic football. The Sam Maguire Cup was first presented to the winners of the 1928 All-Ireland Senior Football Championship Final. The original 1920s trophy was retired in the 1980s, with a new identical trophy awarded annually since 1988. The GAA organises the series of games, which are played during the summer months. The All-Ireland Football Final was traditionally played on the third or fourth Sunday in September at Croke Park in Dublin. In 2018, the GAA rescheduled its calendar and since then the fixture has been played in early September

    Old trophy

    The original Sam Maguire Cup commemorates the memory of Sam Maguire, an influential figure in the London GAA and a former footballer. A group of his friends formed a committee in Dublin under the chairmanship of Dr Pat McCartan from Carrickmore, County Tyrone, to raise funds for a permanent commemoration of his name. They decided on a cup to be presented to the GAA. The Association were proud to accept the Cup. At the time it cost £300. In today's terms that sum is equivalent to €25,392. The commission to make it was given to Hopkins and Hopkins, a jewellers and watchmakers of O'Connell Bridge, Dublin. The silver cup was crafted, on behalf of Hopkins and Hopkins, by the silversmith Matthew J. Staunton of D'Olier Street, Dublin. Maitiú Standun, Staunton's son, confirmed in a letter printed in the Alive! newspaper in October 2003 that his father had indeed made the original Sam Maguire Cup back in 1928. Matthew J. Staunton (1888–1966) came from a long line of silversmiths going back to the Huguenots, who brought their skills to Ireland in the 1600s. Matt, as he was known to his friends, served his time in the renowned Dublin silversmiths, Edmond Johnson Ltd, where the Liam MacCarthy Hurling Cup was made in 1921. The 1928 Sam Maguire Cup is a faithful model of the Ardagh Chalice. The bowl was not spun on a spinning lathe but hand-beaten from a single flat piece of silver. Even though it is highly polished, multiple hammer marks are still visible today, indicating the manufacturing process. It was first presented in 1928 - to the Kildare team that defeated Cavan by one point in that year's final. It was the only time Kildare won old trophy. They have yet to win the new trophy, coming closest in 1998, when Galway defeated them by four points in that year's final. Kerry won the trophy on the most occasions. They were also the only team to win it on four consecutive occasions, achieving the feat twice -first during the late-1920s and early-1930s (1929, 1930, 1931, 1932), and later during the late-1970s and early 1980s (1978, 1979, 1980, 1981). In addition, Kerry twice won the old trophy on three consecutive occasions, in the late 1930s and early-1940s (1939, 1940, 1941) and in the mid-1980s (1984, 1985, 1986). They also won it on two consecutive occasions in the late-1960s and early-1970s (1969, 1970). Galway won the old trophy on three consecutive occasions in the mid-1960s (1964, 1965, 1966). Roscommon won the old trophy on two consecutive occasions during the mid-1940s (1943, 1944), as did Cavan later that decade (1947, 1948). Mayo won the old trophy on two consecutive occasions during the early-1950s (1950, 1951), while Down did likewise in the early-1960s (1960, 1961). Offaly won the old trophy on two consecutive occasions during the early 1970s (1971, 1972), while Dublin did likewise later that decade (1976, 1977). Six men won the old trophy twice as captain: Joe Barrett of Kerry, Jimmy Murray of Roscommon, John Joe O'Reilly of Cavan, Seán Flanagan of Mayo, Enda Colleran of Galway and Tony Hanahoeof Dublin. The original trophy was retired in 1988 as it had received some damage over the years. It is permanently on display in the GAA Museum at Croke Park.
    Original 1928 Sam Maguire Cup on display in the GAA Museum at Croke Park

    New trophy

    The GAA commissioned a replica from Kilkenny-based silversmith Desmond A. Byrne and the replica is the trophy that has been used ever since. The silver for the new cup was donated by Johnson Matthey Ireland at the behest of Kieran D. Eustace Managing Director, a native of Newtowncashel Co. Longford . Meath's Joe Cassells was the first recipient of "Sam Óg". Meath have the distinction of being the last team to lift the old Sam Maguire and the first team to lift the new one following their back-to-back victories in 1987 and 1988. Cork won the new trophy on consecutive occasions in the late-1980s and early-1990s (1989, 1990), while Kerry did likewise during the mid-2000s (2006, 2007). Dublin are the only team to win the new trophy on more than two consecutive occasions, achieving a historic achievement of five-in-a-row during the second half of the 2010s (2015, 2016, 2017, 2018 and 2019). Stephen Cluxton of Dublin is the only captain to have won the new trophy six times as captain, doing so in 2013, 2015, 2016, 2017, 2018 and 2019. No other person as ever won either the old or new trophy as captain more than twice. Two other men have won the new trophy twice as captain: Declan O'Sullivan of Kerry and Brian Dooher of Tyrone. In 2010, the GAA asked the same silversmith to produce another replica of the trophy (the third Sam Maguire Cup) although this was to be used only for marketing purposes.

    Winners

    Old Trophy
    •    Kerry – 1929, 1930, 1931, 1932, 1937, 1939, 1940, 1941, 1946, 1953, 1955, 1959, 1962, 1969, 1970, 1975, 1978, 1979, 1980, 1981, 1984, 1985, 1986
    •    Dublin – 1942, 1958, 1963, 1974, 1976, 1977, 1983
    •    Galway – 1934, 1938, 1956, 1964, 1965, 1966
    •    Cavan – 1933, 1935, 1947, 1948, 1952
    •    Meath – 1949, 1954, 1967, 1987
    •    Mayo – 1936, 1950, 1951
    •    Down – 1960, 1961, 1968
    •     Offaly – 1971, 1972, 1982
    •    Roscommon – 1943, 1944
    •    Cork – 1945, 1973
    •    Kildare – 1928
    •    Louth – 1957
    New Trophy
    •    Dublin – 1995, 2011, 2013, 2015, 2016, 2017, 2018, 2019
    •    Kerry – 1997, 2000, 2004, 2006, 2007, 2009, 2014
    •    Meath – 1988, 1996, 1999
    •    Cork – 1989, 1990, 2010
    •    Tyrone – 2003, 2005, 2008
    •    Down – 1991, 1994
    •    Donegal – 1992, 2012
    •    Galway – 1998, 2001
    •    Derry – 1993
    •    Armagh – 2002
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